Throughout his luminous career, Achebe’s work dealt with the conflict between colonized people and colonial figures. It is perhaps for this reason that Achebe continues to be hailed as the father of African Literature. He paved the way for African and other writers to talk about the legacy of colonialism from their point of view, outside the western perspective, while developing a nuanced and effective way of expressing it. One of these writers is Ngūgī wa Thiong’o, a Kenyan author whose novel
A Grain of Wheat continues
to be a postcolonial classic. Like Achebe’s work, it deals with cultural clashes that occur in the lives of colonized people who live at the intersection of indigenous and western cultural expectations.
Death and the King’s Horseman by Wole Soyinka, a fellow Nigerian writer, also explores themes such as cultural identity, a community’s pull towards western modernity, and the disruptive and lasting effects that can occur when sacred indigenous rights are violated in the name of progress. Additionally, Chimamanda Ngozi Adichie, one of the most widely recognized Nigerian writers of today, not only explores many of the same issues as Achebe in her writing, but she also directly pays homage to him by beginning her debut novel,
Purple Hibiscus, with an allusion to one of Achebe’s most influential books,
Things Fall Apart. Finally, Toni Morrison, Nobel Prize winner and one of the premier American writers of our time, has cited Achebe as one of her literary inspirations, proving that Achebe’s footprint in the literary world extends beyond Africa and remains steadfast more than fifty years after he debuted his works.