LitCharts assigns a color and icon to each theme in Educated, which you can use to track the themes throughout the work.
Memory, History, and Subjectivity
Learning and Education
Devoutness and Delusion
Family, Abuse, and Entrapment
Summary
Analysis
Tara tells the story of a time her brother Tyler, at seventeen, fell asleep at the wheel and drove the family car off the road. He’d been driving overnight back to Idaho from Arizona, on the way home from a trip to visit Grandma-down-the-hill and Grandpa-down-the-hill at their winter home. The trip had been Mother’s idea—Dad had settled into a deep depression after Christmas and could barely get out of bed. In February, the family piled into their station wagon and drove for twelve hours, through the night, to “plant” Dad in the sun like a sunflower in need of golden rays.
This passage seems to confirm the suspicions Tara will develop later on in life about the tenuous state of her father’s mental health. Sidelined by a depression which may or may not have been affected by the seasons, Gene became helpless and dependent on his family to take care of him.
Active
Themes
Dad remained listless the first few days in Arizona, but turned back into his old self when he heard Grandma-down-the-hill receive a voicemail from a doctor she’d been seeing. He saw her reliance on doctors as a show of “faithlessness,” and said she was the most “hateful” kind of sinner to accept Mother’s herbs and tinctures and then see a doctor behind her back. Dad told his mother that all doctors tried to kill their patients, and that by seeing one, she was becoming “a knowing participant in the plans of Satan.” These tirades continued for the rest of the trip, and though Grandma laughed them off, they disturbed the young Tara.
It seems to be not necessarily the change of pace or scenery, but the chance to deliver a tirade against “faithlessness” that brings Gene out of his depression at last. As he rants ceaselessly at his own mother, the depth of his delusions becomes apparent—as does the fact that much of his family either agrees with him or laughs him off rather than standing up to his paranoia and harmful beliefs.
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Quotes
One afternoon, Grandma-down-the-hill takes Tara and Richard for a drive through the desert. She makes them wear their seatbelts—something their father has never made them do, as he doesn’t believe in them. Up in the red hills, Grandma helps the children hunt for small black rocks called “Apache tears.” The children collect the stones, which Grandma plans to sell, and all the while she tells them the legend of the Apache tears—the story of a tribe of Apaches’ terrible defeat at the hands of the U.S. Cavalry in these very hills, many years ago. The rocks, legend has it, are the tears the Apache women cried when they saw their husbands’ dead bodies. Even on the drive home, Tara cannot get the Apache women out of her head.
The story of the Apache women—and their predetermined fate of misery, loss, and lack of agency—resonates deeply with Tara. She, too, feels a loss of control over her own circumstances, even at a young age, and sees the senselessness of her own life reflected in the senseless violence suffered by the Apache women and their husbands.
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The longer the Westovers stay in Arizona, the more Tara finds herself missing the mountain, and the Princess atop it. Tara longs to return home, but is nevertheless surprised when one night after dinner Dad hurriedly tells everyone to collect their bags and get in the car as Mother’s eyes “darken with worry.”
Even though Tara feels disturbed by the landscape of her life for reasons she can’t articulate, she still longs for the familiarity of home.
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Themes
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Tara falls asleep on the drive home, and wakes only in the middle of the accident, as the station wagon hits a utility pole. As the car skids to a stop, everyone takes stock of one another’s injuries. Tyler and Audrey are bloody but conscious, and Tara has a big gash in her arm. Dad says that power lines have fallen on top of the car, and slowly gets out of the car, making sure his body never touches it and the ground at the same time. He goes to the other side to check on Mother, who is unconscious in the passenger seat. Tara remembers her father asking if he should call an ambulance, but is shocked by this memory, as it is decidedly out of character for her father.
The seriousness of the car accident the Westovers get into is evidenced by Gene’s strange confusion about whether or not they should call for an ambulance—something he would never consider in other circumstances.
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A nearby farmer, whose tractor the Westovers’ car has hit, calls the police. They arrive on the scene, and soon Utah Power shuts off the lines draped over the station wagon. Tara remembers only bits and pieces of these moments, but seared into her brain is the memory of Dad lifting Mother—“her eyes hidden under dark circles the size of plums”—from the car.
It is clear that Mother has sustained the worst injuries of all. While the other Westovers have superficial cuts and gashes, Faye’s loss of consciousness—and serious cranial damage—shows that she is in for a miserable recovery, especially considering Gene’s refusal to rely on doctors or hospitals for help.
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Tara does not remember how their family got home. The next morning, Mother regains consciousness and begs to be carried to the basement, where there is no sunlight, while Tyler spits blood into the sink. Mother does not come out of the basement for a week, but every day when Tara goes to check on her, she is horrified by the swelling around Mother’s eyes—it is as if she has “two objects strapped to her forehead, large as apples, black as olives.” Despite Mother’s obvious injuries, there is never any talk of taking her to a hospital—Dad insists she is “in God’s hands.”
Even when Faye is in obvious pain and grave danger, Gene refuses to take her for any real medical assistance. His belief that God alone has the power to decide whether she lives or dies—and, if she lives, what kind of long-term pain and distress she’ll suffer—is his most powerful delusion, and it blots out anyone else’s authority on the matter.
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It takes months for Mother to recover. She is often confused, and calls Tara by her siblings’ names, unable to discern who she is. Even after the swelling goes down, Mother has dark circles around her eyes which the kids call “Raccoon Eyes,” oblivious of the fact that raccoon eyes is a legitimate medical term—and the sign of a serious brain injury. The sensitive Tyler blames himself for the accident, and “every decision that [is] made thereafter,” but Tara never blames him or anyone. A decade later, the accident reminds her of the story of the Apache women, whose fate was decided for them by others—like “grains of sand […] pressing into sediment, then rock.”
This passage encapsulates the pain of Tara’s childhood. She and her siblings knew something was wrong, but were naïve as to how bad things really were. As a result, they allowed their fate to be decided for them, and their paths solidified without their consent—just like the painful paths of the Apache women.