- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Tenorio has just killed Ultima's owl and tried to shoot Antonio, but then Pedro Luna has shot Tenorio and killed him. Everyone is confused by the scene, and Antonio here responds with authority, telling his mother to take his sisters inside—speaking "as a man." This shows Antonio growing up in a definitive way, strengthened by his past experiences of tragedy. He is now facing death yet again, but has learned to respond to it with courage and calm. It's also worth noting the nature of his "command"—he wants his mother to take his sisters inside so they don't have to…