Trevor’s Mother / Patricia Nombuyiselo Noah Quotes in Born a Crime
The white man was quite stern with the native. “You need to pray to Jesus,” he said. “Jesus will save you.” To which the native replied, “Well, we do need to be saved—saved from you, but that's beside the point. So let’s give this Jesus thing a shot.”
In any society built on institutionalized racism, race-mixing doesn't merely challenge the system as unjust, it reveals the system as unsustainable and incoherent. Race-mixing proves that races can mix—and in a lot of cases, want to mix. Because a mixed person embodies that rebuke to the logic of the system, race-mixing becomes a crime worse than treason.
As a kid I understood that people were different colors, but in my head white and black and brown were like types of chocolate. Dad was the white chocolate, mom was the dark chocolate, and I was the milk chocolate. But we were all just chocolate. I didn't know any of it had anything to do with “race.” I didn't know what race was. My mother never referred to my dad as white or to me as mixed. So when the other kids in Soweto called me “white,” even though I was light brown, I just thought they had their colors mixed up, like they hadn't learned them properly. “Ah, yes, my friend. You've confused aqua with turquoise. I can see how you made that mistake. You're not the first.”
So many black families spend all of their time trying to fix the problems of the past. That is the curse of being black and poor, and it is a curse that follows you from generation to generation. My mother calls it “the black tax.” Because the generations who came before you have been pillaged, rather than being free to use your skills and education to move forward, you lose everything just trying to bring everyone behind you back up to zero. Working for the family in Soweto, my mom had no more freedom than she'd had in Transkei, so she ran away. She ran all the way down to the train station and jumped on a train and disappeared into the city, determined to sleep in public restrooms and rely on the kindness of prostitutes until she could make her own way in the world.
When it was time to pick my name, she chose Trevor, a name with no meaning whatsoever in South Africa, no precedent in my family. It's not even a Biblical name. It's just a name. My mother wanted her child beholden to no fate. She wanted me to be free to go anywhere, do anything, be anyone.
My mom raised me as if there were no limitations on where I could go or what I could do. When I look back I realize she raised me like a white kid—not white culturally, but in the sense of believing that the world was my oyster, that I should speak up for myself, that my ideas and thoughts and decisions mattered.
I was blessed with another trait I inherited from my mother: her ability to forget the pain in life. I remember the thing that caused the trauma, but I don't hold on to the trauma. I never let the memory of something painful prevent me from trying something new. If you think too much about the ass-kicking your mom gave you, or the ass-kicking that life gave you, you'll stop pushing the boundaries and breaking the rules. It's better to take it, spend some time crying, then wake up the next day and move on. You'll have a few bruises and they'll remind you of what happened and that's okay. But after a while the bruises fade, and they fade for a reason—because now it's time to get up to some shit again.
Fufi was my first heartbreak. No one has ever betrayed me more than Fufi. It was a valuable lesson to me. The hard thing was understanding that Fufi wasn’t cheating on me with another boy. She was merely living her life to the fullest. Until I knew that she was going out on her own during the day, her other relationship hadn't affected me at all. Fufi had no malicious intent.
I believed that Fufi was my dog but of course that wasn't true. Fufi was a dog. I was a boy. We got along well. She happened to live in my house. That experience shaped what I've felt about relationships for the rest of my life: You do not own the thing that you love.
“I know you see me as some crazy old bitch nagging at you,” she said, “but you forget the reason I ride you so hard and give you so much shit is because I love you. Everything I have ever done I've done from a place of love. If I don't punish you, the world will punish you even worse. The world doesn't love you. If the police get you, the police don't love you. When I beat you, I'm trying to save you. When they beat you, they're trying to kill you.”
I grew up in a world of violence, but I myself was never violent at all. Yes, I played pranks and set fires and broke windows, but I never attacked people. I never hit anyone. I was never angry. I just didn't see myself that way. My mother had exposed me to a different world than the one she grew up in. She bought me the books she never got to read. She took me to the schools that she never got to go to. I immersed myself in those worlds and I came back looking at the world a different way. I saw that not all families are violent. I saw the futility of violence, the cycle that just repeats itself, the damage that's inflicted on people that they in turn inflict on others.
I saw, more than anything, that relationships are not sustained by violence but by love. Love is a creative act. When you love someone you create a new world for them. My mother did that for me, and with the progress I made and the things I learned, I came back and created a new world and a new understanding for her. After that, she never raised her hand to her children again. Unfortunately, by the time she stopped, Abel had started.
When he said that, my body just let go. I remember the exact traffic light I was at. For a moment there was a complete vacuum of sound, and then I cried tears like I had never cried before. I collapsed in heaving sobs and moans. I cried as if every other thing I’d cried for in my life had been a waste of crying. I cried so hard that if my present crying self could go back in time and see my other crying selves, it would slap them and say, “That shit's not worth crying for.” My cry was not a cry of sadness. It was not catharsis. It wasn't me feeling sorry for myself. It was an expression of raw pain that came from an inability of my body to express that pain in any other way, shape, or form. She was my mom. She was my teammate. It had always been me and her together, me and her against the world. When Andrew said, “shot her in the head,” I broke in two.
“My child, you must look on the bright side.”
“What? What are you talking about, ‘the bright side’? Mom, you were shot in the face. There is no bright side.”
“Of course there is. Now you're officially the best-looking person in the family.”
She broke out in a huge smile and started laughing. Through my tears, I started laughing, too.
Trevor’s Mother / Patricia Nombuyiselo Noah Quotes in Born a Crime
The white man was quite stern with the native. “You need to pray to Jesus,” he said. “Jesus will save you.” To which the native replied, “Well, we do need to be saved—saved from you, but that's beside the point. So let’s give this Jesus thing a shot.”
In any society built on institutionalized racism, race-mixing doesn't merely challenge the system as unjust, it reveals the system as unsustainable and incoherent. Race-mixing proves that races can mix—and in a lot of cases, want to mix. Because a mixed person embodies that rebuke to the logic of the system, race-mixing becomes a crime worse than treason.
As a kid I understood that people were different colors, but in my head white and black and brown were like types of chocolate. Dad was the white chocolate, mom was the dark chocolate, and I was the milk chocolate. But we were all just chocolate. I didn't know any of it had anything to do with “race.” I didn't know what race was. My mother never referred to my dad as white or to me as mixed. So when the other kids in Soweto called me “white,” even though I was light brown, I just thought they had their colors mixed up, like they hadn't learned them properly. “Ah, yes, my friend. You've confused aqua with turquoise. I can see how you made that mistake. You're not the first.”
So many black families spend all of their time trying to fix the problems of the past. That is the curse of being black and poor, and it is a curse that follows you from generation to generation. My mother calls it “the black tax.” Because the generations who came before you have been pillaged, rather than being free to use your skills and education to move forward, you lose everything just trying to bring everyone behind you back up to zero. Working for the family in Soweto, my mom had no more freedom than she'd had in Transkei, so she ran away. She ran all the way down to the train station and jumped on a train and disappeared into the city, determined to sleep in public restrooms and rely on the kindness of prostitutes until she could make her own way in the world.
When it was time to pick my name, she chose Trevor, a name with no meaning whatsoever in South Africa, no precedent in my family. It's not even a Biblical name. It's just a name. My mother wanted her child beholden to no fate. She wanted me to be free to go anywhere, do anything, be anyone.
My mom raised me as if there were no limitations on where I could go or what I could do. When I look back I realize she raised me like a white kid—not white culturally, but in the sense of believing that the world was my oyster, that I should speak up for myself, that my ideas and thoughts and decisions mattered.
I was blessed with another trait I inherited from my mother: her ability to forget the pain in life. I remember the thing that caused the trauma, but I don't hold on to the trauma. I never let the memory of something painful prevent me from trying something new. If you think too much about the ass-kicking your mom gave you, or the ass-kicking that life gave you, you'll stop pushing the boundaries and breaking the rules. It's better to take it, spend some time crying, then wake up the next day and move on. You'll have a few bruises and they'll remind you of what happened and that's okay. But after a while the bruises fade, and they fade for a reason—because now it's time to get up to some shit again.
Fufi was my first heartbreak. No one has ever betrayed me more than Fufi. It was a valuable lesson to me. The hard thing was understanding that Fufi wasn’t cheating on me with another boy. She was merely living her life to the fullest. Until I knew that she was going out on her own during the day, her other relationship hadn't affected me at all. Fufi had no malicious intent.
I believed that Fufi was my dog but of course that wasn't true. Fufi was a dog. I was a boy. We got along well. She happened to live in my house. That experience shaped what I've felt about relationships for the rest of my life: You do not own the thing that you love.
“I know you see me as some crazy old bitch nagging at you,” she said, “but you forget the reason I ride you so hard and give you so much shit is because I love you. Everything I have ever done I've done from a place of love. If I don't punish you, the world will punish you even worse. The world doesn't love you. If the police get you, the police don't love you. When I beat you, I'm trying to save you. When they beat you, they're trying to kill you.”
I grew up in a world of violence, but I myself was never violent at all. Yes, I played pranks and set fires and broke windows, but I never attacked people. I never hit anyone. I was never angry. I just didn't see myself that way. My mother had exposed me to a different world than the one she grew up in. She bought me the books she never got to read. She took me to the schools that she never got to go to. I immersed myself in those worlds and I came back looking at the world a different way. I saw that not all families are violent. I saw the futility of violence, the cycle that just repeats itself, the damage that's inflicted on people that they in turn inflict on others.
I saw, more than anything, that relationships are not sustained by violence but by love. Love is a creative act. When you love someone you create a new world for them. My mother did that for me, and with the progress I made and the things I learned, I came back and created a new world and a new understanding for her. After that, she never raised her hand to her children again. Unfortunately, by the time she stopped, Abel had started.
When he said that, my body just let go. I remember the exact traffic light I was at. For a moment there was a complete vacuum of sound, and then I cried tears like I had never cried before. I collapsed in heaving sobs and moans. I cried as if every other thing I’d cried for in my life had been a waste of crying. I cried so hard that if my present crying self could go back in time and see my other crying selves, it would slap them and say, “That shit's not worth crying for.” My cry was not a cry of sadness. It was not catharsis. It wasn't me feeling sorry for myself. It was an expression of raw pain that came from an inability of my body to express that pain in any other way, shape, or form. She was my mom. She was my teammate. It had always been me and her together, me and her against the world. When Andrew said, “shot her in the head,” I broke in two.
“My child, you must look on the bright side.”
“What? What are you talking about, ‘the bright side’? Mom, you were shot in the face. There is no bright side.”
“Of course there is. Now you're officially the best-looking person in the family.”
She broke out in a huge smile and started laughing. Through my tears, I started laughing, too.