Shirley feels like she has to charm her way into her coworkers’ good graces, not because she wants it, but because it’s necessary to her survival in the school where her race and gender intersect to make her an outsider. Penelope thinks she’s being a fierce feminist by asserting herself against the male faculty but fails to recognize how her voice is drowning out the other women in the room, making her, in a sense, just as bad as the men who silence women. Penelope does not and cannot represent all the women in the school, especially Shirley and the students of color. Despite her liberal, feminist ideology, Penelope doesn’t recognize how race and gender intersect, how both movements are stronger if united together. Instead, she perpetuates stereotypes about her students of color. Rather than help fight against the structural injustices that leave students of color behind, she regards them with vitriol. The school suspends kids of color at a much higher rate than white kids, a troubling, common phenomenon that fuels the school to prison pipeline.