In this passage, Bach shows how religious fervor—and the misinterpretation of doctrine it engenders—can grow out of nothing. When Fletcher’s death leaves no concrete answers for his fervently devoted Flock, they begin spinning stories that cast his death in the light they want it to be seen in. They portray him as a divine disciple of their main figurehead, Jonathan, and invent a narrative about his passing that invalidates Fletcher’s truth and serves only the creation of new, stifling traditions, as Bach will show in the following passages.