Howl’s Moving Castle

by

Diana Wynne Jones

Howl’s Moving Castle: Chapter Nineteen Summary & Analysis

Summary
Analysis
Late in the afternoon, Howl saunters into the shop. Sophie glares at him and demands to know what suit he’s wearing. Shrugging, Howl lifts an arm and the suit slowly changes color to reveal that it’s the silver and blue one. Somehow, this makes Sophie even angrier. The dog-man pushes into the shop, and glad for a distraction, Howl observes that feeding two dogs will be a chore. Sophie snaps that this isn’t a dog; it’s a man under a spell. Howl pounces on the dog and asks why Sophie didn’t tell him. He’s clearly angry—and Sophie is glad to fight. She accuses Howl of being too self-absorbed to notice on his own. Howl yells for Michael and when Michael expresses disbelief that the dog is really a man, Howl insists Sophie is fully to blame.
Sophie’s anger increases because it seems like Howl might actually just be charming—maybe he doesn’t need a specially charmed suit to draw women in. Sophie, of course, kept the dog-man’s secret because he asked her to, so it’s interesting that she doesn’t share this fact now. Her goal is simply to create an outlet for her anger, hence instigating this fight with Howl. However, Howl also doesn’t contradict her when she accuses him of being too self-absorbed: the novel has already established that magical people can usually identify curses, so it follows that Howl missed this one because of his self-absorption.
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Howl drags the dog-man to Calcifer and asks if Calcifer knew. Calcifer says Howl never asked. Enraged, Howl says that compared with how the Witch treats her fire demon, Calcifer is pampered—all he has to do is tell Howl this sort of thing. Now, they have to get the dog-man back to his real state. Lifting the dog up on its hind legs, Howl says the being is resisting, and Calcifer says this is the Witch’s spell and it has many layers. Finally, with Calcifer’s help, the dog transforms into a red-haired man with almost no personality or spark. The man says he doesn’t know who he is, but Calcifer says he answered to the name Percival last.
The way that Howl speaks to Calcifer here suggests that in their relationship, Howl has most of the power—he could make Calcifer’s life miserable, if he felt like it. This is a pretty threatening thing to say, and it highlights again that the contract isn’t helping Calcifer or Howl. That Howl and Calcifer notes that the dog-man is resisting and that the spell has many layers suggests that one of the “layers” may in fact be the dog-man’s resistance. This has profound implications for Sophie—her spell has “layers” too, and one of them may be her own belief that she’s more of an old lady than a young woman.
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Settled in a chair, Percival agrees that the Witch had him a while. She took his head off (Howl explains to Michael, who’s aghast, that it’s possible to remove a body part and keep a person alive with advanced witchcraft). Calcifer says Percival hasn’t been assembled right—and he has parts from another man, too. Percival doesn’t remember why the Witch took his head off. Michael asks if he was ever called Justin, but Sophie snorts and Percival says the Witch called him Gaston. Howl warns Michael to give Percival space and to not make Sophie snort—she might bring the castle down.
Michael clearly suspects that the Witch made Percival out of some of Prince Justin’s body parts—which of course raises the question of what she’s doing with the rest of his body. Either way, that she’s engaging in this kind of experiment highlights how cruel and heartless the Witch is: she’s literally remaking people to be how she’d like them to be. Howl’s comment about Sophie bringing the castle down is humorous, but Sophie’s snort highlights that she’s still in a rage.
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Angrier than ever, Sophie returns to the flower shop to find that her daffodils are now dead brown sludge in a foul-smelling poison. She shouts with frustration, which brings Howl running. He suggests she try her poison on the weeds out in front of the mansion, and Sophie agrees—she feels like killing something. Howl sends Percival with her, so Sophie and Percival step out the door of the mansion. It’s a grand place, but it’s in a state of disrepair. Windows are broken and the walls are mildewy. Sophie huffs to herself that Howl could at least make this place look nicer instead of playing in Wales.
Sophie is at least kind of mad at Howl, though that’s not all of it (recall that she can’t identify what exactly she’s angry about). But now that Howl has returned Percival to his human form and let go of his anger, notice that he’s no longer willing to fight with Sophie. Instead, he seems to be doing his best to channel her anger and give her some outlet to help her feel better—a sure sign that he’s not as evil as Sophie thinks.
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Sophie shouts for Percival to pour some poison into her watering can, and he does so meekly. Sophie kills weeds until she feels a bit better, and then she asks Percival why the Witch wanted him, and why she brought Percival to the shop when she cursed Sophie. Percival explains that the Witch wanted to know about Howl. He must’ve known something about Howl before he became Percival, and he was trying to keep the Witch from finding out anything and cursing Howl. Percival says he kept thinking of Lettie to evade the Witch, so the Witch thought Lettie was involved. He admits he told the Witch that Lettie owned a hat shop in Market Chipping, knowing Lettie was safe in Upper Folding and not knowing Lettie had a sister.
Percival helps Sophie put together some of the pieces she’s missing. Interestingly, he implies that the Witch cursed Sophie believing that she was Lettie—highlighting that the Witch, while powerful, doesn’t know everything. And again, Percival’s almost instinctive desire to protect Howl suggests that Howl is, to put it simply, someone worth protecting. He’s not an evil person who just deserves to die, as Sophie sometimes thinks. Rather, it implies that many people see Howl as being on the side of good, and as someone they should help continue to do good.
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Percival continues that the Witch tossed him out of the carriage that afternoon, and he turned into a dog in front of some farmers. They thought he was a werewolf, which is why Sophie found him with a stick. He then went to Mrs. Fairfax and Lettie, whom Howl was courting. Then, Percival says, Howl started asking about Sophie—and Lettie said that Sophie was her sister. Howl mentioned he knew an old lady named Sophie, and Mrs. Fairfax had seen Sophie as an old woman too. Lettie, Percival says, was convinced something awful had happened to Sophie and that Sophie was in danger from Howl. Percival turned into a man long enough to promise to guard Sophie. Annoyed, Sophie says she’s fine, but Percival says she’s not. He was too late.
Just as Sophie was mistaken for a witch on the day she was cursed and left town, Percival was also mistaken for a mythical, potentially dangerous being. The difference, of course, is that Sophie is actually a witch, while Percival isn’t a werewolf—but others’ assumptions about them still guide how people interact with them. Percival’s insistence that he's “too late” to guard Sophie from Howl confirms that Sophie has indeed developed feelings for Howl. She’s been drawn in, and even in her elderly body, she’s a love interest in her own right.
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Screaming in anger, Sophie dumps her weed killer and says that Howl is heartless and impossible. However, she knows something is wrong, and it has to do with not being willing to see her sisters. She reminds herself that she’s a failure because she’s the eldest. But uneasily, Sophie wonders if Mrs. Pentstemmon could see who—or what—she really is. Was she drawn in by Howl’s charmed suit? He was wearing the silver and blue on the day they first met, but both suits seem to work the same. Suddenly, Sophie hears the thud of the scarecrow again. Crouching near Percival, who asks why Sophie wants to get rid of the scarecrow, Sophie again tells it to go away. It obeys.
Sophie isn’t willing to reconnect with her sisters, but she’s not willing to say anything affirmative about her feelings for Howl—instead, as she so often does when things are emotionally difficult, she blames her current plight on destiny. And it’s disturbing for her to consider that Mrs. Pentstemmon may have seen that Sophie is actually young, as this implies that perhaps others—such as Mrs. Fairfax, or even Howl—realize she’s cursed. When Percival asks why Sophie wants to get rid of the scarecrow, he points out that Sophie is judging that it’s evil with little evidence that she’s right.
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Sophie can’t run away now, with the scarecrow out there, so she turns back to the mansion. Suddenly, it’s gleaming and clean. She can tell Howl is trying to tempt her to go in and explore, so she goes into the castle instead. Howl and Michael are dismantling a spell—a listening spell, Sophie is sure. Sophie screams at them and asks how long Howl has known she’s under a spell. Howl and Michael explain that both Letties, Mrs. Fairfax, Calcifer, and Mrs. Pentstemmon told them. But neither Howl nor Mrs. Pentstemmon could lift it, since Sophie is doing it to herself. As Percival steps inside with the bucket of poison, Sophie grabs it and hurls it at Michael and Howl. It crashes into the sink.
It feels like a huge betrayal to Sophie to learn that pretty much everyone in her life knew she’s under a spell—but have let her go on pretending she’s actually elderly. As an elderly person, Sophie got to reinvent herself and experiment with being silly and bold. It’s unsettling, then, to realize that people knew who she was, and that she’s genuinely capable of acting that way. And Howl’s insistence that Sophie is keeping herself cursed supports the idea that one of the curse’s “layers” is Sophie’s belief in destiny. She must reevaluate how she thinks about destiny if she wants to return to her teenage body.
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Howl fishes the skull out of the sink; it’s now gleaming white instead of dirty brown. Sophie settles in her chair to sulk as Howl asks if Sophie hasn’t noticed that her aches and pains have been better—he can’t lift the spell, but he’s been trying to help. Percival begins tuning Howl’s guitar and says the Witch wanted to know about Wales. Howl disappears into the bathroom as Percival plays, and he emerges hours later. He reminds everyone that it’ll be Midsummer Day at midnight, so they should all be careful. Sophie continues to ignore him angrily, so Howl sighs and goes out into Wales. Sophie vows to leave tomorrow, no matter what.
Sophie remains too emotional to see or accept that Howl hasn’t been cruel to her. He hasn’t been honest about what he knows (that she’s under a spell), but he’s tried to make Sophie feel welcome and has tried to help make her body more comfortable. It seems cathartic for Percival to have told Sophie everything he knows, offering some hope that Sophie may soon experience catharsis of her own, once she puts the rest of the pieces together about herself and her place in the world.
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