God Help the Child delves into themes that recur in much of Morrison's work, including the ramifications of racism, the experiences of being Black in the United States, the impacts of slavery and Jim Crow laws, and the harmful effects of sexism and misogyny. Novels by Morrison that touch on similar themes include
Beloved (1987),
The Bluest Eye (1970), and
Song of Solomon (1977).
God Help the Child also showcases Morrison's trademark lyricism and her penchant for implementing magical realist elements in her fiction. Modernist works by William Faulkner and Virginia Woolf, including
The Sound and the Fury by Faulkner and
Mrs. Dalloway by Woolf, particularly influenced Morrison’s prose style. In “The Curious Case of Benjamin Button,” a short story by F. Scott Fitzgerald, a man ages backward from old age to childhood, similar to Bride's transformation in
God Help the Child. The elements of magical realism at play in Gold Help the Child also resonate with
One Hundred Years of Solitude by Gabriel Garcia Marquez is a notable work of magical realism. As one of the most important novelists of her time, Morrison’s influence is perceptible across a wide range of more recent works by contemporary authors, including Jesmyn Ward’s novels
Salvage the Bones and
Sing, Unburied, Sing, as well as Salman Rushdie’s
Midnight’s Children, and Mohsin Hamid’s
Exit West.