Carrie

by

Stephen King

Puberty, Adolescence, and Coming of Age Theme Analysis

Themes and Colors
Puberty, Adolescence, and Coming of Age Theme Icon
Female Sexuality and Shame Theme Icon
Conformity vs. Ostracization Theme Icon
Cycles of Abuse Theme Icon
Sin vs. Atonement Theme Icon
LitCharts assigns a color and icon to each theme in Carrie, which you can use to track the themes throughout the work.
Puberty, Adolescence, and Coming of Age Theme Icon

In Carrie, puberty is simultaneously a source of terror and power for the titular protagonist. Having been raised by the fundamentalist Margaret White, Carrie has learned to view normal markers of puberty, such as breast development and the growth of pubic hair, as evidence of her sin. Margaret’s hatred for puberty is so intense that she does not even tell Carrie about menstruation, leading to the novel’s opening scene in which Carrie gets her first period and believes she’s about to die. The bleeding she deals with, though normal, takes on a violent meaning for her, demonstrating how growing up is a source of fear, rather than excitement, for her. This is further underscored throughout the novel, when Carrie expresses dread at the prospect of growing up and continuing to live a life of repression and abuse under Margaret’s authority.

However, while puberty is initially frightening and shameful for Carrie, it is also the source of her telekinetic powers, as they escalate dramatically once Carrie gets her period. Because Margaret is terrified of Carrie’s telekinesis, Carrie is able to use her abilities to finally defy her mother and retaliate against the abuse she suffers. In this way, her powers allow her to escape her oppressive childhood and begin to grow up. However, this newfound freedom comes with a terrible price, culminating in the deaths of not only many Chamberlain residents, but Carrie herself. As such, Carrie is never able to grow up, remaining a perpetual adolescent. In essence, then, while Carrie’s telekinesis allows her to move from child to adolescent, its escalation due to her psychological distress prevents her adolescence from developing into adulthood. Through Carrie’s stunted adolescence, the novel suggests that while growing up is a promising and powerful time in life, it’s also incredibly vulnerable—if an adolescent meets repression and bullying instead of support, they might never grow up successfully.

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Puberty, Adolescence, and Coming of Age ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Puberty, Adolescence, and Coming of Age appears in each chapter of Carrie. Click or tap on any chapter to read its Summary & Analysis.
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Puberty, Adolescence, and Coming of Age Quotes in Carrie

Below you will find the important quotes in Carrie related to the theme of Puberty, Adolescence, and Coming of Age.
Part 1: Pages 1-25 Quotes

A tampon suddenly struck her in the chest and fell with a plop at her feet. A red flower stained the absorbent cotton and spread.

Then the laughter, disgusted, contemptuous, horrified, seemed to rise and bloom into something jagged and ugly, and the girls were bombarding her with tampons and sanitary napkins, some from purses, some from the broken dispenser on the wall. They flew like snow and the chant became: “Plug it up, plug it up, plug it up, plug it—”

Related Characters: Carietta “Carrie” White, Sue Snell, Christine “Chris” Hargensen, Norma Watson
Related Symbols: Blood
Page Number: 9
Explanation and Analysis:

There was a bright flash overhead, followed by a flashgun-like pop as a lightbulb sizzled and went out. Miss Desjardin cried out with surprise, and it occurred to her
(the whole damn place is falling in)
that this kind of thing always seemed to happen around Carrie when she was upset, as if bad luck dogged her every step.

Related Characters: Carietta “Carrie” White, Rita Desjardin
Page Number: 14
Explanation and Analysis:
Part 1: Pages 25-50 Quotes

If only [the Day of Judgement] would be today and Jesus coming not with a lamb and a shepherd’s crook, but with a boulder in each hand to crush the laughers and the snickers, to root out the evil and destroy it screaming—a terrible Jesus of blood and righteousness.

And if only she could be His sword and His arm.

Related Characters: Carietta “Carrie” White, Margaret White
Page Number: 26
Explanation and Analysis:

Tommy Erbter, age five, was biking up the other side of the street. He was a small, intense-looking boy on a twenty-inch Schwinn with bright-red training wheels. He was humming “Scooby Doo, where are you?” under his breath. He saw Carrie, brightened, and stuck out his tongue.

“Hey, ol’ fart face! Ol’ prayin’ Carrie!”

Carrie glared at him with sudden smoking rage. The bike wobbled on its training wheels and suddenly fell over. Tommy screamed. The bike was on top of him. Carrie smiled and walked on. The sound of Tommy’s wails was sweet, jangling music in her ears.

If only she could make something like that happen whenever she liked.

(just did)

Related Characters: Carietta “Carrie” White
Page Number: 28
Explanation and Analysis:
Part 1: Pages 50-91 Quotes

And Eve was weak and loosed the raven on the world, […] and the raven was called Sin, and the first Sin was Intercourse. And the Lord visited Eve with a Curse, and the Curse was the Curse of Blood. And Adam and Eve were driven out of the Garden and into the World and Eve found that her belly has grown big with child.

Related Characters: Margaret White (speaker), Carietta “Carrie” White
Page Number: 63
Explanation and Analysis:
Part 1: Pages 91-117 Quotes

The mean tricks have been going on ever since grammar school. I wasn’t in on many of them, but I was on some. If I’d been in Carrie’s groups, I bet I would have been in on even more. It seemed liked…oh, a big laugh. Girls can be cat-mean about that sort of thing, and boys don’t really understand. The boys would tease Carrie for a little while and then forget, but the girls...it went on and on and on and I can’t even remember where it started any more. If I were Carrie, I couldn’t even face showing myself to the world. I’d just find a big rock and hide under it.

Related Characters: Sue Snell (speaker), Carietta “Carrie” White, Tommy Ross
Page Number: 97
Explanation and Analysis:
Part 2: Pages 141-170 Quotes

“There’s going to be a judgment!” Margaret White raved. “I wash my hands of it! I tried!”

“Pilate said that,” Carrie said.

Related Characters: Carietta “Carrie” White (speaker), Margaret White (speaker)
Page Number: 144
Explanation and Analysis:
Part 2: Pages 171-196 Quotes

The only way to kill sin, true black sin, was to drown it in the blood of
(she must be sacrificed)
a repentant heart. Surely God understood that, and had laid His finger upon her. Had not God Himself commanded Abraham to take his son Isaac up upon the mountain?

She shuffled out into the kitchen in her old and splayed slippers, and opened the kitchen utensil drawer. The knife they used for carving was long and sharp and arched in the middle from constant honing. She sat down on the high stool by the counter, found the sliver of whetstone in its small aluminum dish, and began to scrub it along the gleaming edge of the blade with the apathetic, fixated attention of the damned.

The Black Forest cuckoo clock ticked and ticked and finally the bird jumped out to call once and announce eight-thirty.

Related Characters: Carietta “Carrie” White, Margaret White
Related Symbols: Blood, The Black Forest Cuckoo Clock
Page Number: 177
Explanation and Analysis:
Part 2: Pages 238-277 Quotes

“I almost killed myself […] And Ralph wept and talked about atonement and I didn’t and then he was dead and the I thought God had visited me with cancer; that He was turning my female parts into something as black and rotten as my sinning soul. But that would have been too easy. The Lord works in mysterious ways His wonders to perform. I see that now. When the pains began I went and got a knife—this knife”—she held it up—“and waited for you to come so I could make my sacrifice. But I was weak and backsliding. I took this knife in hand again when you were three, and I backslid again. So now that devil has come home.”

Related Characters: Margaret White (speaker), Carietta “Carrie” White, Ralph White
Page Number: 249
Explanation and Analysis: