Hamilton Act 2: Who Lives, Who Dies, Who Tells Your Story Summary & Analysis

The company gathers to commemorate one final time. and begrudgingly admit that his financial plans were genius (despite all the time they spent trying to undo them). points out that “every other Founding Father’s story gets told / every other Founding Father gets to grow old.”

Jefferson and Madison’s posthumous tributes to Hamilton are one final form of democratic forgiveness in action. And more than just rhyming, Angelica’s connection of age (“gets to grow old”) and legacy (“story gets told”) reflects Washington’s earlier point: those who survive get to determine how history is remembered. By dying first, Hamilton also loses “control” over his legacy.

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And then enters: “I put myself back in the narrative,” she explains, listing all the things she has done for but still regretting that “it’s not enough.” She fundraises for the monument, publicly denounces slavery, and she starts an orphanage.

Eliza has always fretted that she will not be “enough” for Hamilton; in some ways, the fact that this anxiety carries through to the finale is one of the saddest elements of the show. Yet even as she worries, Eliza continues Hamilton’s legacy exactly as he would have wanted: fighting for abolition, protecting the most vulnerable populations, and honoring George Washington, Hamilton’s father figure.

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But through it all, cannot wait to see again in the afterlife—“it’s only a matter of time,” she explains. One last time, the company sings “who lives, who dies, who tells your story,” and the lights go dark.

Hamilton was always worried that he was “running out of time.” Now, Eliza celebrates the passage of “time,” as it will reunite her with her husband. As the company repeats this central refrain, it takes on new meaning. Hamilton has “died,” but Eliza has “lived” to tell his story—and now, because of her, all of us can hear it.

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Hamilton

Lin-Manuel Miranda

Hamilton: Act 2: Who Lives, Who Dies, Who Tells Your Story Summary & Analysis