Karen Lee Quotes in Interior Chinatown
“Oh, boo hoo, I’m a poor helpless Asian Man. It’s so terrible being me.”
“I have to talk with an accent because no one can process what the hell to do with me. I’ve got the consciousness of a contemporary American. And the face of a Chinese farmer of five thousand years ago. Asian Man. It’s a fact. Look it up. No one likes us.”
“Not with that attitude they won’t. And by the way, I think I might like you. Maybe. A little.”
You survey the room: drawings, hair ties, notes to herself. Seemingly every species of stuffed animal or creature, real or imagined, lined up like a royal court along the walls on the floors. Her friends, her audience. Her off-screen voices. She seems both more resourceful and yet more childlike at the same time—how she’s invented a world, stylized, so that its roles and scenery, its characters and rules, its truths and dangers, all fit within one room. How small it is, and overstuffed, and ready for expansion. How bright it is, how messy. This whole place, the objects in it, all from her.
The words coming out of your mouth, you can feel it happening, how you’re softening, changing into a different person. You were a bit player in the world of Black and White, but here and now, in her world, you’re more. Not the star of the show, something better. The star’s dad. Somehow you were lucky enough to end up in her story.
PHOEBE Can you tell me a story?
KUNG FU DAD I don’t know how. No one’s ever asked me to.
KAREN You wanted them to find you.
KUNG FU DAD I wanted them to find us.
Karen Lee Quotes in Interior Chinatown
“Oh, boo hoo, I’m a poor helpless Asian Man. It’s so terrible being me.”
“I have to talk with an accent because no one can process what the hell to do with me. I’ve got the consciousness of a contemporary American. And the face of a Chinese farmer of five thousand years ago. Asian Man. It’s a fact. Look it up. No one likes us.”
“Not with that attitude they won’t. And by the way, I think I might like you. Maybe. A little.”
You survey the room: drawings, hair ties, notes to herself. Seemingly every species of stuffed animal or creature, real or imagined, lined up like a royal court along the walls on the floors. Her friends, her audience. Her off-screen voices. She seems both more resourceful and yet more childlike at the same time—how she’s invented a world, stylized, so that its roles and scenery, its characters and rules, its truths and dangers, all fit within one room. How small it is, and overstuffed, and ready for expansion. How bright it is, how messy. This whole place, the objects in it, all from her.
The words coming out of your mouth, you can feel it happening, how you’re softening, changing into a different person. You were a bit player in the world of Black and White, but here and now, in her world, you’re more. Not the star of the show, something better. The star’s dad. Somehow you were lucky enough to end up in her story.
PHOEBE Can you tell me a story?
KUNG FU DAD I don’t know how. No one’s ever asked me to.
KAREN You wanted them to find you.
KUNG FU DAD I wanted them to find us.