Many years ago, while tending his lime kiln, Ethan Brand began to ruminate on the nature of sin, and his meditations ultimately drove him out into the world on a solitary search for the Unpardonable Sin. After many years, when he believes he has both found and committed it, he returns. Brand believes that his sin is hard-heartedness demonstrated by separation from human connection and a loss of reverence for God. In contrast, Bartram (who took over the kiln in Brand’s absence) and villagers from the surrounding area are so imbued with a sense of community that they can’t even imagine Brand in isolation, so their legends depict him conjuring a demon from the lime kiln’s flames for companionship. In the years since Brand left, both the Village Doctor and Lawyer Giles have fallen into alcoholism. As a result, the Doctor kills as many patients as he saves, and Giles now supports himself with manual labor. Yet these men remain valued members of the community, despite their drunken and diminished states. Moreover, when Bartram’s son, Joe, senses Brand’s “terrible loneliness,” he draws closer to his father for comfort. Bartram and Joe are relieved and comforted when others join them with Brand at the kiln, and in this way, community insulates them and reduces their fear of the uncanny stranger.
Conversely, Brand isolates himself from the crowd, and when his old acquaintances try to connect with him, he insults them and drives them away. His zealous belief in his superiority and unique sinfulness is harder to maintain in the presence of other people, in part because no one seems to accept that he is any more sinful than the average person. By shunning meaningful connections, both now and in the past while he gained his knowledge, Brand removed himself from the community’s magnetic pull. He can only see himself and his own special sinfulness, whether he’s remembering his past, looking into the kiln, or peering into the German Jew’s picture box. Brand’s suicide at the end of the story (when he throws himself into the fiery kiln) illustrates the logical end of his isolation: his death removes him from the community permanently. The villagers’ eagerness to visit Brand at the kiln suggests that, perhaps, he could have reintegrated within the community. But, by clinging to his belief in his own superior knowledge and sinfulness, Brand reinforces his isolation, to deadly effect.
Isolation ThemeTracker
Isolation Quotes in Ethan Brand
Bartram, the lime-burner, a rough, heavy-looking man, begrimed with charcoal, sat watching his kiln at nightfall, while his little son played at building houses with the scattered fragments of marble, when, on the hill-side below them, they heard a roar of laughter, not mirthful, but slow, and even solemn, like a wind shaking the boughs of the forest.
There was an opening at the bottom of the tower, like an oven-mouth, but large enough to admit a man in a stooping posture, and provided with a massive iron door. With the smoke and jets of flame issuing from the chinks and crevices of this door, which seemed to give admittance into the hill-side, it resembled nothing so much as the private entrance to the infernal regions, which the shepherds of the Delectable Mountains were accustomed to show pilgrims.
Laughter, when out of place, mistimed, or bursting forth from a disordered state of feeling, may be the most terrible modulation of the human voice. The laughter of one asleep, even if it be a little child,—the madman’s laugh,—the wild, screaming laugh of a born idiot,—are sounds that we sometimes tremble to hear, and would always willingly forget.
The lime-burner’s own sins rose up within him, and made his memory riotous with a throng of evil shapes that asserted their kindred with the Master Sin, whatever it might be, which it was within the scope of man’s corrupted nature to conceive and cherish. They were all of one family; they went to and fro between his breast and Ethan Brand’s, and carried dark greetings from one to the other.
“It is a sin that grew within my own breast,” replied Ethan Brand, standing erect, with a pride that distinguishes all enthusiasts of his stamp. “A sin that grew nowhere else! The sin of an intellect that triumphed over the sense of brotherhood with man and reverence for God, and sacrificed everything to its own mighty claims! Freely, were it to do again, I would incur the guilt. Unshrinkingly I accept the retribution!”
No mind, which has wrought itself by intense and solitary meditation into a high state of enthusiasm, can endure the kind of contact with low and vulgar modes of thought and feeling to which Ethan Brand was now subjected. It made him doubt—and, strange to say, it was a painful doubt—whether he had indeed found the Unpardonable Sin, and found it within himself. The whole question on which he had exhausted life, and more than life, looked like a delusion.
But now, all of a sudden, this grave and venerable quadruped, of his own mere motion, and without the slightest suggestion from anybody else, began to run round after his tail, which, to heighten the absurdity of the proceeding, was a great deal shorter than it should have been. Never was seen such headlong eagerness in pursuit of an object that could not possibly be attained; never was heard such a tremendous outbreak of growling, snarling, barking, and snapping,—as if one end of the ridiculous brute’s body were at deadly and most unforgivable enmity with the other.
But where was the heart? That, indeed, had withered,—had contracted,—had hardened,—had perished! It had ceased to partake of the universal throb. He had lost his hold of the magnetic chain of humanity. He was no longer a brother-man, opening the chambers or the dungeons of our common nature by the key of holy sympathy, which gave him a right to share in all its secrets; he was now a cold observer, looking on mankind as the subject of his experiment, and, at length, converting man and woman to be his puppets, and pulling the wires that moved them to such degrees of crime as were demanded for his study.