Deception Theme Analysis

And the moral of this story, according to Johnnie Larch, was this: don't piss off people who work in airports.
“Are you sure it's not something like ‘kinds of behavior that work in a specialized environment, such as a prison, can fail to work and in fact become harmful when used outside such an environment’?” said Shadow, when Johnnie Larch told him the story.
“No, listen to me, I'm telling you, man,” said Johnnie Larch, “don't piss off those bitches in airports.”

She did not look at him. "You've gotten yourself mixed up in some bad things, Shadow. You're going to screw it up, if someone isn't there to watch out for you. I'm watching out for you. And thank you for my present."

The important thing to understand about American history, wrote Mr. Ibis, in his leather-bound journal, is that it is fictional, a charcoal-sketched simplicity for the children, or the easily bored. For the most part it is uninspected, unimagined, unthought, a representation of the thing, and not the thing itself.

"The land is vast. Soon enough, our people abandoned us, remembered us only as creatures of the old land, as things that had not come with them to the new. Our true believers passed on, or stopped believing, and we were left, lost and scared and dispossessed, to get by on what little smidgens of worship or belief we could find…
"We have, let us face it and admit it, little influence. We prey on them, and we take from them, and we get by; we strip and we whore and we drink too much; we pump gas and we steal and we cheat and we exist in the cracks at the edges of society. Old gods, here in this new land without gods."

"I did it like he said. I did it all like he said, but I gave you the wrong coin. It wasn't meant to be that coin. That's for royalty. You see? I shouldn't even have been able to take it. That's the coin you'd give to the King of America himself…
"You did it like who said, Sweeney?"
"Grimnir. The dude you call Wednesday. You know who he is? Who he really is?"

"You shouldn't think badly of the town because of this," said Brogan. "It is a good town." …
"So what I'm saying is that Lakeside's lucky. We've got a little of everything here—farm, light industry, tourism, crafts. Good schools."
Shadow looked at her in puzzlement. There was something empty at the bottom of all her words. It was as if he were listening to a salesman, a good salesman, who believed in his product, but still wanted to make sure you went home with all the brushes or the full set of encyclopedias.

"Take a sip of this," he said. "Only a sip."
The liquid was pungent, and it evaporated in his mouth like a good brandy, although it did not taste like alcohol. Wednesday took the flask away, and pocketed it. "It's not good for the audience to find themselves walking about backstage. That's why you're feeling sick. We need to hurry to get you out of here."

And as for keeping my word, well, these preliminary talks are being filmed and broadcast live," and he gestured back toward the camera. "Some of your people are watching as we speak. Others will see video-tapes. Others will be told, by those they trust. The camera does not lie."
"Everybody lies," said Wednesday.

“It's never a matter of old and new. It's only about patterns. Now. My stick, please."
"Why do you want it?"
"It's a souvenir of this whole sorry mess," said Mr. World. "Don't worry, it's not mistletoe." He flashed a grin. "It symbolizes a spear, and in this sorry world, the symbol is the thing."