Beneath a Scarlet Sky fits neatly into the genre of historical fiction, a genre that emerged in the early 1800s with the works of Sir Walter Scott. Scott’s most famous books include
Rob Roy (1817) and
Ivanhoe (1819), both of which are classics within the genre. From the time of Sir Walter Scott, all the way up until the present, debates have existed about how much liberty authors should be allowed to take when writing historical fiction. Many critics of historical fiction raise an eyebrow when authors alter historical fact to better suit their narrative. Meanwhile, defenders of historical fiction argue that such a line of criticism forgets about the “fiction” half of the genre. Such conversations were had about Scott’s fiction, and they are being had again today in critical discussions of
Beneath a Scarlet Sky. Of course,
Beneath a Scarlet Sky is not the only piece of contemporary World War II historical fiction. Other recent releases include Anthony Doerr’s Pulitzer Prize winning novel
All the Light We Cannot See and Kristin Hannah’s
The Nightingale, which sold millions of copies. Historical fiction remains one of the most beloved genres in American fiction, both by reviewers and popular audiences. At least half of recent Pulitzer Prize winners belong to the genre, including Louise Erdrich’s
The Night Watchman, Colson Whitehead’s
The Nickel Boys, and Doerr’s aforementioned
All the Light We Cannot See.