Dune

Dune

by

Frank Herbert

Dune: Book 2, Part 7 Summary & Analysis

Summary
Analysis
The epigraph from Princess Irulan’s text “In My Father’s House” details life for the Imperial princesses in the Royal Creche. Irulan acknowledges that it may be difficult to understand, but along with her sisters and mother she would spy on her father Emperor Shaddam IV. This was a necessity, seeing as there were many attempts on the princesses’ lives and some of them may have come from the Emperor himself. Irulan claims that “A Royal Family is not like other families.” She believes that her father only had one true friend, the “genetic-eunuch” Count Hasimir Fenring who was known as one of the best fighters in the Imperium. On one occasion, spying on the Emperor, Irulan is worried to see that her father rejects one of Count Fenring’s gifts of a slave-concubine because she is “too beautiful.” The Emperor demonstrates a “subtlety and control” that scares Irulan and her sisters.
Princess Irulan’s royal upbringing is revealed to be as dangerous as Paul’s due to her father’s lack of love for his daughters. The Emperor’s power and self-discipline foreshadows the term “spannungsbogen” that Paul will later use to describe the Fremen ability to control their urge to reach out and grasp a desired object. Irulan also introduces the character of Count Fenring, who will become an essential player in the conflict between Paul and the Padishah Emperor.
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In late afternoon on the desert, Paul stands beside the pitched tent in which Jessica sleeps. He is considering whether his plan to cross the open desert is a good one. When Jessica wakes and sees his stance outside, he reminds her of Duke Leto, and she turns away in grief. When she later moves outside, Paul remarks that he is enjoying the quiet of the desert and that “it could be a good life here.”
Paul is still optimistic about their difficult situation, while Jessica is increasingly dispirited as she grieves for the lost Duke Leto.
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As the sun sets, Paul sets the thumper in the deepest part of the rock. Under starlight, he and Jessica begin to walk with an erratic pattern across the open sand, trying to mimic the desert’s natural sounds. Paul shows his mother how to achieve this by drawing on prophetic memory as well as his memories of brief glimpses of Fremen on the sands. They are almost half way across the sands before they hear the sounds of sandworms traveling to investigate the thumper. The worms start the slow and brutal process of ripping through rock to get to the thumper, the sounds becoming a backdrop to Paul and Jessica’s careful movements.
Once more drawing on his Mentat and Bene Gesserit training as well as his prophetic talents, Paul’s guidance allows Jessica to follow his lead in safely crossing the first half of the dangerous open sands.
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About 200 meters from safety, Paul accidentally steps on drum sand and it booms out loudly across the desert. Jessica screams at her son to run for the rock zone, and the two sprint to safety with a threatening sandworm on their tails. They reach the rock and hide in a crevice; the huge creature rears out of the sand with a gaping mouth, questing toward its hidden prey. Paul is struck by its magnificence. He can smell a strong sense of cinnamon from its open mouth and once again feels sure that there must be a strong relationship between sandworms and spice, although he has not yet figured this out or seen it using foresight.
One small mistake on the open sands can result in loss of life. Paul and Jessica know they are lucky to have reached the rocks with a sandworm on their tail. While Jessica uncharacteristically loses her composure again, Paul is thrilled rather than scared by its awe-inspiring power in close range.
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The sandworm reaches over the rock to try and catch them, but is suddenly distracted by the sound of another thumper in the distance. Paul wonders if Fremen have deliberately set it off to lure the sandworm away from them. Or, they may have been calling the creature for another purpose—perhaps something to do with the “maker hooks” in the Fremen packs that he and Jessica escaped with from the Imperial base.
Paul’s pragmatism and mental agility is demonstrated again as his mind leaps beyond his immediate hiding place with Jessica to consider distant Fremen actions.
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Paul and Jessica find a way up a rock cliff using long and thin poles that have been set as markers. At the steepest point there are stairs cut into a crevasse. At the top of the rocks, they are amazed to see an oasis basis that is filled with desert plants. There are even mice flitting in and out of the shadows and a bird of prey hunting the rodents.
Paul’s guess is proved correct in that Fremen have been in this area cultivating desert plant life. His view of the desert creatures becomes essential later in the narrative when he adopts the Fremen name “Muad’Dib,” meaning desert mouse.
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Suddenly, though, Paul and Jessica are surrounded by a group of Fremen. Paul’s body tenses in preparation to withdraw, but the Fremen warn him not to. He is frustrated that he has not immediately fallen into the emergency semblance of relaxation like his mother. The Fremen—one of them is referred to as a companion by “Stil”—threaten to take Paul and Jessica’s water and perhaps even their lives.
Yet again, Paul and Jessica face a new threat to their lives and must prepare themselves for battle or escape. As Paul and Jessica have experienced firsthand just how harsh and dangerous the Arrakeen desert is, it’s likely that the people who call it home—the Fremen—will be just as unforgiving.
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