Shama Character Analysis

How terrible it would have been, at this time, to be without it: to have died among the Tulsis, amid the squalor of that large, disintegrating and indifferent family; to have left Shama and the children among them, in one room; worse, to have lived without even attempting to lay claim to one’s portion of the earth; to have lived and died as one had been born, unnecessary and unaccommodated.

How often did Mr Biswas regret his weakness, his inarticulateness, that evening! How often did he try to make events appear grander, more planned and less absurd than they were!

And the most absurd feature of that evening was to come. When he had left Hanuman House and was cycling back to Pagotes, he actually felt elated! In the large, musty hall with the sooty kitchen at one end, the furniture-choked landing on one side, and the dark, cobwebbed loft on the other, he had been overpowered and frightened by Seth and Mrs Tulsi and all the Tulsi women and children; they were strange and had appeared too strong; he wanted nothing so much then as to be free of that house. But now the elation he felt was not that of relief. He felt he had been involved in large events. He felt he had achieved status.

When her feet began to swell, Mr Biswas wanted to say, “Well, you are complete and normal now. Everything is going as it should. You are just like your sisters.” For there was no doubt that this was what Shama expected from life: to be taken through every stage, to fulfill every function, to have her share of the established emotions: joy at birth or marriage, distress during illness and hardship, grief at a death. Life, to be full, had to be this established pattern of sensation. Grief and joy, both equally awaited, were one. For Shama and her sisters and women like them, ambition, if the word could be used, was a series of negatives: not to be unmarried, not to be childless, not to be an undutiful daughter, sister, wife, mother, widow.

Real calling name: Lakshmi. Signed by Mohun Biswas, father.

Mr Biswas went past Dehuti to look at the body. Then he did not wish to see it again. But always, as he wandered about the yard among the mourners, he was aware of the body. He was oppressed by a sense of loss: not of present loss, but of something missed in the past. He would have liked to be alone, to commune with this feeling. But time was short, and always there was the sight of Shama and the children, alien growths, alien affections, which fed on him and called him away from that part of him which yet remained purely himself, that part which had for long been submerged and was now to disappear.

It sickened him that he had fallen into Mrs Tulsi’s trap and shown himself grateful to her. She was keeping him, like her daughters, within her reach. And he was in her power, as he had been ever since he had gone to the Tulsi Store and seen Shama behind the counter.

[Mr Biswas] turned the long room into an office. In this room, where the lotuses still bloomed on the wall, he had lived with Shama. Through the Demerara window he had tried to spit on Owad and flung the plateful of food on him. In this room he had been beaten by Govind, had kicked Bell’s Standard Elocutionist and given it the dent on the cover. Here, claimed by no one, he had reflected on the unreality of his life, and had wished to make a mark on the wall as proof of his existence. Now he needed no such proof. Relationships had been created where none existed; he stood at their centre. In that very unreality had lain freedom. Now he was encumbered, and it was at Hanuman House that he tried to forget the encumbrance: the children, the scattered furniture, the dark tenement room, and Shama, as helpless as he was and now, what he had longed for, dependent on him.

And it was astonishing how the furniture, to which they had grown accustomed, suddenly, exposed on the tray of the lorry in the street, became unfamiliar and shabby and shameful. About to be moved for the last time: the gatherings of a life-time: the kitchen safe (encrusted with varnish, layer after layer of it, and paint of various colours, the wire-netting broken and clogged), the yellow kitchen table, the hatrack with the futile glass and broken hooks, the rockingchair, the fourposter (dismantled and unnoticeable), Shama’s dressingtable (standing against the cab, without its mirror, with all the drawers taken out, showing the unstained, unpolished wood inside, still, after all these years, so raw, so new), the bookcase and desk, Théophile’s bookcase, the Slumberking (a pink, intimate rose on the headrest), the glass cabinet (rescued from Mrs Tulsi’s drawingroom), the destitute’s diningtable (on its back, its legs roped around, loaded with drawers and boxes), the typewriter (still a brilliant yellow, on which Mr Biswas was going to write articles for the English and American Press, on which he had written his articles for the Ideal School, the letter to the doctor): the gatherings of a lifetime for so long scattered and even unnoticed, now all together on the tray of the lorry.

How terrible it would have been, at this time, to be without it: to have died among the Tulsis, amid the squalor of that large, disintegrating and indifferent family; to have left Shama and the children among them, in one room; worse, to have lived without even attempting to lay claim to one’s portion of the earth; to have lived and died as one had been born, unnecessary and unaccommodated.

How often did Mr Biswas regret his weakness, his inarticulateness, that evening! How often did he try to make events appear grander, more planned and less absurd than they were!

And the most absurd feature of that evening was to come. When he had left Hanuman House and was cycling back to Pagotes, he actually felt elated! In the large, musty hall with the sooty kitchen at one end, the furniture-choked landing on one side, and the dark, cobwebbed loft on the other, he had been overpowered and frightened by Seth and Mrs Tulsi and all the Tulsi women and children; they were strange and had appeared too strong; he wanted nothing so much then as to be free of that house. But now the elation he felt was not that of relief. He felt he had been involved in large events. He felt he had achieved status.

When her feet began to swell, Mr Biswas wanted to say, “Well, you are complete and normal now. Everything is going as it should. You are just like your sisters.” For there was no doubt that this was what Shama expected from life: to be taken through every stage, to fulfill every function, to have her share of the established emotions: joy at birth or marriage, distress during illness and hardship, grief at a death. Life, to be full, had to be this established pattern of sensation. Grief and joy, both equally awaited, were one. For Shama and her sisters and women like them, ambition, if the word could be used, was a series of negatives: not to be unmarried, not to be childless, not to be an undutiful daughter, sister, wife, mother, widow.

Real calling name: Lakshmi. Signed by Mohun Biswas, father.

Mr Biswas went past Dehuti to look at the body. Then he did not wish to see it again. But always, as he wandered about the yard among the mourners, he was aware of the body. He was oppressed by a sense of loss: not of present loss, but of something missed in the past. He would have liked to be alone, to commune with this feeling. But time was short, and always there was the sight of Shama and the children, alien growths, alien affections, which fed on him and called him away from that part of him which yet remained purely himself, that part which had for long been submerged and was now to disappear.

It sickened him that he had fallen into Mrs Tulsi’s trap and shown himself grateful to her. She was keeping him, like her daughters, within her reach. And he was in her power, as he had been ever since he had gone to the Tulsi Store and seen Shama behind the counter.

[Mr Biswas] turned the long room into an office. In this room, where the lotuses still bloomed on the wall, he had lived with Shama. Through the Demerara window he had tried to spit on Owad and flung the plateful of food on him. In this room he had been beaten by Govind, had kicked Bell’s Standard Elocutionist and given it the dent on the cover. Here, claimed by no one, he had reflected on the unreality of his life, and had wished to make a mark on the wall as proof of his existence. Now he needed no such proof. Relationships had been created where none existed; he stood at their centre. In that very unreality had lain freedom. Now he was encumbered, and it was at Hanuman House that he tried to forget the encumbrance: the children, the scattered furniture, the dark tenement room, and Shama, as helpless as he was and now, what he had longed for, dependent on him.

And it was astonishing how the furniture, to which they had grown accustomed, suddenly, exposed on the tray of the lorry in the street, became unfamiliar and shabby and shameful. About to be moved for the last time: the gatherings of a life-time: the kitchen safe (encrusted with varnish, layer after layer of it, and paint of various colours, the wire-netting broken and clogged), the yellow kitchen table, the hatrack with the futile glass and broken hooks, the rockingchair, the fourposter (dismantled and unnoticeable), Shama’s dressingtable (standing against the cab, without its mirror, with all the drawers taken out, showing the unstained, unpolished wood inside, still, after all these years, so raw, so new), the bookcase and desk, Théophile’s bookcase, the Slumberking (a pink, intimate rose on the headrest), the glass cabinet (rescued from Mrs Tulsi’s drawingroom), the destitute’s diningtable (on its back, its legs roped around, loaded with drawers and boxes), the typewriter (still a brilliant yellow, on which Mr Biswas was going to write articles for the English and American Press, on which he had written his articles for the Ideal School, the letter to the doctor): the gatherings of a lifetime for so long scattered and even unnoticed, now all together on the tray of the lorry.