Human Acts

by

Han Kang

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Themes and Colors
Human Connection Theme Icon
Bodies and Vulnerability Theme Icon
Language, Memory, and Power  Theme Icon
Youth, Courage, and Naivety  Theme Icon
Afterlife and the Soul Theme Icon
LitCharts assigns a color and icon to each theme in Human Acts, which you can use to track the themes throughout the work.
Human Connection Theme Icon

Human Acts, Han Kang’s 2014 novel about the 1980 Gwangju uprising, is filled with scenes depicting crowds. Some depict protestors chanting and singing in unison, refusing to bend to the tyranny of then-president Chun Doo-hwan, In others, crowds of soldiers rush to fire their guns, encouraging one another to kill more innocents. Elsewhere, the novel depicts crowds of corpses piled together for group funerals. In each case, the narrative suggests that individual people transform in crowds, becoming capable of acts of bravery or brutality they could never achieve on their own. One such individual is an unnamed narrator, imprisoned alongside Gwangju activist Jin-su, who spends his time in jail reflecting on the bravery he felt in a crowd. “I remember feeling that it was alright to die,” the narrator thinks, because he felt “the blood of a hundred thousand hearts surging together […] the sublime enormity of a single heart, pushing blood into my own.” Similarly, Jeong-dae, who speaks in the novel only as a ghost, experiences a more tragic version of this loss of self: thrown at the bottom of a pile of dead bodies, he muses that he has “crumbled into ambiguity,” losing his own “clear edges.” For better or for worse, Human Acts suggests, crowds always erase individuality. 

On the level of plot, this loss of self is a great tragedy, as crowds of soldiers murder crowds of protestors (including Jeong-dae, his sister Jeong-mi, and the novel’s young protagonist Dong-ho). But on a structural level, the novel demonstrates that connection and commitment to a shared caused can preserve an individual even beyond the bounds of their physical life. Each chapter in the narrative, spanning from 1980 to 2013, pauses to honor Dong-ho, giving details about the way he spoke and dressed and laughed. Therefore, even as Dong-ho is killed in part because he loses himself in the swell of a crowd, his figurative inclusion in a crowd of activists, artists, and protestors who tell his story throughout Human Acts, determined to give his life and death meaning, ultimately preserves and extends his memory.

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Human Connection ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Human Connection appears in each chapter of Human Acts. Click or tap on any chapter to read its Summary & Analysis.
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Human Connection Quotes in Human Acts

Below you will find the important quotes in Human Acts related to the theme of Human Connection.
Chapter 1: The Boy, 1980 Quotes

Why would you sing the national anthem for people who've been killed by soldiers? Why cover the coffin with the Taegukgi? As though it wasn't the nation itself that had murdered them. […]

“But the generals are rebels, they seize power unlawfully. You must have seen it: people being beaten and stabbed in broad daylight, and even shot. The ordinary soldiers were following the orders of their superiors. How can you call them the nation?”

You found this confusing, as though it had answered an entirely different question to the one you wanted to ask. The national anthem rang out like a circular refrain, one verse clashing with another against the constant background of weeping, and you listened with bated breath to the subtle dissonance this created. As though this, finally, might help you understand what the nation really was.

Related Characters: Eun-sook (speaker), Dong-ho, President Chun Doo-hwan
Page Number: 17
Explanation and Analysis:

“Let’s go home,” she says. You give your wrist a violent wrench, trying to shake free of her grip. The insistent, desperate strength in that grip is frightening, somehow, making you think of someone drowning. You have to use your other hand to pry her fingers away, one by one. “The army is coming. Let’s go home, now.”

[…] You turn around and call back to her: “We’re going to close up here at six, Mum.” […] You call again, louder this time: “Once we've closed up, I'll come home. I promise.”

[…] “Make sure you do,” she says. “Be back before the sun sets. We’ll all have dinner together.”

Related Characters: Dong-ho (speaker), Dong-ho’s Mother (speaker), The Middle Brother
Page Number: 44
Explanation and Analysis:
Chapter 2: The Boy’s Friend, 1980 Quotes

I looked on in silence as my face blackened and swelled, my features turned into festering ulcers, the contours that had defined me, that had given me clear edges, crumbled into ambiguity, leaving nothing that could be recognized as me.

As the nights wore on, increasingly more shadows came and pressed up against my own. Our encounters were, as always, poorly improvised things. We were never able to tell who the other was, but could vaguely surmise how long we’d been together for. Every time our shadow boundaries brushed against each other, an echo of some appalling suffering was transmitted to me like an electric shock.

Related Characters: Jeong-dae (speaker)
Page Number: 62
Explanation and Analysis:
Chapter 3: The Editor, 1985 Quotes

His face was utterly ordinary. Thin lips, no noticeable irregularities to his features. He wore a pale yellow shirt with a wide collar, and his gray suit trousers were held up by a belt. Its buckle gleamed. Had they met by chance in the street, she would have taken him for some run-of-the-mill company manager or section chief.

“Bitch. A bitch like you, in a place like this? Anything could happen, and no one would find out.”

At this point, the force of the slap had already burst the capillaries in her cheek and the man's fingernails had broken her skin. But Eun-sook hadn't known that yet.

Related Characters: The Interrogator (speaker), Dong-ho, Eun-sook, Jin-su, President Chun Doo-hwan, The Translator
Page Number: 69
Explanation and Analysis:

She could have pressed her hands over her ears, could have screwed her eyes tight shut, shook her head from side to side or moaned in distress. Instead, she simply remembered you, Dong-ho. How you darted away at the stairs when she tried to take you home. Your face frozen with terror, as though escaping this importunate plea was your only hope of survival. Let’s go together, Dong-ho. We ought to leave together, right away. You stood there clinging to the second-floor railing, trembling. When she caught your gaze, Eun-sook saw your eyelids quiver. Because you were afraid. Because you wanted to live.

Related Characters: Eun-sook (speaker), Dong-ho, Dong-ho’s Mother, President Chun Doo-hwan
Page Number: 93
Explanation and Analysis:

Certain crowds do not blench at the prospect of looting, murder, and rape, while on the other hand, others display a level of courage and altruism which those making up that same crowd would have had difficulty in achieving as individuals. The author argues that, rather than this latter type of crowd being made-up of especially noble individuals, that nobility which is a fundamental human attribute is able to manifest itself through borrowing strength from the crowd; also, similarly, that the former case is one in which humanity's essential barbarism is exacerbated not by the especially barbaric nature of any of the individuals involved, but through that magnification which occurs naturally in crowds.

Related Characters: Dong-ho, Eun-sook, Jin-su, President Chun Doo-hwan
Page Number: 96
Explanation and Analysis:
Chapter 4: The Prisoner, 1990 Quotes

It wasn’t as though we didn't know how overwhelmingly the army outnumbered us. But the strange thing was, it didn't matter. Ever since the uprising began, I’d felt something coursing through me, as overwhelming as an army.

Conscience.

Conscience, the most terrifying thing in the world. The day I stood shoulder to shoulder with hundreds of thousands of my fellow civilians, staring down the barrels of the soldiers’ guns, […] I was startled to discover an absence inside myself: the absence of fear. I remember feeling that it was all right to die; I felt the blood of a hundred thousand hearts surging together into one enormous artery, fresh and clean…the sublime enormity of a single heart, pulsing blood through that vessel and into my own. I dared to feel a part of it.

Related Characters: The Narrator (speaker)
Page Number: 115
Explanation and Analysis:

At that moment, I realized what all this was for. The words that this torture and starvation were intended to elicit. We will make you realize how ridiculous it was, the lot of you waving the national flag and singing the national anthem. We will prove to you that you are nothing but filthy, stinking bodies. That you are no better than the carcasses of starving animals.

[…] Watery discharge and sticky puss, foul saliva, blood, tears and snot, piss and shit that soiled your pants. That was all that was left to me. No, that was what I myself had been reduced to. I was nothing but the sum of those parts. The lump of rotting meat from which they oozed was the only “me” there was.

Related Characters: The Narrator (speaker), Yeong-chae, President Chun Doo-hwan
Related Symbols: Pens and Ink
Page Number: 120
Explanation and Analysis:

I heard a story about one of the Korean army platoons that fought in Vietnam. How they forced the women, children, and elderly of one particular village into the main hall, and then burned it to the ground. Some of those who claim to slaughter us did so with the memory of those previous times, when committing such actions and wartime had won them a handsome reward. It happened in Gwangju just as it did on Jeju Island, […] in Bosnia, and all across the American continent when it was still known as the new world, with such a uniform brutality it's as though it is imprinted in our genetic code. I never let myself forget that every single person I meet is a member of this human race.

[…] So tell me, professor, what answers do you have for me? You, a human being just like me.

Related Characters: The Narrator (speaker), Eun-sook, The Professor/Yoon
Page Number: 134
Explanation and Analysis:
Chapter 5: The Factory Girl, 2002 Quotes

The repeated words from Yoon’s e-mail, a pianist hammering the same keys, flicker in your mind’s eye like a cursor blinking on a computer screen. Testimony. Meaning. Memory. For the future.

[…] Again, you experienced that moment when the contours of suffering coalesce into clarity, a clarity colder and harder than any nightmare could ever be. The moment when you are forced to acknowledge that what you experienced was no mere dream.

[…] Yoon has asked you to remember. To face up to those memories, to bear witness to them. But how can such a thing be possible?

Related Characters: Seon-ju, President Chun Doo-hwan, The Professor/Yoon
Page Number: 164
Explanation and Analysis:

Some weekend afternoon when the sun-drenched scene outside the window seems unusually still and Dong-ho’s profile flips into your mind, mightn’t the thing flickering in front of your eyes be what they call a soul? In the early hours of the morning, when dreams you can’t remember have left your cheeks wet and the contours of that face jolt into an abrupt clarity, mightn’t that wavering be a soul’s emergence? And the place they emerged from, that they waver back into, would it be as black as night or dusk's coarse weave? Dong-ho, Jin-su, the bodies at your own hands washed and dressed, might they be gathered there in that place, or are they sundered, several, scattered? You are aware that, as an individual, you have the capacity for neither bravery nor strength.

Related Characters: Dong-ho, Jeong-dae, Jin-su, Seon-ju, The Professor/Yoon
Page Number: 172
Explanation and Analysis:

If I demanded that you go home, Dong-ho; if I’d begged, while we sat there eating gimbap, you would have done as I asked, wouldn’t you?

And that’s why you’re coming to me now.

To ask why I’m still alive.

You walk, your eyes red rim seeming carved with some keen blade. Hurrying back to the bright lights of the emergency department.

There’s only one thing for me to say to you, onni.

If you’ll allow me to.

If you'll please allow me.

[…] As you walk along the straight white line that follows the center of the road, you raise your head to the falling rain.

Don’t die.

Just don’t die.

Related Characters: Seon-ju (speaker), Dong-ho, Eun-sook, Jin-su, Seong-hee
Page Number: 174
Explanation and Analysis:
Epilogue: The Writer, 2013 Quotes

There was something meek and gentle about those single-lidded half-moon eyes. The traces of infancy still lingered in the soft line of his jaw. It was a face so utterly ordinary you could easily have mistaken it for that of another, a face whose characteristics would be forgotten the moment you turned away from it.

Related Characters: The Writer (speaker), Dong-ho, Eun-sook, Seon-ju, Dong-ho’s Mother
Page Number: 198
Explanation and Analysis:

As it turned out, none of my relatives died; none were injured or even arrested. But all through that autumn in 1980, my thoughts returned to that tiny room at one end of the kitchen, where I used to lie on my stomach to do my homework, that room with the cold paper floor—had the boy used it to spread out his homework on its cold paper floor, then lie stomach-down just as I had? The middle-school kid I'd heard the grown-ups whispering about. How had the seasons kept on turning for me, when time had stopped forever for him that May?

Related Characters: The Writer (speaker), Dong-ho, The Writer’s Father
Page Number: 205
Explanation and Analysis: