Ficciones

by

Jorge Luis Borges

Ficciones: 11. Theme of the Traitor and Hero Summary & Analysis

Summary
Analysis
Borges describes a plot that he has “imagined.” He writes that the story could be set in any oppressed country, but he has chosen Ireland in the early 19th century as the setting. The narrator of the story is a fictional man named Ryan, the great-grandson of the heroic Irish leader Fergus Kilpatrick, who was assassinated and martyred in 1824. Ryan has undertaken the task of writing a biography of his illustrious ancestor, whose sacrifice he compares to Moses, who perished before being able to reach the Promised Land he fought for. In his research, Ryan finds aspects of Kilpatrick’s assassination enigmatic and begins to seek a deeper meaning.
In saying that this story could be set in any oppressed country, Borges makes a statement about the universality of oppression and the way that stories can express a core idea rather than a reality. Borges also engages with the writing of history through the character of Ryan.
Themes
Language and Human Consciousness Theme Icon
Perspective, Authorship, and Subjectivity Theme Icon
The crime fascinates Ryan, who sees similarities to Julius Caesar’s life in the story. As he continues to investigate, Ryan finds more and more similarities to Caesar’s story. For example, Ryan finds that Fergus’s comrade James Alexander Nolan had translated Shakespeare’s Julius Caesar into Gaelic. Furthermore, the last man to speak to Fergus before his death was a beggar. Ryan learns what those last words were and, upon further investigation, realizes that they are in Shakespeare’s Macbeth.
Through the experience of researching history, Ryan undergoes the investigative process that many of Borges’s characters undergo in pursuit of knowledge. The clues lead back to Shakespeare’s work—the two works in question, Macbeth and Julius Caesar, both center political intrigue and betrayal.
Themes
Investigation and Knowledge Theme Icon
Reality vs. Illusion Theme Icon
Through his own investigation, Ryan concludes that Fergus’s murder, which occurred in a theater, was a theatrical spectacle implicating the whole city. In the days before Fergus’s murder, Fergus assigned Nolan to find the traitor in their ranks. Nolan, discovering that Fergus was the traitor, knows that exposing Fergus would look bad for their cause. Nolan then conspired with Fergus, who felt guilty about the betrayal, to make his death look like a martyrdom. In this way, people would be inspired by their cause, and Fergus could redeem himself. Ryan believes that Nolan foresaw Ryan’s discovery of the plan. As a result, Ryan never reveals this secret and goes on to publish a reverent biography of Kilpatrick, having no doubt that Nolan foresaw that happening, too.
Having found the connections to Shakespeare’s work while researching Fergus’s life, Ryan realizes that those clues were meant for him to find. Mirroring Shakespeare, the choice to make Fergus’s murder a theatrical spectacle highlights the power of art to influence a society. Upon solving the mystery, Ryan realizes that the narrative that Fergus’s murder creates may be more important in preserving Irish history and identity than the truth itself.
Themes
Language and Human Consciousness Theme Icon
Perspective, Authorship, and Subjectivity Theme Icon
Reality vs. Illusion Theme Icon
Quotes