LitCharts assigns a color and icon to each theme in Disgrace, which you can use to track the themes throughout the work.
Desire and Power
Shame, Remorse, and Vanity
Violence and Empathy
Love and Support
Time and Change
Summary
Analysis
On Monday, Melanie doesn’t come to David’s office. When he checks his faculty mailbox, he finds “an official withdrawal card” with her name on it, and an hour later receives a call from her father. “Professor,” Mr. Isaacs says, “I wonder if you can help us. Melanie has been such a good student, and now she says she is going to give it all up.” Continuing, he asks David to talk some sense into Melanie, since she has always spoken highly of him. Awkwardly, David says he’ll “see what [he] can do,” later telling himself that he won’t “get away with” this. Still, he calls Melanie at home to speak to her, but her cousin answers and tells him she won’t come to the phone. In the coming days, attendance is down in his classes, and he senses that everybody knows what’s happening.
Slowly but surely, David’s life begins to crumble as a result of his affair with Melanie. Although her father doesn’t yet know why Melanie has decided to drop out of school, he’ll probably find out, and then David is unlikely to escape the situation unharmed. In fact, news of what he’s done has clearly already begun to circulate, as evidenced by the low attendance in his classes. As a result, readers see that Melanie isn’t the only one who will suffer because of David’s unflinching decision to satisfy his sexual desires. David has also doomed himself, though in a different way.
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One afternoon during this period, David is surprised to hear Mr. Isaacs’s voice behind him in the department’s common space. “Professor,” Isaacs says in front of several secretaries and students, “You may be very educated and all that, but what you have done is not right.” As David cowers before him, Isaacs says that parents trust people like him with their children and that he should be “ashamed” of himself for what he’s done. Hearing this, David tries to duck away, rushing down the hall as Isaacs shouts after him, saying, “You have not heard the last of it, I tell you now!”
This is the first scene in which the novel’s title, Disgrace, starts to make sense. Having violated the boundaries of conventional student-teacher relationships, David now faces a public shaming. From this point on, it’s clear that he will have to find a way to live under the critical gaze of his surrounding community, which will no doubt condemn him for prioritizing his sexual desires over Melanie’s wellbeing.
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David receives a notice from the Vice-Rector’s office the following morning. The message tells him that a student has filed a sexual harassment complaint against him. As he reads this, he thinks about how Melanie wouldn’t have “taken such a step by herself,” thinking that her father must have urged her to do this. That evening, he goes to a meeting at the Vice-Rector’s office, where Aram Hakim—the Vice-Rector—welcomes him. Inside, David finds the chair of his department, Elaine Winter, and the chair of the university’s “committee on discrimination,” Farodia Rassool. As he takes his seat, Elaine—who he believes has never liked him because she sees him as leftover personnel in her department—explains that, in addition to Melanie’s sexual harassment complaint, they are also investigating the fact that David marked her as present even though Melanie has indicated that she hasn’t been attending class.
Finally, David has to face what he’s done. In this section, Coetzee illustrates the consequences of his transgression, as David not only has to confront the sexual harassment complaint, but also the more logistical problem regarding his fraudulent attendance records. In this way, he’s forced to reckon with the fact that his relationship with Melanie—if, indeed, it can even be called a relationship—affected his ability to carry out his role as an unbiased educator. As such, it becomes clear that mixing sexual desire with power significantly skews a person’s capacity to occupy an authoritative position in the first place.
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“I have no defence,” David says, regarding both Melanie’s complaint and his fraudulent attendance records. At this point, Hakim interjects and assures David that this isn’t a hearing, but simply an opportunity to “clarify procedure.” He then says that there will be a disciplinary committee that will hear his case. He also suggests that David seek legal counsel, and when David begins to object to this, he urges him to “sleep on it.” “Don’t tell me what to do, I’m not a child,” David erupts, leaving the office in a fit of anger, though he has to wait at the building’s front door for Hakim to unlock it for him. On their way to the parking lot, Hakim expresses his “sympathy,” saying that these situations are very difficult, but David merely “shrugs” and drives away.
At first, it seems as if David might handle this situation responsibly and even humbly, since he honestly says that he can offer no defense of his actions. However, he immediately contradicts this sense of humility by snapping at Hakim and insisting that he can’t be told what to do. Hakim is only trying to help David, but David sees this as a challenge because he’s too egotistical and proud to listen to anyone but himself. As a result, he brushes off Hakim’s “sympathy,” effectively estranging himself from the only person who has—thus far—offered him support.
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News of David’s scandal begins to circulate even though the upcoming hearing is supposed to be “confidential.” A lawyer he used for one of his divorces tells him that he should have a woman represent him during the hearing and that he should “minimize the damage” by appearing willing to undergo certain restorative measures, like counseling—a suggestion that frustrates David. One night, he has dinner with Rosalind, one of his ex-wives, and she brings up the “problems” he’s having at the university. “Am I allowed to tell you how stupid it looks?” she asks, and when he says no, she pushes on, saying, “I will anyway. Stupid, and ugly too.” Going on, she tells him not to “expect sympathy” from her or anybody else. The next morning, Rosalind calls and tells him that a local paper has written very unflattering things about him.
David bristles when his lawyer suggests that he remain open to the possibility of counseling. This is because he is averse to the idea of change, thinking that he is “too old” to reform himself—a sentiment readers will remember from the first chapter, when Coetzee notes that David believes his “temperament” will never change again. Of course, this line of thinking merely enables him to continue to lead his life according to his desires without ever having to examine his shortcomings. When Rosalind tells him not to “expect sympathy” in the aftermath of his affair with Melanie, readers see that he will have very little support from even his closest acquaintances.