Human Acts

by

Han Kang

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Themes and Colors
Human Connection Theme Icon
Bodies and Vulnerability Theme Icon
Language, Memory, and Power  Theme Icon
Youth, Courage, and Naivety  Theme Icon
Afterlife and the Soul Theme Icon
LitCharts assigns a color and icon to each theme in Human Acts, which you can use to track the themes throughout the work.
Language, Memory, and Power  Theme Icon

Throughout Human Acts, Han Kang’s novel about the 1980 Gwangju uprising, language emerges as a powerful tool of resistance and memory. A professor named Yoon, determined to publish a true account of the harrowing protests, insists that only through oral history can survivors “bear witness” to the pain they experienced in the past. Theatrical producer Mr. Seo skirts government restrictions, causing a mass of protest poems to rain down on audience members even after the state forbids the text of his play. And the character of the writer—a stand-in for Han Kang herself—uses language to remember the dead protestors the state would rather erase from history. “Write your book,” one interviewee tells her, “so that no one will ever be able to desecrate my brother’s memory ever again.” In other words, language can heal, preserve, and correct injustice.

It follows, therefore, that throughout the novel, the South Korean government sees squashing language as an important imperative. State-sponsored soldiers beat and brutalize students and young activists merely for the text on their fliers. Government censors block whole pages of text, using ink rollers to erase any idea they consider seditious. When activist Jin-su is tortured (alongside young Yeong-Chae and an unnamed narrator), the interrogators use a pen as a weapon, symbolically suggesting the force of language . In the story, it’s more often the case that the government succeeds in silencing speech, frightening characters away from giving words to their pain and anger. But even as Human Acts illustrates the state’s very real ability to silence its citizens, the fact of the book’s existence testifies to the power of language to overcome even the worst violence. The novel ends with the writer standing in a graveyard, paying her respects to an activist named Dong-ho who was murdered while still in middle school. Just by reading the novel, this final scene suggests, readers are remembering Dong-ho. In this way, then, language returns to Dong-ho—and to the novel’s other silenced characters—some of the life and power that the state’s violence and censorship took from him. 

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Language, Memory, and Power ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Language, Memory, and Power appears in each chapter of Human Acts. Click or tap on any chapter to read its Summary & Analysis.
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Language, Memory, and Power Quotes in Human Acts

Below you will find the important quotes in Human Acts related to the theme of Language, Memory, and Power .
Chapter 1: The Boy, 1980 Quotes

Bending down to remove the cloth, your gaze is arrested by the sight of the translucent candle wax creeping down below the bluish flame.

How long do souls linger by the side of their bodies?

Do they really flutter away like some kind of bird? Is that what trembles the edges of the candle flame?

Related Characters: Dong-ho, Jeong-dae
Related Symbols: Candles
Page Number: 46
Explanation and Analysis:
Chapter 2: The Boy’s Friend, 1980 Quotes

Burning my tongue on a steamed potato my sister gave me, blowing on it hastily and juggling it in my mouth.

Flesh of a watermelon grainy as sugar, the glistening black seeds I didn’t bother to pick out.

Racing back to the house where my sister was waiting, my jacket zipped up over a parcel of chrysanthemum bread, feet entirely numb with cold, the bread blazing hot against my heart.

Yearning to be taller.

To be able to do forty push-ups in a row.

For the time when I would hold a woman in my arms.

Related Characters: Jeong-dae (speaker), Jeong-mi
Page Number: 59
Explanation and Analysis:

I looked on in silence as my face blackened and swelled, my features turned into festering ulcers, the contours that had defined me, that had given me clear edges, crumbled into ambiguity, leaving nothing that could be recognized as me.

As the nights wore on, increasingly more shadows came and pressed up against my own. Our encounters were, as always, poorly improvised things. We were never able to tell who the other was, but could vaguely surmise how long we’d been together for. Every time our shadow boundaries brushed against each other, an echo of some appalling suffering was transmitted to me like an electric shock.

Related Characters: Jeong-dae (speaker)
Page Number: 62
Explanation and Analysis:
Chapter 3: The Editor, 1985 Quotes

Her initial impression is that the pages have been burned. They’ve been thrown onto a fire and left to blacken […]

More than half of the sentences in the ten-page introduction have been scored through. In the thirty or so pages following, this percentage rises so that the vast majority of sentences have aligned through them. From around the fifth page onward, perhaps because drawing a line had become too labor-intensive, entire pages have been blacked out, presumably using an ink roller […]

She recalls sentences roughly darned and patched, places where the forms of words can just about be made out in paragraphs that had been otherwise expunged. You. I. That. Perhaps. Precisely. Everything. You. Why. Gaze. Your eyes. Near and far. That. Vividly. Now. A little more. Vaguely. Why did you. Remember? Gasping for breath in these interstices, tiny islands among language charred out of existence.

Related Characters: Eun-sook, President Chun Doo-hwan
Related Symbols: Pens and Ink
Page Number: 80
Explanation and Analysis:

She could have pressed her hands over her ears, could have screwed her eyes tight shut, shook her head from side to side or moaned in distress. Instead, she simply remembered you, Dong-ho. How you darted away at the stairs when she tried to take you home. Your face frozen with terror, as though escaping this importunate plea was your only hope of survival. Let’s go together, Dong-ho. We ought to leave together, right away. You stood there clinging to the second-floor railing, trembling. When she caught your gaze, Eun-sook saw your eyelids quiver. Because you were afraid. Because you wanted to live.

Related Characters: Eun-sook (speaker), Dong-ho, Dong-ho’s Mother, President Chun Doo-hwan
Page Number: 93
Explanation and Analysis:

Eun-sook closes her eyes. She does not want to see his face.

After you died I couldn’t hold a funeral, so my life became a funeral.

After you were wrapped in a tarpaulin and carted away in a garbage truck.

After sparkling jets of water sprayed unforgivably from the fountain.

Everywhere the lights of the temple shrines are burning.

In the flowers that bloom in spring, in the snowflakes. In the evenings that draw each day to a close. Sparks from the candles, burning in empty drinks bottles.

Scalding tears burn from Eun-sook’s open eyes, but she does not wipe them away. She glares fiercely at the boy’s face, at the movement of his silenced lips.

Related Characters: Dong-ho, Eun-sook, Mr. Seo
Related Symbols: Candles, Trackpants
Page Number: 104
Explanation and Analysis:
Chapter 4: The Prisoner, 1990 Quotes

At that moment, I realized what all this was for. The words that this torture and starvation were intended to elicit. We will make you realize how ridiculous it was, the lot of you waving the national flag and singing the national anthem. We will prove to you that you are nothing but filthy, stinking bodies. That you are no better than the carcasses of starving animals.

[…] Watery discharge and sticky puss, foul saliva, blood, tears and snot, piss and shit that soiled your pants. That was all that was left to me. No, that was what I myself had been reduced to. I was nothing but the sum of those parts. The lump of rotting meat from which they oozed was the only “me” there was.

Related Characters: The Narrator (speaker), Yeong-chae, President Chun Doo-hwan
Related Symbols: Pens and Ink
Page Number: 120
Explanation and Analysis:
Chapter 5: The Factory Girl, 2002 Quotes

The repeated words from Yoon’s e-mail, a pianist hammering the same keys, flicker in your mind’s eye like a cursor blinking on a computer screen. Testimony. Meaning. Memory. For the future.

[…] Again, you experienced that moment when the contours of suffering coalesce into clarity, a clarity colder and harder than any nightmare could ever be. The moment when you are forced to acknowledge that what you experienced was no mere dream.

[…] Yoon has asked you to remember. To face up to those memories, to bear witness to them. But how can such a thing be possible?

Related Characters: Seon-ju, President Chun Doo-hwan, The Professor/Yoon
Page Number: 164
Explanation and Analysis:

If I demanded that you go home, Dong-ho; if I’d begged, while we sat there eating gimbap, you would have done as I asked, wouldn’t you?

And that’s why you’re coming to me now.

To ask why I’m still alive.

You walk, your eyes red rim seeming carved with some keen blade. Hurrying back to the bright lights of the emergency department.

There’s only one thing for me to say to you, onni.

If you’ll allow me to.

If you'll please allow me.

[…] As you walk along the straight white line that follows the center of the road, you raise your head to the falling rain.

Don’t die.

Just don’t die.

Related Characters: Seon-ju (speaker), Dong-ho, Eun-sook, Jin-su, Seong-hee
Page Number: 174
Explanation and Analysis:
Chapter 6: The Boy’s Mother, 2010 Quotes

“I don’t like summer but I like summer nights”: that was something you came out with the year you turned eight. I liked the sound of those words, and I remember thinking to myself, he’ll be a poet. Times when you three boys sat out on the bench in the yard, sharing watermelon with your father on hot summer nights. When your tongue groped for the sticky sweet remnants smeared around your mouth.

Related Characters: Dong-ho’s Mother (speaker), Dong-ho, Jeong-dae, The Middle Brother, Dong-ho’s Father
Page Number: 189
Explanation and Analysis:
Epilogue: The Writer, 2013 Quotes

Permission? Yes, you have my permission, but only if you do it properly. Please, write your book so that no one will ever be able to desecrate my brother’s memory again […]

Whenever we had a toe war, I always won.

He was really ticklish, you see.

All I had to do was poke his foot with my big toe and he’d start squirming.

At first I couldn’t tell whether he was grimacing like that because he was ticklish, or because it really hurt…

But then he would turn bright red and laugh.

Related Characters: The Middle Brother (speaker), Dong-ho, The Writer, Dong-ho’s Mother, President Chun Doo-hwan
Page Number: 209
Explanation and Analysis: