Throughout Lafayette in the Somewhat United States, Sarah Vowell combines history with memoir, describing her present-day visits to major landmarks of the American Revolutionary War. Many crucial sites of U.S. political history remain perfectly preserved and curated: Vowell visits Thomas Jefferson’s famed Monticello home, takes a trip to Colonial Williamsburg to meet a George Washington impersonator, and even stops in to see a pair of her hero Marquis de Lafayette’s gloves at the Smithsonian museum. But while these political artifacts are celebrated, Vowell is repeatedly struck by how former battlefields—though they were equally important to the nation’s history—are unmarked and unremarkable. To the layman, these once-violent sites appear like any other peaceful, rolling fields or bustling suburbs. While she retraces Lafayette’s steps, Vowell realizes how easily history can be forgotten in favor of daily routines. Even the fact that Americans celebrate Independence Day on July 4 is telling: rather than rejoicing on October 19, the anniversary of the Patriots’s actual military victory, the U.S. has always dated its creation to the day when a piece of paper (the Declaration of Independence) was signed. As she studies statements from John Adams to today’s politicians, Vowell ultimately comes to believe that this revisionism is intentional. The conspicuous absence of war monuments demonstrates how the United States glorifies its ideological turning points while erasing the violence that made such political success possible.
Landscape and Historical Memory ThemeTracker
Landscape and Historical Memory Quotes in Lafayette in the Somewhat United States
In other words, Lafayette mania circa 1824 was specific to him and cannot be written off as the product of a simpler, more agreeable time. In the United States of America, there was no simpler, more agreeable time.
Because these words convinced Louis XVI to open his heart and, more important, his wallet to the patriots, Vergennes’s memo arguably had as much practical effect on the establishment of American independence as the Declaration of Independence itself. Jefferson’s pretty phrases were incomplete without the punctuation of French gunpowder.
To establish such a forthright dreamland of decency, who wouldn’t sign up to shoot at a few thousand Englishmen, just as long as Mr. Bean wasn’t one of them? Alas, from my end of history there’s a big file cabinet blocking the view of the sweet natured Republic Lafayette foretold, and it’s where the guvment keeps the folders full of Indian treaties, the Chinese Exclusion Act, and NSA-monitored electronic messages pertinent to national security.
The place looks wrong. I’m not bothered that the present intrudes on the past, what would the combination Pizza Hut-Taco Bell looming near a road once crammed with redcoats; or that Fuzzy Butts Dog Daycare is situated a stone’s throw from the old Quaker house where Lafayette reportedly spent the night before the battle. No, my problem is springtime. The Brandywine countryside is in bloom—too green, too chirpy, too full of life.
Just as Densmore’s religious ethics seemed to filter through his nonfiction, my background bubbles up into mine. Having studied art history, as opposed to political history, I tend to incorporate found objects into my books. Just as Pablo Picasso glued a fragment of furniture onto the canvas of Still Life with Chair Caning, I like to use whatever’s lying around to paint pictures of the past—traditional pigment like archival documents but also the added texture of whatever bits and bobs I learn from looking out bus windows or chatting up the people I bump into on the road.”
“Do not underestimate my ignorance about a war we were not really taught in England,” [my British friend] continued. “We concentrated on the wars we won—the First World War, the Second, the Tudors. Nobody taught me American history. Well, maybe a bit when we study the Georges—there was always trouble off stage in America. To us it was just the loss of a colony.”
Anyone who accepts the patriot’s premise that all men are created equal must come to terms with the fact that the most obvious threat to equality in eighteenth-century North America was not taxation without representation but slavery. Parliament would abolish slavery in the British Empire in 1833, thirty years before President Lincoln’s Emancipation Proclamation. A return to the British fold in 1778 might have freed American slaves three decades sooner, which is what, an entire generation and a half? Was independence for some of us more valuable than freedom for all of us? As the former slave Frederick Douglass put it in an Independence Day speech in 1852, “This is your 4th of July, not mine.”
The Americans, who had been British for centuries and not British for only three years, were quick to turn on the French after Newport—too quick. Most of that ire can be explained by the current events in Rhode Island, but some of the patriot disdain was older, in their blood.
For that reason, some scholars consider this somewhat forgotten maritime dust up—referred to as the Battle of the Chesapeake […]—to be the most important altercation of the American Revolution, a take that’s all the more astonishing considering not a single American took part in it. Nor did a single American even witness it.
Over at the battlefield, we drove from the site of the French encampment to the French artillery park to the French Cemetery, where someone had left a single yellow daisy on the plaque commemorating the burial of fifty unknown French soldiers. Then we went for lunch on the York River waterfront at the Water Street Grille, a few yards away from a statue of Admiral de Grasse. There were freedom fries on the menu.
Following the lead of John Adams, Americans prefer to think of the American Revolution not as an eight-year war but rather as a revolution “effected before the War commenced.” We like to believe, as Adams did, that the revolution was “in the minds and hearts of the people,” as opposed to the amputated limbs and bayoneted torsos of Continental and French casualties.