Joseph Conrad’s Lord Jim is a novel about the consequences of racism and colonialism. Race is a controversial topic in Conrad’s work, with some critics accusing Conrad of perpetuating racist stereotypes. However, if the reader takes the book at face value, it seems clear that violent European characters like the scoundrel Gentleman Brown are meant to be villains, whereas innocent characters like Jim’s part-Malay wife Jewel are meant to inspire sympathy in the reader. The whole reason why European sailors like Jim and Marlow are in Asian waters is due to colonialism and the desire of many European leaders to extract Asian resources. The novel includes white characters like Chester, who recklessly gets himself and many Asian sailors killed over some guano (seabird excrement used as fertilizer); and Stein, who is clearly involved in crooked (and potentially deadly) dealings in the remote Malay region of Patusan that governments overlook, to hint at the exploitative nature of European colonialism. And Marlow, the sea captain who relates Jim’s story, doesn’t know the full details of Stein’s dealings and seemingly doesn’t want to know them, perhaps reflecting how many Europeans preferred to live in ignorance of what went on abroad.
Interestingly, the only character who gets to hear the end of Marlow’s story is a man (referred to as the privileged reader) who comes up to Marlow after the first part of his story and makes racist remarks about Patusan. Marlow doesn’t tell the privileged reader what to think when he sends him a package about the final events of the story, but the story sets up a clear contrast between Brown, a man who seemingly places no value on Malay life, and Jim, who sacrifices everything to the Malay. While Marlow stops short of endorsing Jim’s fanatical dedication to both his ideals and the welfare of Patusan, he nevertheless makes the case that both Jim and the people of Patusan are nobler than a simple plunderer like Brown, who takes things just because he can. The racist, privileged reader could also be seen as a stand-in for real-life readers whose racist views the story may have challenged. Some critics suggest that Conrad doesn’t go far enough, and that the presence of characters like Rajah Allang (who is often described as dirty and ugly, embodying the stock character of the villainous “savage”) undercuts the book’s anti-racist themes. Nevertheless, while it’s possible to debate the overall effectiveness of Conrad’s arguments against racism and to question his portrayals of Malay characters, Lord Jim nevertheless interrogates Europe’s relationship with the rest of the world and highlights flaws in the colonialist status quo.
Racism and Colonialism ThemeTracker
Racism and Colonialism Quotes in Lord Jim
The Patna was a local steamer as old as the hills, lean like a greyhound, and eaten up with rust worse than a condemned water-tank. She was owned by a Chinaman, chartered by an Arab, and commanded by a sort of renegade New South Wales German, very anxious to curse publicly his native country, but who, apparently on the strength of Bismarck’s victorious policy, brutalized all those he was not afraid of, and wore a ‘blood-and-iron’ air,’ combined with a purple nose and a red moustache. After she had been painted outside and whitewashed inside, eight hundred pilgrims (more or less) were driven on board of her as she lay with steam up alongside a wooden jetty.
What had happened? The wheezy thump of the engines went on. Had the earth been checked in her course? They could not understand; and suddenly the calm sea, the sky without a cloud, appeared formidably insecure in their immobility, as if poised on the brow of yawning destruction. The engineer rebounded vertically full length and collapsed again into a vague heap. This heap said ‘What’s that?’ in the muffled accents of profound grief. A faint noise as of thunder, of thunder infinitely remote, less than a sound, hardly more than a vibration, passed slowly, and the ship quivered in response, as if the thunder had growled deep down in the water. The eyes of the two Malays at the wheel glittered towards the white men, but their dark hands remained closed on the spokes. The sharp hull driving on its way seemed to rise a few inches in succession through its whole length, as though it had become pliable, and settled down again rigidly to its work of cleaving the smooth surface of the sea. Its quivering stopped, and the faint noise of thunder ceased all at once, as though the ship had steamed across a narrow belt of vibrating water and of humming air.
‘I said nothing. I had a rapid vision of Jim perched on a shadowless rock, up to his knees in guano, with the screams of sea-birds in his ears, the incandescent ball of the sun above his head; the empty sky and the empty ocean all a-quiver, simmering together in the heat as far as the eye could reach. “I wouldn’t advise my worst enemy . . .” I began.’
‘All this was in the past, but I knew the story of his life and the origin of his fortune. He was also a naturalist of some distinction, or perhaps I should say a learned collector. Entomology was his special study. His collection of Buprestidae and Longicorns—beetles all—horrible miniature monsters, looking malevolent in death and immobility, and his cabinet of butterflies, beautiful and hovering under the glass of cases on lifeless wings, had spread his fame far over the earth. The name of this merchant, adventurer, sometime adviser of a Malay sultan (to whom he never alluded otherwise than as “my poor Mohammed Bonso”), had, on account of a few bushels of dead insects, become known to learned persons in Europe, who could have had no conception, and certainly would not have cared to know anything, of his life or character. I, who knew, considered him an eminently suitable person to receive my confidences about Jim’s difficulties as well as my own.’
“To tell you the truth, Stein,” I said with an effort that surprised me, “I came here to describe a specimen. . . .”
‘“Butterfly?” he asked, with an unbelieving and humorous eagerness.
‘“Nothing so perfect,” I answered, feeling suddenly dispirited with all sorts of doubts. “A man!”
‘I don’t suppose any of you have ever heard of Patusan?’ Marlow resumed, after a silence occupied in the careful lighting of a cigar. ‘It does not matter; there’s many a heavenly body in the lot crowding upon us of a night that mankind had never heard of, it being outside the sphere of its activities and of no earthly importance to anybody but to the astronomers who are paid to talk learnedly about its composition, weight, path—the irregularities of its conduct, the aberrations of its light—a sort of scientific scandal-mongering. Thus with Patusan.’
‘The conquest of love, honour, men’s confidence—the pride of it, the power of it, are fit materials for a heroic tale; only our minds are struck by the externals of such a success, and to Jim’s successes there were no externals. Thirty miles of forest shut it off from the sight of an indifferent world, and the noise of the white surf along the coast overpowered the voice of fame.’
‘“This is where I was prisoner for three days,” he murmured to me (it was on the occasion of our visit to the Rajah), while we were making our way slowly through a kind of awestruck riot of dependants across Tunku Allang’s courtyard. “Filthy place, isn’t it?”’
‘Doramin was one of the most remarkable men of his race I had ever seen. His bulk for a Malay was immense, but he did not look merely fat; he looked imposing, monumental. This motionless body, clad in rich stuffs, coloured silks, gold embroideries; this huge head, enfolded in a red-and-gold headkerchief; the flat, big, round face, wrinkled, furrowed, with two semicircular heavy folds starting on each side of wide, fierce nostrils, and enclosing a thick-lipped mouth; the throat like a bull; the vast corrugated brow overhanging the staring proud eyes—made a whole that, once seen, can never be forgotten. His impassive repose (he seldom stirred a limb when once he sat down) was like a display of dignity.’
‘The popular story has it that Jim with a touch of one finger had thrown down the gate. He was, of course, anxious to disclaim this achievement. The whole stockade—he would insist on explaining to you—was a poor affair […]; and, anyway, the thing had been already knocked to pieces and only hung together by a miracle. He put his shoulder to it like a little fool and went in head over heels. Jove! If it hadn’t been for Dain Waris, a pock-marked tattooed vagabond would have pinned him with his spear to a baulk of timber like one of Stein’s beetles. The third man in, it seems, had been Tamb’ Itam, Jim’s own servant. This was a Malay from the north, a stranger who had wandered into Patusan, and had been forcibly detained by Rajah Allang as paddler of one of the state boats. He had made a bolt of it at the first opportunity, and finding a precarious refuge (but very little to eat) amongst the Bugis settlers, had attached himself to Jim’s person. His complexion was very dark, his face flat, his eyes prominent and injected with bile. There was something excessive, almost fanatical, in his devotion to his “white lord.”’
‘Next day, talking casually with the people of the little native court of the place, I discovered that a story was travelling slowly down the coast about a mysterious white man in Patusan who had got hold of an extraordinary gem—namely, an emerald of an enormous size, and altogether priceless.’
‘Why did I come, then? After a slight movement she was as still as a marble statue in the night. I tried to explain briefly: friendship, business; if I had any wish in the matter it was rather to see him stay. . . . “They always leave us,” she murmured. The breath of sad wisdom from the grave which her piety wreathed with flowers seemed to pass in a faint sigh. . . . Nothing, I said, could separate Jim from her.’
With these words Marlow had ended his narrative, and his audience had broken up forthwith, under his abstract, pensive gaze. Men drifted off the verandah in pairs or alone without loss of time, without offering a remark, as if the last image of that incomplete story, its incompleteness itself, and the very tone of the speaker, had made discussion in vain and comment impossible. Each of them seemed to carry away his own impression, to carry it away with him like a secret; but there was only one man of all these listeners who was ever to hear the last word of the story. It came to him at home, more than two years later, and it came contained in a thick packet addressed in Marlow’s upright and angular handwriting.
‘Thus Brown balanced his account with the evil fortune. Notice that even in this awful outbreak there is a superiority as of a man who carries right—the abstract thing—within the envelope of his common desires. It was not a vulgar and treacherous massacre; it was a lesson, a retribution—a demonstration of some obscure and awful attribute of our nature which, I am afraid, is not so very far under the surface as we like to think.’
‘Who knows? He is gone, inscrutable at heart, and the poor girl is leading a sort of soundless, inert life in Stein’s house. Stein has aged greatly of late. He feels it himself, and says often that he is “preparing to leave all this; preparing to leave . . .” while he waves his hand sadly at his butterflies.’
September 1899—July 1900.