Fear and Trembling

by

Søren Kierkegaard

Themes and Colors
Belief vs. Doubt Theme Icon
Faith and the Absurd Theme Icon
Infinite Resignation Theme Icon
The Unintelligibility of Faith Theme Icon
LitCharts assigns a color and icon to each theme in Fear and Trembling, which you can use to track the themes throughout the work.
Faith and the Absurd Theme Icon

Søren Kierkegaard’s Fear and Trembling explains how one can achieve true faith in God in order to find meaning, happiness, and greatness. To Kierkegaard, real, deep, meaningful faith is not a passive action or a feeling that a person just accepts. Instead, a person must make a leap of faith and be willing to embrace the absurd. To Kierkegaard (and to many later European existentialists), embracing the absurd means accepting something (either a course of action or a belief) even when reason points out an alternative that is easier or makes more sense. Through his pseudonym Johannes de silentio, Kierkegaard uses the story of Abraham and Isaac as an example: God to Abraham to sacrifice his beloved son, Isaac, but then intervened just as Abraham raised the knife to kill Isaac. Abraham’s reason must have told him that he could do something else—either ignore God’s dictate or even sacrifice himself instead so that Isaac could live—but Abraham’s faith in God was so strong that he was willing to sacrifice Isaac anyway, which God then rewarded. Kierkegaard believes that faith in God is the key to human happiness, but in Fear and Trembling he also explains that real faith is hard to attain because it also means embracing the absurd.

One point that Kierkegaard is adamant about is that just loving or believing in God is not the same thing as truly having faith in God. To have faith, a person must have the courage to put their entire trust in God, even when it seems to go against reason. There are a lot of people who believe that simply accepting whatever happens in life as God’s will is the same thing as having faith, and so they accept life’s trials without complaint or questioning. However, Kierkegaard says that if he did this, then “[his] immense resignation would be a substitute for faith,” highlighting the fact that faith goes beyond passively accepting whatever happens in life. Furthermore, simply loving God is not the same as faith either because, as Kierkegaard writes, “he who loves God without faith reflects on himself.” This means that someone can love God, but that doesn’t mean they have faith; perhaps more importantly, they only think of what God can do for them instead of what they can do for God. Developing real faith is so difficult that Kierkegaard admits, “I do not have faith; this courage I lack.” From Kierkegaard’s perspective, taking the initial leap into faith is intimidating and full of uncertainty, and not everyone is brave enough to do it.

Kierkegaard believes that a key part of faith is embracing and accepting the absurd. The absurd is not a simple concept: it “is not the same as the improbable, the unexpected, the unforeseen.” Even these things are believable, but the absurd is almost unbelievable, as it flies in the face of reason and logic. Speaking about the story of Abraham and Isaac, Kierkegaard writes, “it was indeed absurd that God who demanded this of [Abraham] should in the next instant withdraw the demand.” By this Kierkegaard means that it defied reason for God to ask Abraham to sacrifice Isaac—to watch Abraham bind his beloved son up, place him on a sacrificial alter, and raise the knife over Isaac—and only then tell Abraham he didn’t have to go through with it. Abraham’s own acceptance of the absurd is shown in how willing and unquestioning he was when God retracted his demand at the very last minute. Instead of reacting with anger or confusion, Abraham accepted what happened and was simply happy to go back home with Isaac.

To Kierkegaard, faith is not simply believing and trusting in God, but believing and trusting in the absurd as well. Kierkegaard explains that “the movement of faith must be made continually on the strength of the absurd.” This means that faith only grows in proportion with how much of the absurd we are willing to believe in and accept. This is part of the reason Kierkegaard struggles with his own faith: “I cannot close my eyes and hurl myself trustingly into the absurd.” Although Kierkegaard understands how others can accept the absurd, he himself struggles to do the same and, unfortunately, it prevents him from enjoying the security of faith. When it comes to the relationship between the absurd and faith, Kierkegaard writes that “the knight of faith is […] clear; all that can save him is the absurd; and this he grasps by faith.” In other words, belief in the absurd can “save” a person by giving them more faith, but in order to “grasp[]” the absurd, that same person must already have some faith—each grows in proportion to a person’s acceptance of the other until that person finally achieves the happiness and freedom only found through total faith and trust in God.

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Faith and the Absurd Quotes in Fear and Trembling

Below you will find the important quotes in Fear and Trembling related to the theme of Faith and the Absurd.
Preface Quotes

Today nobody will stop with faith; they all go further. It would perhaps be rash to inquire where to, but surely a mark of urbanity and good breeding on my part to assume that in fact everyone does indeed have faith, otherwise it would be odd to talk of going further. In those old days it was different. For then faith was a task for a whole lifetime, not a skill thought to be acquired in either days or weeks.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number: 42
Explanation and Analysis:
Speech in Praise of Abraham Quotes

If there were no eternal consciousness in a man, if at the bottom of everything there were only a wild ferment, a power that twisting in dark passions produced everything great or inconsequential; if an unfathomable, insatiable emptiness lay hid beneath everything, what then would life be but despair?

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number: 49
Explanation and Analysis:

Therefore no one who was great will be forgotten: and however long it takes, even if a cloud of misunderstanding should take the hero away, his lover still comes, and the more time goes by the more faithfully he sticks by him.

No! No one shall be forgotten who was great in this world; but everyone was great in his own way, and everyone in proportion to the greatness of what he loved. For he who loved himself became great in himself, and he who loved others became great through his devotion, but he who loved God became greater than all. They shall all be remembered, but everyone became great in proportion to his expectancy.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number: 50
Explanation and Analysis:

There was one who was great in his strength, and one who was great in his wisdom, and one who was great in hope, and one who was great in love; but greater than all was Abraham, great with that power whose strength is powerlessness, great in that wisdom whose secret is folly, great in that hope whose outward form is insanity, great in that love with is hatred of self.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number: 50
Explanation and Analysis:

Had Abraham wavered he would have renounced it. He would have said to God: ‘So perhaps after all it is not your will that it should happen; then I will give up my desire, it was my only desire, my blessed joy. My soul is upright, I bear no secret grudge because you refused it.’ He would not have been forgotten, he would have saved many by his example, yet he would not have become the father of faith; for it is great to give up one’s desire, but greater to stick to it after having given it up; it is great to grasp hold of the eternal but greater to stick to the temporal after having given it up.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number: 51-52
Explanation and Analysis:
Preamble from the Heart Quotes

If the rich young man whom Christ met on the road had sold all his possessions and given them to the poor, we would praise him as we praise all great deeds, but we would not understand even him without some labour. Yet he would not have become an Abraham even had he given away the best he had. What is left out of the Abraham story is the anguish; for while I am under no obligation to money, to a son the father has the highest and most sacred of obligations. Yet anguish is a dangerous affair for the squeamish, so people forget it, notwithstanding they want to talk about Abraham. So they talk and in the course of conversation they interchange the words ‘Isaac’ and ‘best.’

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number: 58
Explanation and Analysis:

The ethical expression for what Abraham did is that he was willing to murder Isaac; the religious expression is that he was willing to sacrifice Isaac; but in this contradiction lies the very anguish that can indeed make one sleepless; and yet without that anguish Abraham is not the one he is. […] For if you remove faith as a nix and nought there remains only the raw fact that Abraham was willing to murder Isaac, which is easy enough for anyone without faith to imitate; without the faith, that is, which makes it hard.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number: 60
Explanation and Analysis:

Love, after all, has its priests in the poets, and occasionally one hears a voice that knows how to keep it in shape; but about faith one hears not a word, who speaks in this passion’s praises? Philosophy goes further. Theology sits all painted at the window courting philosophy’s favour, offering philosophy its delights. It is said to be hard to understand Hegel, while understanding Abraham, why, that’s a bagatelle. To go beyond Hegel, that is a miracle, but to go beyond Abraham is the simplest of all.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number: 62
Explanation and Analysis:

I have seen horror face to face, I do not flee it in fear but know very well that, however bravely I face it, my courage is not that of faith and not at all to be compared with it. I cannot close my eyes and hurl myself trustingly into the absurd, for me it is impossible, but I do not praise myself on that account. I am convinced that God is love; this thought has for me a pristine lyrical validity. When it is present to me I am unspeakably happy, when it is absent I yearn for it more intensely than the lover for the beloved; but I do not have faith; this courage I lack.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number: 63
Explanation and Analysis:

Let us go further. We let Isaac actually be sacrificed. Abraham had faith. His faith was not that he should be happy sometime in the hereafter, but that he should find blessed happiness here in this world. God could give him a new Isaac, bring the sacrificial offer back to life. He believed on the strength of the absurd, for all human calculation had long since be suspended.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number: 65
Explanation and Analysis:

Abraham I cannot understand; in a way all I can learn from him is to be amazed. If one imagines one can be moved to faith by considering the outcome of this story, one deceives oneself, and is out to cheat God of faith’s first movement, one is out to suck the life-wisdom out of the paradox. One or another may succeed, for our age does not stop with faith, with its miracle of turning water into wine; it goes further, it turns wine into water.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number: 66-67
Explanation and Analysis:

He drains in infinite resignation the deep sorrow of existence, he knows the bliss of infinity, he has felt the pain of renouncing everything, whatever is most precious in the world, and yet to him finitude tastes just as good as to one who has never known anything higher, for his remaining in the finite bore no trace of a stunted, anxious training, and still he has this sense of being secure to take pleasure in it, as though it were the most certain thing of all. […] He resigned everything infinitely, and then took everything back on the strength of the absurd.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Related Symbols: Knight of Faith
Page Number: 69-70
Explanation and Analysis:

The absurd is not one distinction among others embraced by understanding. It is not the same as the improbable, the unexpected, the unforeseen.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number: 75
Explanation and Analysis:

I can see then that it requires strength and energy and freedom of spirit to make the infinite movement of resignation; I can also see that it can be done. The next step dumbfounds me, my brain reels; for having made the movement of resignation, now on the strength of the absurd to get everything, to get one’s desire, whole, in full, that requires more-than-human powers, it is a marvel.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number: 76
Explanation and Analysis:
Problema 1 Quotes

Faith is just this paradox, that the single individual as the particular is higher than the universal, is justified before the latter, not as subordinate but superior, though in such a way, be it noted, that it is the single individual who, having been subordinate to the universal as the particular, now by means of the universal becomes that individual who, as the particular, stands in an absolute relation to the absolute. This position cannot be mediated, for all mediation occurs precisely by virtue of the universal; it is and remains in all eternity a paradox, inaccessible to thought. And yet faith is this paradox.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number: 84-85
Explanation and Analysis:

Then why does Abraham do it? For God’s sake, and what is exactly the same, for his own. He does it for the sake of God because God demands this proof of his faith; he does it for his own sake in order to be able to produce the proof. The unity here is quite properly expressed in the saying in which this relationship has always been described: it is a trial, a temptation. A temptation, but what does that mean? What we usually call a temptation is something that keeps a person from carrying out a duty, but here the temptation is the ethical itself which would keep him from doing God’s will. But then what is the duty? For the duty is precisely the expression of God’s will.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number: 89
Explanation and Analysis:

But it is the outcome that arouses our curiosity, as with the conclusion of a book, one wants nothing of the fear, the distress, the paradox. One flirts with the outcome aesthetically; it comes as unexpectedly and yet as effortlessly as a prize in the lottery; and having heard the outcome one is improved. And yet no robber of temples hard-labouring in chains is so base a criminal as he who plunders the holy in this way, and not even Judas, who sold his master for thirty pieces of silver, is more contemptible than the person who would thus offer greatness for sale.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number: 92
Explanation and Analysis:
Problema 2 Quotes

To the question, why?, Abraham has no other answer than that it is a trial and a temptation, which, as remarked above, is what makes it a unity of being for both God’s sake and his own. […] On one hand it contains the expression of extreme egoism (doing this dreadful deed for his own sake) and on the other expression of the most absolute devotion (doing it for God’s sake). Faith itself cannot be mediated into the universal, for in that case it would be cancelled. Faith is this paradox, and the single individual is quite unable to make himself intelligible to anyone.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham
Page Number: 98-99
Explanation and Analysis:

The moment he is ready to sacrifice Isaac, the ethical expression for what he does is this: he hates Isaac. But if he actually hates Isaac he can be certain that God does not require this of him; for Cain and Abraham are not the same. Isaac he must love with all his soul. When God asks for Isaac, Abraham must if possible love him even more, and only then can he sacrifice him; for it is indeed this love of Isaac that in its paradoxical opposition to his love of God makes his act a sacrifice. But the distress and anguish in the paradox is that, humanly speaking, he is quite incapable of making himself understood. Only in the moment when his act is in absolute contradiction with his feeling, only then does he sacrifice Isaac, but the reality of his act is that in virtue of which he belongs to the universal, and there he is and remains a murderer.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number: 101-102
Explanation and Analysis:

The tragic hero renounces himself in order to express the universal; the knight of faith renounces the universal in order to be the particular.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Related Symbols: Knight of Faith, Tragic Hero
Page Number: 103
Explanation and Analysis:

The true knight of faith is a witness, never a teacher, and in this lies the deep humanity in him which is more worth than this foolish concern for others’ weal and woe which is honoured under the name of sympathy, but which is really nothing but vanity. A person who wants only to be a witness confesses thereby that no one, not even the least, needs another person’s sympathy, or is to be put down so another can raise himself up. But because what he himself won he did not win on the cheap, so neither does he sell it on the cheap; he is not so pitiable as to accept people’s admiration and pay for it with silent contempt; he knows that whatever truly is great is available equally for all.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Related Symbols: Knight of Faith
Page Number: 107-108
Explanation and Analysis:
Problema 3 Quotes

The ethical is as such the universal; as the universal it is in turn the disclosed. Seen as an immediate, no more than sensate and psychic being, the individual is concealed. So his ethical task is to unwrap himself from this concealment and become disclosed in the universal. Thus whenever he wants to remain in concealment, he sins and is in a state of temptation, from which he can emerge only by disclosing himself.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker)
Page Number: 109
Explanation and Analysis:

Abraham is silent—but he cannot speak, therein lies the distress and anguish. For if when I speak I cannot make myself understood, I do not speak even if I keep talking without stop day and night. This is the case with Abraham. He can say what he will, but there is one thing he cannot say and since he cannot say it, i.e. say it in a way that another understands it, he does not speak. The relief of speech is that it translates me into the universal. Now Abraham can say the most beautiful things any language can muster about how he loves Isaac. But this is not what he has in mind, that being the deeper thought that he would have to sacrifice Isaac because it was a trial. This no one can understand, and so no one can but misunderstand the former.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Page Number: 137
Explanation and Analysis:

But as the task is given to Abraham, it is he who must act, so he must know at the decisive moment what he is about to do, and accordingly must know that Isaac is to be sacrificed. If he doesn’t definitely know that, he hasn’t made the infinite movement of resignation, in which case his words are not indeed untrue, but then at the same time he is very far from being Abraham, he is less significant than a tragic hero, he is in fact an irresolute man who can resolve to do neither one thing nor the other, and who will therefore always come to talk in riddles. But such a Haesitator [waverer] is simply a parody of the knight of faith.

Related Characters: Johannes de silentio / Søren Kierkegaard (speaker), Abraham, Isaac
Related Symbols: Knight of Faith, Tragic Hero
Page Number: 143
Explanation and Analysis: