McTeague

by

Frank Norris

Themes and Colors
Greed and Self-Destruction Theme Icon
Naturalism Theme Icon
Gender Stereotypes  Theme Icon
Class Struggle Theme Icon
Isolation vs. Connection Theme Icon
LitCharts assigns a color and icon to each theme in McTeague, which you can use to track the themes throughout the work.
Naturalism Theme Icon

McTeague is a key work of naturalism, a literary movement that emerged in the late 19th century. Works of naturalist literature approach their subjects from a detached, scientific perspective to examine how internal and external forces, such as animal instinct or environmental conditions, govern human behavior and effectively determine a person’s fate. Some works of naturalism (and McTeague in particular) incorporate principles of social Darwinism, a movement that emerged in the 19th century which posited that human behavior and societal outcomes are governed by the same principles of natural selection that Charles Darwin identified in the animal kingdom. Many theories that emerged from this movement, however, are now understood as pseudoscientific, with proponents of the movement baselessly applying Charles Darwin's ideas of natural selection to human society to justify racist, sexist worldviews. (For example, proponents of social Darwinism in the late 19th and early 20th centuries argued that white Europeans were more “evolved” and thus superior to other races.) 

McTeague focuses on how primal instincts drive characters’ actions and determine characters’ fates. For instance, McTeague is a brutish, unrefined figure whose actions are guided more by instinct than rational thought. McTeague often feels forces pulling at him from within that he does not understand or control. These forces drive his actions and ultimately lead to his downfall. The climax of McTeague—McTeague and Marcus’s final fight, which takes place in Death Valley, miles away from civilization—drives home the novel’s naturalist viewpoint. The barren landscape, miles away from civilization, metaphorically moves the brutish McTeague away from the civilized veneer of urban San Francisco and into a harsh, unrelenting environment that better reflects the harsh, animalistic nature of McTeague’s soul. The narration portrays the landscape of Death Valley as vast, barren, and treacherous. The ground is cracked and stretches endlessly under the blazing sun. Even with Cribbens, a prospector, to guide him, McTeague barely survives. After animalistically killing Marcus, McTeague is left alone in the desert to await his imminent death. In this final moment, the novel suggests that it was always McTeague’s fate to die this way, suffering and alone: his innate primal rage has driven everyone away, and the harsh and unforgiving conditions of his life have left him with no resources to draw from in his final hours.

Related Themes from Other Texts
Compare and contrast themes from other texts to this theme…

Naturalism ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Naturalism appears in each chapter of McTeague. Click or tap on any chapter to read its Summary & Analysis.
How often theme appears:
chapter length:
Get the entire McTeague LitChart as a printable PDF.
McTeague PDF

Naturalism Quotes in McTeague

Below you will find the important quotes in McTeague related to the theme of Naturalism.
Chapter 1 Quotes

McTeague’s mind was as his body, heavy, slow to act, sluggish. Yet there was nothing vicious about the man. Altogether he suggested the draught horse, immensely strong, stupid, docile, obedient.

Related Characters: McTeague
Page Number: 3
Explanation and Analysis:

But for one thing, McTeague would have been perfectly contented. Just outside his window was his signboard—a modest affair—that read: “Doctor McTeague. Dental Parlors. Gas Given”; but that was all. It was his ambition, his dream, to have projecting from that corner window a huge gilded tooth, a molar with enormous prongs, something gorgeous and attractive. He would have it some day, on that he was resolved; but as yet such a thing was far beyond his means.

Related Characters: McTeague
Related Symbols: The Gilded Tooth
Page Number: 3-4
Explanation and Analysis:
Chapter 2 Quotes

Trina was McTeague’s first experience. With her the feminine element suddenly entered his little world. It was not only her that he saw and felt, it was the woman, the whole sex, an entire new humanity, strange and alluring, that he seemed to have discovered. How had he ignored it so long? It was dazzling, delicious, charming beyond all words. His narrow point of view was at once enlarged and confused, and all at once he saw that there was something else in life besides concertinas and steam beer. Everything had to be made over again. His whole rude idea of life had to be changed. The male virile desire in him tardily awakened, aroused itself, strong and brutal. It was resistless, untrained, a thing not to be held in leash an instant.

Related Characters: McTeague, Trina Sieppe
Page Number: 21
Explanation and Analysis:

He turned to his work, as if seeking a refuge in it. But as he drew near to her again, the charm of her innocence and helplessness came over him afresh. It was a final protest against his resolution. Suddenly he leaned over and kissed her, grossly, full on the mouth. The thing was done before he knew it. Terrified at his weakness at the very moment he believed himself strong, he threw himself once more into his work with desperate energy. By the time he was fastening the sheet of rubber upon the tooth, he had himself once more in hand. He was disturbed, still trembling, still vibrating with the throes of the crisis, but he was the master; the animal was downed, was cowed for this time, at least.

Related Characters: McTeague, Trina Sieppe
Page Number: 24-25
Explanation and Analysis:
Chapter 3 Quotes

Maria found Zerkow himself in the back room, cooking some sort of a meal over an alcohol stove. Zerkow was a Polish Jew—curiously enough his hair was fiery red. He was a dry, shriveled old man of sixty odd. He had the thin, eager, cat-like lips of the covetous; eyes that had grown “keen as those of a lynx from long searching amidst muck and debris; and claw-like, prehensile fingers—the fingers of a man who accumulates, but never disburses. It was impossible to look at Zerkow and not know instantly that greed—inordinate, insatiable greed—was the dominant passion of the man.

Related Characters: Zerkow, Maria Macapa
Page Number: 34
Explanation and Analysis:
Chapter 5 Quotes

He went farther into the closet, touching the clothes gingerly, stroking them softly with his huge leathern palms. As he stirred them a delicate perfume disengaged itself from the folds. Ah, that exquisite feminine odor! It was not only her hair now, it was Trina herself—her mouth, her hands, her neck; the indescribably sweet, fleshly aroma that was a part of her, pure and clean, and redolent of youth and freshness. All at once, seized with an unreasoned impulse, McTeague opened his huge arms and gathered the little garments close to him, plunging his face deep amongst them, savoring their delicious odor with long breaths of luxury and supreme content.

Related Characters: McTeague, Trina Sieppe
Page Number: 62
Explanation and Analysis:

“Ah, come on,” urged McTeague. He could think of nothing else to say, repeating the same phrase over and over again to all her refusals.

“Ah, come on! Ah, come on!”

Suddenly he took her in his enormous arms, crushing down her struggle with his immense strength. Then Trina gave up, all in an instant, turning her head to his. They kissed each other, grossly, full in the mouth.

Related Characters: McTeague, Trina Sieppe
Page Number: 66
Explanation and Analysis:
Chapter 6 Quotes

When McTeague had all at once caught her in his huge arms, something had leaped to life in her—something that had hitherto lain dormant, something strong and overpowering. It frightened her now as she thought of it, this second self that had wakened within her, and that shouted and clamored for recognition. And yet, was it to be feared? Was it something to be ashamed of? Was it not, after all, natural, clean, spontaneous? Trina knew that she was a pure girl; knew that this sudden commotion within her carried with it no suggestion of vice.

Related Characters: McTeague, Trina Sieppe
Page Number: 70
Explanation and Analysis:
Chapter 7 Quotes

“You fool, you fool, Marcus Schouler! If you’d kept Trina you’d have had that money. You might have had it yourself. You’ve thrown away your chance in life—to give up the girl, yes—but this," he stamped his foot with rage—"to throw five thousand dollars out of the window—to stuff it into the pockets of someone else, when it might have been yours, when you might have had Trina AND the money—and all for what? Because we were pals. Oh, ‘pals’ is all right—but five thousand dollars—to have played it right into his hands—God DAMN the luck!”

Related Characters: Marcus Schouler (speaker), McTeague, Trina Sieppe
Page Number: 101-102
Explanation and Analysis:
Chapter 9 Quotes

The dentist crossed the outside room, parted the chenille portieres, and came in. He came toward her quickly, making as if to take her in his arms. His eyes were alight.

“No, no,” cried Trina, shrinking from him. Suddenly seized with the fear of him—the intuitive feminine fear of the male—her whole being quailed before him. She was terrified at his huge, square-cut head; his powerful, salient jaw; his huge, red hands; his enormous, resistless strength.

Related Characters: Trina Sieppe (speaker), McTeague
Page Number: 141
Explanation and Analysis:
Chapter 10 Quotes

McTeague, on his part, never asked himself now-a-days whether he loved Trina the wife as much as he had loved Trina the young girl. There had been a time when to kiss Trina, to take her in his arms, had thrilled him from head to heel with a happiness that was beyond words; even the smell of her wonderful odorous hair had sent a sensation of faintness all through him. That time was long past now. Those sudden outbursts of affection on the part of his little woman, outbursts that only increased in vehemence the longer they lived together, puzzled rather than pleased him. He had come to submit to them good-naturedly, answering her passionate inquiries with a “Sure, sure, Trina, sure I love you. What—what’s the matter with you?”

Related Characters: McTeague (speaker), Trina Sieppe
Page Number: 149
Explanation and Analysis:
Chapter 11 Quotes

Then followed a terrible scene. The brute that in McTeague lay so close to the surface leaped instantly to life, monstrous, not to be resisted. He sprang to his feet with a shrill and meaningless clamor, totally unlike the ordinary bass of his speaking tones. It was the hideous yelling of a hurt beast, the squealing of a wounded elephant. He framed no words; in the rush of high-pitched sound that issued from his wide-open mouth there was nothing articulate. It was something no longer human; it was rather an echo from the jungle.

Related Characters: McTeague, Marcus Schouler
Page Number: 184
Explanation and Analysis:
Chapter 17 Quotes

After that they spoke but little. The day lapsed slowly into twilight, and the two old people sat there in the gray evening, quietly, quietly, their hands in each other’s hands, “keeping company,” but now with nothing to separate them. It had come at last. After all these years they were together; they understood each other. They stood at length in a little Elysium of their own creating. They walked hand in hand in a delicious garden where it was always autumn.

Related Characters: Old Grannis, Miss Baker
Page Number: 260
Explanation and Analysis:
Chapter 19 Quotes

Trina lay unconscious, just as she had fallen under the last of McTeague’s blows, her body twitching with an occasional hiccough that stirred the pool of blood in which she lay face downward. Towards morning she died with a rapid series of hiccoughs that sounded like a piece of clockwork running down.

The thing had been done in the cloakroom where the kindergarten children hung their hats and coats. There was no other entrance except by going through the main schoolroom. McTeague going out had shut the door of the cloakroom, but had left the street door open; so when the children arrived in the morning, they entered as usual.

Related Characters: McTeague, Trina Sieppe
Page Number: 296-297
Explanation and Analysis:
Chapter 20 Quotes

The life pleased the dentist beyond words. The still, colossal mountains took him back again like a returning prodigal, and vaguely, without knowing why, he yielded to their influence—their immensity, their enormous power, crude and blind, reflecting themselves in his own nature, huge, strong, brutal in its simplicity. And this, though he only saw the mountains at night. They appeared far different then than in the daytime. At twelve o’clock he came out of the mine and lunched on the contents of his dinner-pail, sitting upon the embankment of the track, eating with both hands, and looking around him with a steady ox-like gaze. The mountains rose sheer from every side, heaving their gigantic crests far up into the night, the black peaks crowding together, and looking now less like beasts than like a company of cowled giants.

Related Characters: McTeague
Page Number: 304-305
Explanation and Analysis:
Chapter 22 Quotes

As McTeague rose to his feet, he felt a pull at his right wrist; something held it fast. Looking down, he saw that Marcus in that last struggle had found strength to handcuff their wrists together. Marcus was dead now; McTeague was locked to the body. All about him, vast interminable, stretched the measureless leagues of Death Valley.

McTeague remained stupidly looking around him, now at the distant horizon, now at the ground, now at the half-dead canary chittering feebly in its little gilt prison.

Related Characters: McTeague, Marcus Schouler
Related Symbols: The Caged Canary
Page Number: 347
Explanation and Analysis: