Eleanor and Park

by

Rainbow Rowell

Eleanor and Park: Chapter 1 Summary & Analysis

Summary
Analysis
It is August of 1986—the start of Park Sheridan’s sophomore year of high school. He listens to New Wave music on his headphones, trying to drown out “the morons at the back of the bus.” Park can’t wait to get his driver’s license in November so that he can drive to school by himself.
The introduction to Park shows that he is a loner who feels trapped in his school’s social stratosphere. He wants to stoke his loneliness rather than risk having averse or awkward social interactions with his peers.
Themes
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Park’s neighbor Steve, one of the “morons,” calls out to him. Park hears Steve call his name, but ignores him—Park is always trying to just keep his head down. Park feels a ball of paper hit the back of his head. Steve’s girlfriend, Tina, yells at him for crumpling up her class notes to throw at Park. Park at last relents and pulls his headphones off, then turns around to face Steve, who has “looked like a grown man since the seventh grade.” Steve has a reputation for being hotheaded, and is always looking for a fight.
Park seems annoyed by his peers rather than frightened of them—he feels he is above their moronic, juvenile behavior, and yet this attitude only brings him more shame and isolation.
Themes
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Steve urges Park to tell another guy on the bus, Mikey, about “Drunken Monkey karate.” Park insists he doesn’t know anything about it, but confirms that it exists. Mikey tells Steve that Park doesn’t know anything about kung fu, but Steve retorts that Park must, because his mother is Chinese. Mikey looks at Park “carefully” and says that he always assumed Park was “Mexican.” Steve tells Mikey he’s a racist. Tina, who has been getting haircuts from Park’s mother since grade school, tells the boys that Park’s mom isn’t Chinese, but Korean. Steve retorts that it doesn’t matter “what” Park’s mom is, because “She’s fucking hot.” Park smiles weakly and slumps back into his seat, facing away from the popular kids four rows back.
This passage, with its intricate depiction of the casual cruelty of Park’s classmates’ racism, makes clearer the reasoning behind Park’s desire to isolate himself from his peers. They see him as different and other because of his race—Park doesn’t even try bothering to fit in when doing so would mean putting up with even more of their racism and idiocy.
Themes
Adolescence and Shame Theme Icon
Park spots a new girl (Eleanor) standing at the front of the bus. He watches as she tries to find a seat—and as anyone sitting alone on the bus scooches to the aisle or puts their bag down to prevent her from sitting with them. Park hears Tina laugh—Tina “live[s]” for any kind of gossip or drama. Park can’t help but stare at the new girl, who reminds him of a “train wreck/eclipse situation.” She is “big and awkward” with unruly red curls and she is dressed like a “mess”—she wears men’s clothing and has “weird necklaces” and scarves wrapped around her neck and wrists.
Park’s first sighting of Eleanor fills him with a kind of secondhand shame. Park is just barely getting by in the complicated minefield that is the social landscape of his school—this new outsider, clueless as to how much attention she’s drawing to herself, makes Park cringe.
Themes
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As the bus continues moving, the new girl (Eleanor) struggles to find a seat—the bus driver yells at her to sit down. The new girl tries to sit in an empty seat, but Tina yells at her and tells her it already belongs to someone. Park turns up the volume of his music, trying to ignore the situation, but when he looks up at the new girl’s face, he sees that she is about to cry. Without thinking, he scoots towards the window and urges her to sit next to him. The new girl sits down, leaving half a foot of space between herself and Park. He is grateful that she doesn’t try to speak to him. Park turns towards the window, waiting for the popular kids to start making fun of him—and for “a world of suck to hit the fan.”
Though it outwardly appears to be a small gesture, Park inviting the new girl to sit with him is actually a huge risk to his limited social capital. He scooches over shamefully, aware of what associating with the weird newcomer might do to his fragile reputation. Park is more ruled by shame than compassion at this point in the novel—a dynamic that will shift as his relationship with Eleanor changes and deepens.
Themes
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Quotes