M. Butterfly

by

David Henry Hwang

Song Liling Character Analysis

A male, homosexual Chinese opera singer who masquerades as a woman to gain access to Gallimard, then exploits their intimacy to collect classified information for agents of the Chinese Communist Party. Tremendously perceptive and intelligent, Song develops a profound understanding of Gallimard’s psychology that allows him to deceive and manipulate Gallimard. Specifically, he understands Gallimard’s desire for a particular kind of woman: beautiful, submissive, and unquestionably devoted to him. He performs the role of that fantasy woman, and in doing so possesses Gallimard’s love completely. Song serves the Communist Party mostly out of necessity; as an actor and a homosexual man, he is considered criminal by the Party’s doctrine and needs to ingratiate himself with Communist officials to prevent devastating punishment for his “crimes.” However, he also resents Westerners for their systemic abuse of Asian nations and people, and has no regrets about undermining the work of Western governments.

Song Liling Quotes in M. Butterfly

The M. Butterfly quotes below are all either spoken by Song Liling or refer to Song Liling. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Orientalism, Imperialism, and Cultural Conflict Theme Icon
).
Act 1, Scene 3 Quotes

You see? They toast me. I’ve become patron saint of the socially inept. Can they really be so foolish? Men like that — they should be scratching at my door, begging to learn my secrets! For I, Rene Gallimard, you see, I have known, and been loved by … the Perfect Woman.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 4
Explanation and Analysis:
Act 1, Scene 6 Quotes

It’s one of your favorite fantasies, isn’t it? the submissive Oriental woman and the cruel white man … Consider it this way: what would you say if a blonde homecoming queen feel in love with a short Japanese businessman? He treats her cruelly, then goes home for three years, during which time she prays to his picture and turns down marriage from a young Kennedy. Then, when she learns he has remarried, she kills herself. Now, I believe you would consider this girl to be a deranged idiot, correct? But because it’s an Oriental who kills herself for a Westerner — ah! — you find it beautiful.

Related Characters: Song Liling (speaker), Rene Gallimard
Related Symbols: Madame Butterfly
Page Number: 17
Explanation and Analysis:
Act 1, Scene 9 Quotes

It’s an old story. It’s in our blood. They fear us, Rene. Their women fear us. And their men — their men hate us. And you know something? They are all correct.

Related Characters: Marc (speaker), Rene Gallimard, Song Liling
Page Number: 25
Explanation and Analysis:
Act 1, Scene 10 Quotes

In my heart, I know she has … an interest in me. I suspect this is her way. She is outwardly bold and outspoken, yet her heart is shy and afraid. It is the Oriental in her at war with her Western education.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 27
Explanation and Analysis:

Please. Hard as I try to be modern, to speak like a man, to hold a Western woman’s strong face up to my own … in the end, I fail. A small, frightened heart beats too quickly and gives me away. Monsieur Gallimard, I’m a Chinese girl.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number: 30
Explanation and Analysis:
Act 1, Scene 11 Quotes

I stopped going to the opera, I didn’t phone or write her. I knew this little flower was waiting for me to call, and, as I wickedly refused to do so, I felt for the first time that rush of power — the absolute power of a man.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 32
Explanation and Analysis:

I am out of words. I can hide behind dignity no longer. What do you want? I have already given you my shame.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number: 35
Explanation and Analysis:
Act 1, Scene 13 Quotes

Are you my Butterfly?

Related Characters: Rene Gallimard (speaker), Song Liling
Related Symbols: Madame Butterfly
Page Number: 39
Explanation and Analysis:
Act 2, Scene 6 Quotes

It was her tears and her silence that excited me, every time I visited Renee.

Related Characters: Rene Gallimard (speaker), Song Liling, Renee
Page Number: 56
Explanation and Analysis:

No, Rene. Don’t couch your request in sweet words. Be yourself — a cad — and know that my love is enough, that I submit — submit to the worst you can give me … Well, come. Strip me. Whatever happens, know that you have willed it. Our love, in your hands. I’m helpless before my man.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number: 60
Explanation and Analysis:

Did I not undress her because I knew, somewhere deep down, what I would find? Perhaps. Happiness is so rare that our mind can turn somersaults to protect it.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 60
Explanation and Analysis:
Act 2, Scene 7 Quotes

Miss Chin? Why, in the Peking Opera, are women’s roles played by men? … Because only a man knows how a woman is supposed to act.

Related Characters: Song Liling (speaker), Comrade Chin
Related Symbols: Madame Butterfly
Page Number: 63
Explanation and Analysis:
Act 2, Scene 11 Quotes

This is the ultimate cruelty, isn’t it? That I can talk and talk and to anyone listening, it’s only air — too rich a diet to be swallowed by a mundane world. Why can’t anyone understand? That in China, I once loved, and was loved by, the Perfect Woman.

Related Characters: Rene Gallimard (speaker), Song Liling, Marc
Page Number: 76
Explanation and Analysis:
Act 3, Scene 1 Quotes

Okay, Rule One is: Men always believe what they want to hear. So a girl can tell the most obnoxious lies and the guys will believe them every time — “This is my first time” — “That’s the biggest I’ve ever seen” — or both, which, if you really think about it, is not possible in a single lifetime.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number: 82
Explanation and Analysis:

The West has sort of an international rape mentality toward the East … Basically, “Her mouth says no, but her eyes say yes.” The West thinks of itself as masculine — big guns, big industry, big money — so the East is feminine — weak, delicate, poor … but good at art, and full of inscrutable wisdom — the feminine mystique. Her mouth says no, but her eyes say yes. The West believes the East, deep down, wants to be dominated — because a woman can’t think for herself.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number: 82
Explanation and Analysis:
Act 3, Scene 2 Quotes

You, if anyone, should know — I am pure imagination.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 91
Explanation and Analysis:
Act 3, Scene 3 Quotes

My mistakes were simple and absolute — the man I loved was a cad, a bounder. He deserved nothing but a kick in the behind and instead I gave him … all my love … Love warped my judgment, blinded my eyes, rearranged the very lines on my face … until I could look into the mirror and see nothing but … a woman.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 92
Explanation and Analysis:

The love of a Butterfly can withstand many things — unfaithfulness, loss, even abandonment. But how can it face the one sin that implies all others? The devastating knowledge that, underneath it all, the object of her love was nothing more, nothing less than … a man.

Related Characters: Rene Gallimard (speaker), Song Liling
Related Symbols: Madame Butterfly
Page Number: 92
Explanation and Analysis:
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M. Butterfly PDF

Song Liling Quotes in M. Butterfly

The M. Butterfly quotes below are all either spoken by Song Liling or refer to Song Liling. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Orientalism, Imperialism, and Cultural Conflict Theme Icon
).
Act 1, Scene 3 Quotes

You see? They toast me. I’ve become patron saint of the socially inept. Can they really be so foolish? Men like that — they should be scratching at my door, begging to learn my secrets! For I, Rene Gallimard, you see, I have known, and been loved by … the Perfect Woman.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 4
Explanation and Analysis:
Act 1, Scene 6 Quotes

It’s one of your favorite fantasies, isn’t it? the submissive Oriental woman and the cruel white man … Consider it this way: what would you say if a blonde homecoming queen feel in love with a short Japanese businessman? He treats her cruelly, then goes home for three years, during which time she prays to his picture and turns down marriage from a young Kennedy. Then, when she learns he has remarried, she kills herself. Now, I believe you would consider this girl to be a deranged idiot, correct? But because it’s an Oriental who kills herself for a Westerner — ah! — you find it beautiful.

Related Characters: Song Liling (speaker), Rene Gallimard
Related Symbols: Madame Butterfly
Page Number: 17
Explanation and Analysis:
Act 1, Scene 9 Quotes

It’s an old story. It’s in our blood. They fear us, Rene. Their women fear us. And their men — their men hate us. And you know something? They are all correct.

Related Characters: Marc (speaker), Rene Gallimard, Song Liling
Page Number: 25
Explanation and Analysis:
Act 1, Scene 10 Quotes

In my heart, I know she has … an interest in me. I suspect this is her way. She is outwardly bold and outspoken, yet her heart is shy and afraid. It is the Oriental in her at war with her Western education.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 27
Explanation and Analysis:

Please. Hard as I try to be modern, to speak like a man, to hold a Western woman’s strong face up to my own … in the end, I fail. A small, frightened heart beats too quickly and gives me away. Monsieur Gallimard, I’m a Chinese girl.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number: 30
Explanation and Analysis:
Act 1, Scene 11 Quotes

I stopped going to the opera, I didn’t phone or write her. I knew this little flower was waiting for me to call, and, as I wickedly refused to do so, I felt for the first time that rush of power — the absolute power of a man.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 32
Explanation and Analysis:

I am out of words. I can hide behind dignity no longer. What do you want? I have already given you my shame.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number: 35
Explanation and Analysis:
Act 1, Scene 13 Quotes

Are you my Butterfly?

Related Characters: Rene Gallimard (speaker), Song Liling
Related Symbols: Madame Butterfly
Page Number: 39
Explanation and Analysis:
Act 2, Scene 6 Quotes

It was her tears and her silence that excited me, every time I visited Renee.

Related Characters: Rene Gallimard (speaker), Song Liling, Renee
Page Number: 56
Explanation and Analysis:

No, Rene. Don’t couch your request in sweet words. Be yourself — a cad — and know that my love is enough, that I submit — submit to the worst you can give me … Well, come. Strip me. Whatever happens, know that you have willed it. Our love, in your hands. I’m helpless before my man.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number: 60
Explanation and Analysis:

Did I not undress her because I knew, somewhere deep down, what I would find? Perhaps. Happiness is so rare that our mind can turn somersaults to protect it.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 60
Explanation and Analysis:
Act 2, Scene 7 Quotes

Miss Chin? Why, in the Peking Opera, are women’s roles played by men? … Because only a man knows how a woman is supposed to act.

Related Characters: Song Liling (speaker), Comrade Chin
Related Symbols: Madame Butterfly
Page Number: 63
Explanation and Analysis:
Act 2, Scene 11 Quotes

This is the ultimate cruelty, isn’t it? That I can talk and talk and to anyone listening, it’s only air — too rich a diet to be swallowed by a mundane world. Why can’t anyone understand? That in China, I once loved, and was loved by, the Perfect Woman.

Related Characters: Rene Gallimard (speaker), Song Liling, Marc
Page Number: 76
Explanation and Analysis:
Act 3, Scene 1 Quotes

Okay, Rule One is: Men always believe what they want to hear. So a girl can tell the most obnoxious lies and the guys will believe them every time — “This is my first time” — “That’s the biggest I’ve ever seen” — or both, which, if you really think about it, is not possible in a single lifetime.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number: 82
Explanation and Analysis:

The West has sort of an international rape mentality toward the East … Basically, “Her mouth says no, but her eyes say yes.” The West thinks of itself as masculine — big guns, big industry, big money — so the East is feminine — weak, delicate, poor … but good at art, and full of inscrutable wisdom — the feminine mystique. Her mouth says no, but her eyes say yes. The West believes the East, deep down, wants to be dominated — because a woman can’t think for herself.

Related Characters: Song Liling (speaker), Rene Gallimard
Page Number: 82
Explanation and Analysis:
Act 3, Scene 2 Quotes

You, if anyone, should know — I am pure imagination.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 91
Explanation and Analysis:
Act 3, Scene 3 Quotes

My mistakes were simple and absolute — the man I loved was a cad, a bounder. He deserved nothing but a kick in the behind and instead I gave him … all my love … Love warped my judgment, blinded my eyes, rearranged the very lines on my face … until I could look into the mirror and see nothing but … a woman.

Related Characters: Rene Gallimard (speaker), Song Liling
Page Number: 92
Explanation and Analysis:

The love of a Butterfly can withstand many things — unfaithfulness, loss, even abandonment. But how can it face the one sin that implies all others? The devastating knowledge that, underneath it all, the object of her love was nothing more, nothing less than … a man.

Related Characters: Rene Gallimard (speaker), Song Liling
Related Symbols: Madame Butterfly
Page Number: 92
Explanation and Analysis: