J. Edgar Hoover Quotes in Killers of the Flower Moon
When Hoover met with White, his grip on power remained tenuous, and he was suddenly confronting the one thing that he'd done everything to avoid since becoming director: a scandal. The situation in Oklahoma, Hoover believed, was “acute and delicate.” Even a whiff of misconduct coming so soon after Teapot Dome could end his career. Only weeks earlier, he'd sent a “confidential” memo to White and other special agents, stating, “This Bureau cannot afford to have a public scandal visited upon it.”
As White listened to Hoover, it became evident why he'd been summoned. Hoover needed White—one of his few experienced agents, one of the Cowboys—to resolve the case of the Osage murders and thereby protect Hoover's job. “I want you,” Hoover said, to “direct the investigation.”
White was feeling pressure not just from Hoover. In the short time that White had been on the case, he had seen the lights burning each night around the homes of the Osage, and seen that members of the community wouldn't let their children go into town alone, and seen more and more residents selling their homes and moving to distant states or even other countries like Mexico and Canada. (Later one Osage called it a “diaspora.”) The desperation of the Osage was unmistakable, as was their skepticism toward the investigation. What had the U.S. government done for them? Why did they, unlike other Americans, have to use their own money to fund a Justice Department investigation? Why had nobody been arrested? An Osage chief said, “I made peace with the white man and lay down my arms never to take them up again and now I and my fellow tribesmen must suffer.”
For Hoover, the Osage murder investigation became a showcase for the modern bureau. As he had hoped, the case demonstrated to many around the country the need for a national, more professional, scientifically skilled force. The St. Louis Post-Dispatch wrote of the murders, “Sheriffs investigated and did nothing. State's Attorneys investigated and did nothing. The Attorney General investigated and did nothing. It was only when the Government sent Department of Justice agents into the Osage country that law became a thing of majesty.”
Hoover was careful not to disclose the bureau's earlier bungling. He did not reveal that Blackie Thompson had escaped under the bureau's watch and killed a policeman, or that because of so many false starts in the probe other murders had occurred. Instead, Hoover created a pristine origin story, a founding mythology in which the bureau, under his direction, had emerged from lawlessness and overcome the last wild American frontier.
Hoover ensured that the identity of the bureau was indistinguishable from his own. And while presidents came and went, this bureaucrat, now thick around the waist and with jowls like a bulldog, remained. “I looked up and there was J. Edgar Hoover on his balcony, high and distant and quiet, watching with his misty kingdom behind him, going on from President to President and decade to decade,” a reporter for Life magazine wrote. The many details of Hoover's abuses of power would not be made public until after his death, in 1972, and despite White's perceptiveness, he was blind to the boss man's megalomania, his politicization of the bureau, and his paranoid plots against an ever-growing list of perceived enemies, among them American Indian activists.
J. Edgar Hoover Quotes in Killers of the Flower Moon
When Hoover met with White, his grip on power remained tenuous, and he was suddenly confronting the one thing that he'd done everything to avoid since becoming director: a scandal. The situation in Oklahoma, Hoover believed, was “acute and delicate.” Even a whiff of misconduct coming so soon after Teapot Dome could end his career. Only weeks earlier, he'd sent a “confidential” memo to White and other special agents, stating, “This Bureau cannot afford to have a public scandal visited upon it.”
As White listened to Hoover, it became evident why he'd been summoned. Hoover needed White—one of his few experienced agents, one of the Cowboys—to resolve the case of the Osage murders and thereby protect Hoover's job. “I want you,” Hoover said, to “direct the investigation.”
White was feeling pressure not just from Hoover. In the short time that White had been on the case, he had seen the lights burning each night around the homes of the Osage, and seen that members of the community wouldn't let their children go into town alone, and seen more and more residents selling their homes and moving to distant states or even other countries like Mexico and Canada. (Later one Osage called it a “diaspora.”) The desperation of the Osage was unmistakable, as was their skepticism toward the investigation. What had the U.S. government done for them? Why did they, unlike other Americans, have to use their own money to fund a Justice Department investigation? Why had nobody been arrested? An Osage chief said, “I made peace with the white man and lay down my arms never to take them up again and now I and my fellow tribesmen must suffer.”
For Hoover, the Osage murder investigation became a showcase for the modern bureau. As he had hoped, the case demonstrated to many around the country the need for a national, more professional, scientifically skilled force. The St. Louis Post-Dispatch wrote of the murders, “Sheriffs investigated and did nothing. State's Attorneys investigated and did nothing. The Attorney General investigated and did nothing. It was only when the Government sent Department of Justice agents into the Osage country that law became a thing of majesty.”
Hoover was careful not to disclose the bureau's earlier bungling. He did not reveal that Blackie Thompson had escaped under the bureau's watch and killed a policeman, or that because of so many false starts in the probe other murders had occurred. Instead, Hoover created a pristine origin story, a founding mythology in which the bureau, under his direction, had emerged from lawlessness and overcome the last wild American frontier.
Hoover ensured that the identity of the bureau was indistinguishable from his own. And while presidents came and went, this bureaucrat, now thick around the waist and with jowls like a bulldog, remained. “I looked up and there was J. Edgar Hoover on his balcony, high and distant and quiet, watching with his misty kingdom behind him, going on from President to President and decade to decade,” a reporter for Life magazine wrote. The many details of Hoover's abuses of power would not be made public until after his death, in 1972, and despite White's perceptiveness, he was blind to the boss man's megalomania, his politicization of the bureau, and his paranoid plots against an ever-growing list of perceived enemies, among them American Indian activists.