Foster begins by noting that authors have control over their books while they are writing them, but as soon as a book is published it’s a different story. It’s impossible to predict how a piece of literature will be received and interpreted by readers; for example, books such as Herman Melville’s
Moby-Dick (1851)
or F. Scott Fitzgerald’s
The Great Gatsby (1925) were poorly regarded when they were first published, even though they are now considered masterpieces of English literature.