LitCharts assigns a color and icon to each theme in Educated, which you can use to track the themes throughout the work.
Memory, History, and Subjectivity
Learning and Education
Devoutness and Delusion
Family, Abuse, and Entrapment
Summary
Analysis
Tara arrives home for the first time in years as spring comes to the mountain—the Princess atop Buck’s Peak is brighter than Tara has ever seen her. The Princess has been “haunting” Tara for weeks, “beckoning” from across the ocean. Tara has been worried that the Princess is “angry” with her for leaving, but sees now that she isn’t and never was—leaving, the Princess teaches, is a part of life.
Whereas the last time Tara returned home the Princess was buried in snow—signaling a blocked or confused homecoming—this time she is visible and clear, signaling that Tara’s relationship with the place she comes from is on the verge of being healed, at least somewhat.
Active
Themes
Tara visits Grandma-over-in-town and Grandpa-over-in-town. Grandma is in the throes of Alzheimer’s and doesn’t recognize Tara, so Tara spends some time catching up with Grandpa. He tells Tara that her parents have become the most “powerful people in the valley,” renowned for the money they’ve made from the essential oil business. Even Grandpa has become convinced that God must be behind their “wondrous success.”
Tara’s maternal grandfather, who always looked down on Mother and Dad for their backwards ways, is now in awe of their wealth, and retroactively justifies their odd and dangerous behavior as God’s will.
Active
Themes
Tara is planning on going to Tyler’s in Idaho Falls next, but writes her mother a quick email asking if she wants to meet up in town. Tara says she’s not ready to see Dad, but misses Mother after so many years apart. Mother replies with an ultimatum: Tara can see her and Dad together, or she will never see her mother again. Tara writes that as of the publication of her memoir her mother has “never recanted” this demand.
Tara longs for a relationship with Mother, even after all the woman has put her through—but is not willing to put herself through seeing her father again in order to attempt to pursue her relationship with Faye.
Active
Themes
Tara is determined to lay eyes on her home before she leaves the valley, so she drives to the foot of Buck’s Peak. As she looks up the hill at the house, she sees how enormous it has grown in the wake of her parents’ many expansions. Tara wonders if her parents are using their money to continue preparations for the End of Days, and imagines Dad dragging solar panels and gallons of gas and water across the lawn.
Tara still feels drawn to and intrigued by the place where she was raised, in spite of all the suffering and strangeness associated with it. She can see it with clear eyes now, though, rather than feeling trapped or sucked in.
Active
Themes
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Several months later, when Grandma-over-in-town dies, Tara returns to Idaho for the funeral. She visits Faye’s sister Angie who lives next door to Grandma and Grandpa-over-in-town. Angie, too, has been “cast aside” by the family after being fired from the family business and seeking unemployment, igniting Dad’s paranoid beliefs that she was trying to put him on some sort of government watchlist. Tara and Angie bond over their shared ostracism, and at the funeral, Tara spends time with the other “outcasts” in her family—her mother’s other sister Debbie, as well as Tyler and Stefanie.
Tara has reached a point in her life where she’s able to draw strength from her pain, and use it to connect with other members of her family who have endured the same kind of grief, loss, and suffering she has. Family is, for the first time in Tara’s life, a source of refuge and solidarity.
Active
Themes
At the funeral, Tara sits apart from most of her family. She catches glimpses of Luke and his giant “brood” of children; Richard, who has recently written to apologize for believing Dad over Tara, and offering her his support; Audrey, who clutches Tara’s arm and tells her that to refuse to see Dad is a “great sin”; and at last Shawn, who does not look at Tara once during the service. As Tara gazes over her fractured family, she notices that the three siblings with educations—herself, Richard, and Tyler—have effectively split from the rest.
Tara suggests, through this passage and the observations contained within it, that education is—for her family, at least—a line of demarcation. Those who become educated in the world beyond the mountain are unable to return there, while those who bury their head in the sand and live by the old ways can never understand the draw of the “real” world.