Human Acts

by

Han Kang

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Themes and Colors
Human Connection Theme Icon
Bodies and Vulnerability Theme Icon
Language, Memory, and Power  Theme Icon
Youth, Courage, and Naivety  Theme Icon
Afterlife and the Soul Theme Icon
LitCharts assigns a color and icon to each theme in Human Acts, which you can use to track the themes throughout the work.
Bodies and Vulnerability Theme Icon

Han Kang’s 2014 novel Human Acts, which follows a group of protestors in the years after the 1980 Gwangju uprising, is full of descriptions of bodies in distress. Dong-ho, the novel’s murdered protagonist, spends his middle-school years cleaning and categorizing corpses, noting how death swells toes and whitens faces. Seon-ju, who spends her life moving from activist group to the next, can comprehend complex labor and environmental issues—but she can never wrap her head around the way that soldiers brutalized young women’s “naked bodies,” which she once believed to be “almost sacred.” An unnamed narrator, tortured in prison for months, reflects that the soldiers’ goal is to reduce him to “raw meat,” stealing his sense of personhood and replacing it with the sense that he is only a “filthy, stinking body.” And Jeong-dae, a young activist whose ghost narrates a section of the novel, feels similarly ashamed of his corporeal form, now simply one more body at the bottom of a pile.

But as Jeong-dae learns when he is reduced to nothing but a flitting soul, even in death, one cannot escape their own flesh and blood. For nearly all of the characters in Human Acts, bodies are a source not only of pain but of vulnerability: the imprisoned narrator makes false confessions just to make the torture stop, while book publisher Eun-sook, determined to publish controversial texts, loses her will after being slapped seven times in a row. But even as the novel illustrates the vulnerability of the body, it also suggests that bodily experiences are unavoidable and unignorable. By emphasizing bodily vulnerability, Human Acts highlights the fragility of life. For the protestors in Han’s novel, pain, physical humiliation, and death are always just around the corner. In light of this, then, it becomes critically important to choose to regard all life with dignity and respect. Conversely, failing to do so, as the book’s depictions of violence and trauma repeatedly show, devalues life, reducing characters to mere “raw meat” rather than people with individual aspirations, quirks, and strengths.   

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Bodies and Vulnerability ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Bodies and Vulnerability appears in each chapter of Human Acts. Click or tap on any chapter to read its Summary & Analysis.
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Bodies and Vulnerability Quotes in Human Acts

Below you will find the important quotes in Human Acts related to the theme of Bodies and Vulnerability.
Chapter 1: The Boy, 1980 Quotes

Bending down to remove the cloth, your gaze is arrested by the sight of the translucent candle wax creeping down below the bluish flame.

How long do souls linger by the side of their bodies?

Do they really flutter away like some kind of bird? Is that what trembles the edges of the candle flame?

Related Characters: Dong-ho, Jeong-dae
Related Symbols: Candles
Page Number: 46
Explanation and Analysis:
Chapter 2: The Boy’s Friend, 1980 Quotes

Burning my tongue on a steamed potato my sister gave me, blowing on it hastily and juggling it in my mouth.

Flesh of a watermelon grainy as sugar, the glistening black seeds I didn’t bother to pick out.

Racing back to the house where my sister was waiting, my jacket zipped up over a parcel of chrysanthemum bread, feet entirely numb with cold, the bread blazing hot against my heart.

Yearning to be taller.

To be able to do forty push-ups in a row.

For the time when I would hold a woman in my arms.

Related Characters: Jeong-dae (speaker), Jeong-mi
Page Number: 59
Explanation and Analysis:

I looked on in silence as my face blackened and swelled, my features turned into festering ulcers, the contours that had defined me, that had given me clear edges, crumbled into ambiguity, leaving nothing that could be recognized as me.

As the nights wore on, increasingly more shadows came and pressed up against my own. Our encounters were, as always, poorly improvised things. We were never able to tell who the other was, but could vaguely surmise how long we’d been together for. Every time our shadow boundaries brushed against each other, an echo of some appalling suffering was transmitted to me like an electric shock.

Related Characters: Jeong-dae (speaker)
Page Number: 62
Explanation and Analysis:
Chapter 3: The Editor, 1985 Quotes

His face was utterly ordinary. Thin lips, no noticeable irregularities to his features. He wore a pale yellow shirt with a wide collar, and his gray suit trousers were held up by a belt. Its buckle gleamed. Had they met by chance in the street, she would have taken him for some run-of-the-mill company manager or section chief.

“Bitch. A bitch like you, in a place like this? Anything could happen, and no one would find out.”

At this point, the force of the slap had already burst the capillaries in her cheek and the man's fingernails had broken her skin. But Eun-sook hadn't known that yet.

Related Characters: The Interrogator (speaker), Dong-ho, Eun-sook, Jin-su, President Chun Doo-hwan, The Translator
Page Number: 69
Explanation and Analysis:

As she silently chewed the grains of rice, it occurred to her, as it had before, that there was something shameful about eating. Gripped by this familiar shame, she thought of the dead, for whom the absence of life meant they would never be hungry again. But life still lingered on for her, with hunger still a yoke around her neck. It was that which had tormented her for the past five years—that she could still feel hunger, still salivate at the sight of food.

Related Characters: Dong-ho, Jeong-dae, Eun-sook, President Chun Doo-hwan
Page Number: 86
Explanation and Analysis:
Chapter 4: The Prisoner, 1990 Quotes

It wasn’t as though we didn't know how overwhelmingly the army outnumbered us. But the strange thing was, it didn't matter. Ever since the uprising began, I’d felt something coursing through me, as overwhelming as an army.

Conscience.

Conscience, the most terrifying thing in the world. The day I stood shoulder to shoulder with hundreds of thousands of my fellow civilians, staring down the barrels of the soldiers’ guns, […] I was startled to discover an absence inside myself: the absence of fear. I remember feeling that it was all right to die; I felt the blood of a hundred thousand hearts surging together into one enormous artery, fresh and clean…the sublime enormity of a single heart, pulsing blood through that vessel and into my own. I dared to feel a part of it.

Related Characters: The Narrator (speaker)
Page Number: 115
Explanation and Analysis:

At that moment, I realized what all this was for. The words that this torture and starvation were intended to elicit. We will make you realize how ridiculous it was, the lot of you waving the national flag and singing the national anthem. We will prove to you that you are nothing but filthy, stinking bodies. That you are no better than the carcasses of starving animals.

[…] Watery discharge and sticky puss, foul saliva, blood, tears and snot, piss and shit that soiled your pants. That was all that was left to me. No, that was what I myself had been reduced to. I was nothing but the sum of those parts. The lump of rotting meat from which they oozed was the only “me” there was.

Related Characters: The Narrator (speaker), Yeong-chae, President Chun Doo-hwan
Related Symbols: Pens and Ink
Page Number: 120
Explanation and Analysis:

Looking at that boy's life, Jin-su said, what is this thing we call a soul? Just some nonexistent idea? Or something that might as well not exist? Or no, is it like a kind of glass? Glass is transparent, right? And fragile. That's the fundamental nature of glass. And that's why objects that are made of glass have to be handled with care. After all, if they end up smashed or cracked or chipped, then they're good for nothing, right, you just have to chuck them away.

Before, we used to have a kind of glass that couldn't be broken. A truth so hard and clear it might as well have been made of glass. So when you think about it, it was only when we were shattered that we proved we had souls. Though what we really were was humans made of glass.

Related Characters: Jin-su (speaker), The Narrator (speaker), Dong-ho, Yeong-chae
Page Number: 130
Explanation and Analysis:

I heard a story about one of the Korean army platoons that fought in Vietnam. How they forced the women, children, and elderly of one particular village into the main hall, and then burned it to the ground. Some of those who claim to slaughter us did so with the memory of those previous times, when committing such actions and wartime had won them a handsome reward. It happened in Gwangju just as it did on Jeju Island, […] in Bosnia, and all across the American continent when it was still known as the new world, with such a uniform brutality it's as though it is imprinted in our genetic code. I never let myself forget that every single person I meet is a member of this human race.

[…] So tell me, professor, what answers do you have for me? You, a human being just like me.

Related Characters: The Narrator (speaker), Eun-sook, The Professor/Yoon
Page Number: 134
Explanation and Analysis:
Chapter 6: The Boy’s Mother, 2010 Quotes

“I don’t like summer but I like summer nights”: that was something you came out with the year you turned eight. I liked the sound of those words, and I remember thinking to myself, he’ll be a poet. Times when you three boys sat out on the bench in the yard, sharing watermelon with your father on hot summer nights. When your tongue groped for the sticky sweet remnants smeared around your mouth.

Related Characters: Dong-ho’s Mother (speaker), Dong-ho, Jeong-dae, The Middle Brother, Dong-ho’s Father
Page Number: 189
Explanation and Analysis:
Epilogue: The Writer, 2013 Quotes

As it turned out, none of my relatives died; none were injured or even arrested. But all through that autumn in 1980, my thoughts returned to that tiny room at one end of the kitchen, where I used to lie on my stomach to do my homework, that room with the cold paper floor—had the boy used it to spread out his homework on its cold paper floor, then lie stomach-down just as I had? The middle-school kid I'd heard the grown-ups whispering about. How had the seasons kept on turning for me, when time had stopped forever for him that May?

Related Characters: The Writer (speaker), Dong-ho, The Writer’s Father
Page Number: 205
Explanation and Analysis:

I didn’t pray. I didn't close my eyes, or observe a minute silence. The candles burned steadily. Their orange flames undulating soundlessly, gradually being sucked into the center and hollowed out. Only then did I notice how incredibly cold my ankles were. Without realizing it, I’d been kneeling in a snowdrift that covered Dong-ho’s grave. The snow had soaked through my socks, seeping in right through to my skin. I stared, mute, at that flame’s wavering outline, fluttering like a bird’s translucent wing.

Related Characters: The Writer (speaker), Dong-ho
Related Symbols: Candles
Page Number: 212
Explanation and Analysis: