Cane

by

Jean Toomer

Named after a pejorative caricature of Black culture, “Jim Crow” laws were a collection of state and local statues enforcing racial segregation in the American South. Immediately following the Civil War, during what is now known as the Reconstruction Era (1865–1877), the United States government sought to offer civil rights protections to formerly enslaved Black people. But as the federal forces that ensured these rights began to withdraw and be replaced by local White politicians in the 1870s, a hash backlash ensued. Local and state legislative bodies rapidly enacted a wide range of laws designed to reduce Black people’s political power, deny them the ability to vote, to prevent interracial marriages, and to segregate institutions of public life. Jim Crow laws were one of the drivers of the Great Migration. The Jim Crow Era lasted about a century, from 1877 until the Civil Rights Movement of the 1960s.

Jim Crow Quotes in Cane

The Cane quotes below are all either spoken by Jim Crow or refer to Jim Crow. For each quote, you can also see the other terms and themes related to it (each theme is indicated by its own dot and icon, like this one:
Navigating Identity Theme Icon
).
4. Becky Quotes

Becky had one Negro son. Who gave it to her? Damn buck nigger, said the white folks’ mouths. She wouldnt tell. Common, God-forsaken, insane white shameless wench, said the white folks’ mouths. Her eyes were sunken, her neck stringy, her breasts fallen, till then. Taking their words, they filled her, like a bubble rising—then she broke. Mouth setting in a twist that held her eyes, harsh, vacant, staring…Who gave it to her? She wouldnt tell. Poor Catholic poor-white crazy woman, said the black folks’ mouths. White folks and black folks built her a cabin, fed her and her growing baby, prayed secretly to God who’d put his cross upon her and cast her out.

Related Characters: Narrator of “Becky” (speaker), Becky
Page Number: 6
Explanation and Analysis:
15. Portrait in Georgia Quotes

Hair—braided chestnut,
coiled like a lyncher’s rope,
Eyes—fagots,
Lips—old scars, or the first red blisters,
Breath—the last sweet scent of cane,
And her slim body, white as the ash
of black flesh after flame.

Related Characters: Fern
Related Symbols: Cane
Page Number: 36
Explanation and Analysis:
16. Blood-Burning Moon Quotes

He saw Louisa bent over that hearth. He went in as a master should and took her. Direct, honest, bold. None of this sneaking that he had to go through now. The contrast was repulsive to him. His family had lost ground. Hell no, his family still owned the niggers, practically. Damned if they did, or he wouldn’t have to duck around so. What would they think if they knew? […] Fellows about town were all right, but how about his friends up North? He could see them incredible, repulsed. They didn’t know. The thought first made him laugh. Then, with their eyes still upon him, he began to feel embarrassed. He felt the need of explaining things to them. Explain hell. They wouldn’t understand, and moreover, who ever heard of a Southerner getting on his knees to any Yankee, or anyone.

Related Characters: Bob Stone (speaker), Louisa , Tom Burwell
Page Number: 42
Explanation and Analysis:

“I’m Bob Stone.”

“Yassur—an I’m Tom Burwell. Whats y want?”

Bob lunged at him. Tom side-stepped, caught him by the shoulder, and flung him to the ground. Straddled him.

“Let me up.”

“Yassur—but watch yo doins, Bob Stone.”

[…] Bob sprang to his feet.

“Fight like a man, Tom Burwell, and I’ll lick y.”

Again he lunged. Tom side-stepped and flung him to the ground. Straddled him.

“Get off me, you godam nigger you.”

“Yos ho has started somethin now. Get up.”

Tom yanked him up and began hammering at him. Each blow sounded as if it smashed into a precious, irreplaceable soft something. Beneath them, Bob staggered back. He reached into his pocket and whipped out a knife.

Related Characters: Bob Stone (speaker), Tom Burwell (speaker), Louisa
Page Number: 44-45
Explanation and Analysis:
25. Box Seat Quotes

Dan: Old stuff. Muriel—bored. Must be. But she’ll smile and she’ll clap. Do what youre bid, you she-slave. Look at her. Sweet, tame woman in a brass box seat. Clap, smile, fawn, clap. Do what youre bid. Drag me in with you. Dirty me. Prop me in your brass box seat. I’m there, am I not? because of you. He-slave. Slave of a woman who is a slave. I’m a damned sight worse than you are. I sing your praises, Beauty! I exalt thee, O Muriel! A slave, thou are greater than all Freedom because I love thee.

Related Characters: Dan Moore (speaker), Muriel
Page Number: 84
Explanation and Analysis:
29. Kabnis Quotes

Their meeting is a swift sun-burst. Lewis impulsively moves towards her. His mind flashes images of her life in the southern town. He sees the nascent woman, her flesh already stiffening to cartilage, drying to bone. Her spirit-bloom, even now touched sullen, bitter. Her rich beauty fading…He wants to— He stretches forth his hands to hers. He takes them. They feel like warm cheeks against his palms. The sun-burst from her eyes floods up and haloes him. Christ-eyes, his eyes look to her. Fearlessly she loves into them. Sand then something happens. Her face blanches. Awkwardly she draws away. The sin-bogies of respectable southern colored folks clamor at her: “Look out! Be a good girl. A good girl. Look out!”

Related Characters: Karintha , Carma , Fern , Avey , Ralph Kabnis , Lewis , Fred Halsey , Carrie K. , Stella, Cora
Page Number: 138
Explanation and Analysis:

Kabnis, with great mock-solemnity, goes to the corner, takes down the robe, and dons it. He is a curious spectacle, acting a part, yet very real. He joins the others at the table. They are used to him. Lewis is surprised. He laughs. Kabnis shrinks and then glares at him with a furtive hatred. Halsey, bringing out a bottle of corn licker, pours drinks.

Related Characters: Fred Halsey (speaker), Ralph Kabnis , Lewis , Hanby , Carrie K.
Page Number: 143
Explanation and Analysis:
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