Miss Peregrine’s Home for Peculiar Children

by

Ransom Riggs

Miss Peregrine’s Home for Peculiar Children: Chapter 10 Summary & Analysis

Summary
Analysis
Jacob’s talk with Miss Peregrine is on Tuesday night, and he and his dad are supposed to leave that Sunday, in just a few days. Jacob doesn’t know what to do—he can’t leave his family and everything he knows, but he can’t go home after learning all he’s learned. Moreover, Jacob can’t get advice from anyone: he can’t talk to his dad, and Emma and Miss Peregrine are biased, wanting him to stay. Jacob remembers that his grandfather had chosen to leave for a reason as well. But at the same time, Jacob knows he would live his life as a hunted man.
In this passage, Jacob faces many of the same struggles that his grandfather did, and being able to make this choice and determine what he wants to do is a key part of his coming of age process. Within those decisions, Jacob struggles to choose between his biological family and his chosen family, knowing that he loves both and that no matter what, he’ll feel caught between them to some degree.
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Jacob wonders about a third option, like the life his grandfather led. But Jacob realizes that compared to his grandfather, he can’t defend himself at all. A voice in his head starts making him doubt himself, calling himself “weak” and a “loser.” The voice says that that’s why his grandfather didn’t tell Jacob who he really was—he knew Jacob couldn’t handle it.
Even though Jacob is trying to find a greater degree of self-determination, he still has a ways to go to come into himself as a confident young man. In making this decision, his old insecurities come through in the disparaging voice in his head.
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Quotes
For the next few days, Jacob obsesses over what to do; meanwhile, his dad spends more and more time in the bar sulking. The drunker he gets, the more he starts telling Jacob about his problems, like his belief that Jacob’s mom is going to leave him. Jacob spends more time avoiding him. Meanwhile, at Miss Peregrine’s, the children are essentially locked down in the house, with rotating sentries keeping watch. The kids start to go a little wild, being cooped up all day.
The twin situations with Jacob’s dad and with the children at Miss Peregrine’s home only show Jacob the difficult sides of his decision: the strain in his family dynamic and the restrictions of life in the children’s home. The lockdown at Miss Peregrine’s, and the kids’ wildness as a result, demonstrate the overall limitations of the peculiars’ lives there.
Themes
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Miss Peregrine smokes her pipe all day while in constant motion, checking on the children. Miss Avocet is also still there, and the children theorize why the hollows are trying to capture ymbrynes. But being confined to the house makes them apathetic and unhappy. One night, Jacob experiences Horace’s peculiar talent for the first time—Horace is caught in a waking nightmare, screaming terribly and babbling about an apocalyptic event. They carry him to bed, and the next moment he claims he can’t remember the dream. He explains that his dreams rarely come true, but Jacob senses Horace is hiding something.
Again, the book emphasizes the ways in which family can be both helpful and complicated. Miss Peregrine cares deeply about Miss Avocet and the children, but at the same time, she’s effectively their jailer in the home. Just like Jacob, the children long for greater freedoms, but being stuck in the time loop means that they never really experience coming of age.
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Meanwhile, people have begun disappearing from Cairnholm: Martin disappeared, and the next day his body was fished out of the ocean. The fisherman who found Martin explained that it looked like Martin fell down a cliff and was eaten by sharks. He was dressed for bed, not for taking a walk. Men in the pub wonder if he was drunk, or if he was chased—or if there’s something suspicious about the new birder.
The book here foreshadows that there is something strange about the birder. Jacob already thinks that the birder is a wight who is disguising itself as the birder, and the fact that people are dying only illustrates the danger that they’re all in—and which Miss Peregrine is trying to protect them from.
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Jacob’s dad admits he ran into the birder as the man was walking out of town two nights earlier. He was trying to be intimidating, but when Jacob’s dad spoke to him, the man just walked off. Jacob asks if anything was strange about his face, and his dad admits that he was wearing sunglasses at night. Jacob realizes then that the birder is almost certainly a wight, and he has to get back to Miss Peregrine.
This passage essentially confirms that the birder is a wight, as Jacob knows that he is trying to hide his blank eyes. His presence on the island endangers the peculiars, but Jacob shows his growing maturity in that his first concern is not for himself, but for Miss Peregrine and the children.
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The weather foils Jacob’s plan to return: a massive storm is rolling in and the town goes on lockdown, shuttering windows and doors and tying up their boats. The mainland police can’t collect Martin’s body, so they store him in ice at the fishmonger’s. Jacob has to get back to the children’s home, so he fakes being sick, locks his room, and slips out the window and down the drainpipe. He tears down the path to the children’s home, and when he arrives, he tells Miss Peregrine all that has happened in the town. Miss Peregrine is shocked, explaining that if hollows can’t eat peculiars, they’ll start to prey on common people instead, which is likely what happened to Martin.
The storm in the town reflects the growing turmoil that Jacob feels in his life and the sense of impending doom as the wights seem to be closing in on them. It is notable that in this moment, knowing that the birder is likely a wight, Jacob feels responsible for going back to the children and telling them what has happened. He now has a strong sense of belonging to the home, and as a result, he wants to help use his peculiar talents to help and protect the other children. Magic—or any difference—can help form bonds that enable communities to protect and support themselves.
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Miss Peregrine makes an announcement, explaining that no one can leave the house for any reason. When Jacob protests that he needs to return to the town, Miss Peregrine refuses to let him leave as well—if the wights are following Jacob, he could be putting the children at risk. Jacob explains he needs to protect his dad and the other townspeople, and Miss Peregrine says that if he leaves, she asks that he never come back.
Yet even as Jacob has a newfound loyalty to the peculiar children at the home, at the same time he feels responsible for his dad as well. This not only reflects Jacob’s growing confidence to try and protect the adults around him, but also illustrates the pain that families can cause each other even well they’re well-meaning.
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Jacob trudges upstairs to Emma’s room, explaining what Miss Peregrine said to him. He tells her that he has to leave; he can’t hide out while his dad is in danger. Emma insists on going with Jacob, even though there’s a risk that if she stays out too long, she’ll age very rapidly. But she wants to fight against the wights and the hollows—she explains that “living like this might just be worse than dying.” She tells the other kids in the room—Bronwyn, Millard, and Enoch—that she doesn’t want to sit around and wait for the wights to show up at the home.
Here Jacob illustrates just how much he’s grown as a person. He has the confidence to make his own decisions and not bow to Miss Peregrine’s ultimatum. Additionally, even though he has a new adopted family, he still clearly loves his biological family and wants to protect his dad in any way he can. Lastly, Emma’s statement that living in the house might be worse than dying illustrates that having protection and immortality is not worth the restriction and lack of meaning in the children’s lives; safety, in other words, is not the only thing that makes life worth living.
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Quotes
Millard protests, saying that they have no idea how to find the wights or the hollows—even though Jacob can see them, he doesn’t necessarily know where to find them. Enoch then has an idea: revive Martin to find out all they can about what and who killed him. They decide that Jacob, Emma, Bronwyn, and Enoch will go together, but Millard wants no part of it.
Using Enoch and Jacob’s abilities to find the wights and hollows again shows how even though their peculiar abilities make them targets for the wights, it is those same abilities that make them special and give them a chance to defend themselves.
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After dinner, when the house is most chaotic, Jacob and Emma sneak out of the attic and onto the roof, where Bronwyn and Enoch are already waiting. Hanging onto Olive, who’s come to help, the children slowly lower themselves to the ground. The group then runs through the bog and the cairn, finding the storm roaring on the other side. In the town, everything is shuttered, and they navigate to the fishmonger’s shop. Bronwyn kicks the door in, and in the back of the shop, they shovel through the different cases of ice to find Martin’s body.  
Olive and Bronwyn’s abilities not only provide further examples of how the children’s abilities make them special and capable, but they also show how supportive Jacob’s found family is. Rather than letting him try and find out what’s happening with the wights by himself, they offer to support him in whatever way they can—even putting their lives at risk by passing through the cairn to Jacob’s timeline. This is a turning point, demonstrating that they care less about immortality and more about being able to live fuller lives of their own choosing.
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Martin’s body is completely torn up, with his face completely shredded and his torso open and empty of his vital organs. Seeing how damaged his body is, Enoch says it may not work—and even if Martin does wake up, he won’t be happy. Enoch pulls a sheep heart from his pocket and convulses as he raises it above his head. When it doesn’t seem to work, he pulls out three more hearts, and only on the last one does Martin wake up suddenly, as if shocked by a defibrillator.
The fact that Martin’s body is so damaged as they try to revive it demonstrates that just because achieving immortality and reviving people from the dead is possible doesn’t necessarily mean it’s a good endeavor. This episode also emphasizes that the ability that makes Enoch different and an outcast also makes him special and protects himself and the others.
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Martin rises, trembling, and reaches out to Jacob. Speaking softly, Martin realizes he is dead. Jacob asks if he can remember what happened. Martin says “My old man” killed him, but Jacob doesn’t know what that means. Martin explains that the old man slept so long before waking—and Martin always took such good care of the man. Martin spouts some poetry, and Jacob realizes that Martin mistook a hollowgast for the museum corpse, as Miss Peregrine told Jacob that hollows become visible when they’re eating. Jacob asks where Martin saw the hollow, and Martin only says, “He came to my door.”
Martin’s relative incoherence demonstrates how the ability to live beyond one’s natural lifespan often goes hand in hand with a cursed existence. The hollowgast is also far more frightening than the museum corpse precisely because it’s a kind of living corpse, its existence devoid of humanity. Both these disturbing phenomena suggest that immortality for its own sake isn’t automatically a good thing.
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At that moment, the birder comes to the doorway with a flashlight and a pistol. He sees Martin, whose life is draining from his body. Bronwyn asks who the man is, and the man explains that that doesn’t matter—what matters is he knows who they are, quoting facts about each of them. Scariest for Jacob, the man changes his voice drastically several times, revealing that he was Jacob’s middle school bus driver, his family’s landscaper—and, most startlingly, Dr. Golan. He pops out contact lenses to reveal completely white eyes.
The birder/Dr. Golan, who has turned out to be a wight, demonstrates to chilling effect that he has used different personas in order to track Jacob and the other peculiar children. In this way, the book hammers home the idea that lying and deception are completely manipulative and villainous tools.
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Jacob is completely shocked, and Dr. Golan starts to say that he can still help Jacob. He can offer safety and money and give Jacob his life back if Jacob works with him and Malthus, gesturing to a shadow that appears in the doorway, accompanied by a disgusting smell. Golan offers a deal: help them find more peculiars and Jacob can live freely and not worry about being tracked down by a hollow. Jacob can see the appeal in the idea, but he knows he could never betray his friends, and he says he would rather die than help Golan.
This exchange shows how much Jacob has grown. Before, he lacked the confidence to be able to refuse Dr. Golan’s offer. But now, supported by a newfound family and with a greater sense of belonging, Jacob has gained the confidence to do what he wants to do, rather than feel forced to do something because it’s the easy path or because an adult is telling him to.
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Dr. Golan then leaves, saying Jacob has already helped him and setting Malthus on the children. Jacob asks Emma to shine a light on the shadowy figure, and when she conjures a fire, Jacob sees his nightmare come alive. The body is ancient and withering, with sharp teeth poking through a disturbing smile. Malthus opens his mouth, and three snake-like tongues emerge, slithering into the center of the room. Jacob is the only one that can see the hollow, but the others see its shadow on the wall. Jacob knows it’s just toying with them because they’re trapped.
The children’s confrontation with Malthus forces Jacob to face his worst nightmares—the nightmares that plagued him throughout the early part of the book. But rather than shrink away like before, he bands together with his friends, knowing that they can defend each other—for example, Emma can provide light, and he can tell the others where the hollow is in the room because of his peculiar ability. The friends’ magic makes them targets, but it also provides them with mutual support and protection.
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Jacob says that the hollow is to the left, so they have to keep to the right and try for the door. Instead, Bronwyn throws one of the cases of ice at the hollow and then kicks out a section of wall, tossing the other kids through it. She then rams into the corner support, causing the building to collapse in on Malthus. The other kids cheer as they tear off into the night.
Bronwyn’s abilities prove the same point that Jacob’s does: even though her peculiar strength makes her unusual and a possible target, it also allows her to protect the other children in unique ways, even saving their lives.
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As they run, Jacob explains all he knows about Dr. Golan, and how the psychiatrist let him think that he was crazy, even though he clearly knew all along that Jacob was peculiar. He apologizes for not believing his grandfather and for telling the stories to a stranger. They run through the treacherous storm, slipping frequently, as Jacob occasionally spots Malthus behind them during lightning flashes. He knows that they can’t outrun it, so he suggests that they split up, with the others going ahead to escape while he stays behind. Emma refuses to let him hang back alone, so she swerves off the path with Jacob while Bronwyn and Enoch keep running.
In this passage, Jacob not only continues to show his confidence—bravely luring Malthus away from his friends and putting himself in danger—but he also maturely recognizes the mistakes that he made in the past and his determination to correct them.Moreover, the book illustrates just how cruel Dr. Golan’s deception has been, making Jacob believe that he was losing his mind when Dr. Golan knew all along that Jacob’s nightmares were real—again associating deception with complete villainy.
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Malthus follows Jacob and Emma like they planned, and they duck into a nearby shack, hoping the hollow is too stupid to follow them. Jacob realizes when he enters it that it’s the shack filled with excrement—and at this moment, it’s also filled with sheep. They move into another room in the shack that’s filled with rusted tools, and Jacob takes down a pair of giant scissors to use as a weapon. Then, they see Malthus’s tongue enter through an open window. It attempts to sniff out the kids, but the excrement masks their scent.
The shack filled with animal excrement also becomes another example of how Jacob has grown. Whereas earlier Dylan and Worm used the shack in order to prank and mock Jacob, now he is using it to his advantage, confusing the hollow with the scent and protecting Emma from danger—much as his grandfather might have done.
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Malthus gives up and leaves, and Jacob turns to Emma and says that if they make it through this attack, he’ll stay to protect them. Just as they’re about to kiss, Malthus circles back and comes through the shack. The hollow tears sheep after sheep apart, making its way towards Jacob and Emma as the other animals all panic and scatter. Jacob gets an idea, running toward the door as a distraction to lure it away from Emma and taking off into the night.
This passage shows just how much Jacob has grown up. He has his relationship with Emma, declares his own choice to remain with the children to protect them, and again bravely puts himself in danger so that Emma can escape. All of these culminate to show that a key part of Jacob’s growing up process is in discovering his bravery and his ability to choose what he wants to do.
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Jacob reaches the bog, gaining an advantage because he knows exactly where to step, thanks to Emma. He runs into the cairn, but one of Malthus’s tongues catches Jacob’s ankle and pulls back. Jacob tries to stab the tongue with the shears, but to no avail. He turns around as he’s pulled towards the hollow and stabs into the hollow’s eye sockets, causing it to thrash and bleed a dark, thick fluid. The creature sinks into the bog, and Jacob can feel himself sinking too. He tries to paddle frantically and screams for help, and miraculously he sees a light—Emma. A tree branch lands in the water, and Emma pulls him out. Safe on the shore, he hugs Emma and feels proud that he was able to kill one of the monsters. Maybe he isn’t as weak as he thought.
This is a major turning point for Jacob. Earlier in this very chapter, Jacob’s self-deprecating voice mocked him that he was too weak to kill a hollow, and that he would either have to remain on the island or live in constant fear, never able to live up to his grandfather’s legacy. But now, Jacob is able to slay a hollow—and as a result, he gains the confidence that pushes him past his childhood anxieties and helps him grow into a self-sufficient young adult.
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Jacob and Emma emerge from the cairn before the loop has been reset, with bombs flying overhead. Bronwyn, Enoch, and Hugh greet them, relieved. Jacob and Emma explain happily that they killed the hollow, while Hugh reveals that Dr. Golan kidnapped Miss Peregrine and Miss Avocet by threatening to kill the children with his gun. He forced them to change into birds and put them in a cage while locking the children in the basement. That’s when Bronwyn and Enoch came back and let them out, but they don’t know where the man went. He only left a photo, in which he makes it clear that he’ll kill the women if they come after him.
This passage illustrates again how peculiars often become the target of evil beings just for being different—and the ymbrynes even more so because of their ability to manipulate time loops. But whereas Miss Avocet and Miss Peregrine were always treating their children as kids to be protected, now the kids are gaining their own confidence to lead and protect their caregivers and each other.
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The children think about where Dr. Golan might have gone, realizing that he’d have to get off the island. He must be inside the loop, because the storm outside the loop is too bad to get off the island. The children argue about the best way to go about finding him, particularly because he has a gun. But before they form a plan, Fiona approaches them, explaining that Millard followed the man, who didn’t realize that he hadn’t shut Millard in the basement. Millard saw that the man took Emma’s boat, but the tide was too rough, so he had to pull onto the lighthouse’s rock.
Just like Jacob, Bronwyn, and Enoch, Millard’s ability becomes critical in facing the threats that are targeting them. It is only because of his invisibility that the children are now able to follow Dr. Golan and rescue Miss Avocet and Miss Peregrine. Thus, the abilities that make them different and discriminated against are also the abilities that equip them to face those threats head-on.
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Jacob and the other children crawl to the edge of the cliff to stake out the lighthouse, the sky exploding with bombs. They realize the only way to get to the lighthouse is to swim to it, deciding that the best people to go are Jacob, Emma, Bronwyn, and Millard. They first swim out to the shipwreck, where they can pause and rest against the boat’s hull. Emma concocts a plan: she and Jacob will distract Golan until Bronwyn sneaks up behind him and attacks him, while Millard goes for the birdcage.
This scene of turmoil shows how sheltered the peculiar children have been within the time loop—now having to dodge bombs as well as the threats from the hollows and wights, and all this without the protection they’ve been used to from Miss Avocet and Miss Peregrine. For the first time in a long time, they have the potential to come to real harm, demonstrating why their protection was so necessary in the first place.
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Suddenly, a shot rings out, and the kids realize that Golan has seen them. Millard suggests that he can go first—he’s the hardest to see. Millard sets out while Dr. Golan continues to fire at them, and suddenly, Jacob sees the outline of Millard’s body, covered in red. He’s been shot. The kids dive into the water, hoping to get away from the bullets, sharing the breathing tube. Rising to the surface again, they formulate a plan: they have to continue to the lighthouse because Millard might not make it if they turn back. Grabbing a piece of the ship’s hull as a giant shield, Bronwyn explains that she’ll carry Millard on her back.
Millard’s injury demonstrates the gravity of their situation—that any of them might be shot and killed as they confront Dr. Golan. At the same time, the passage demonstrates how they are well-equipped to protect each other, as they use their peculiar talents to support each other and confront the demons that are trying to kill them.
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The group gets to shore safely, protected by their shield. They see Dr. Golan just inside the lighthouse, holding the cage with two small birds. He threatens to shoot Miss Peregrine and Miss Avocet if they come any closer, but Jacob guesses this is a lie: he needs the women for some reason, otherwise he wouldn’t have gone to the trouble of kidnapping them. Bronwyn speeds toward the lighthouse, still carrying the shield. She hurls it at Golan and hits him, causing him to fall back through the doorway. He then begins to climb the stairs inside. Having bought some time, Bronwyn tends to Millard’s wound and tells Jacob and Emma to go on.
It is perhaps ironic that they are headed to a lighthouse—which usually indicates a place of safe passage—and putting themselves in direct danger by doing so. This distorted symbolism suggests that while their environment might have been extremely safe, now, outside the shelter of the children’s home, their environment threatens mortal peril.
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Emma and Jacob enter the lighthouse and begin to climb the spiral stairs, knowing that it’s the only place they’re protected from the gunshots. Jacob starts to rock the unsteady staircase, hoping he can force Golan to come down. Even better, as the staircase sways and screws come loose, the gun clatters down the stairs and lands next to Jacob, who picks it up. Emma and Jacob then start to climb until they reach a landing at the top of the lighthouse. On one side of them is the light, and on the other side a small rail, over which they can see they’re ten stories above the rocks and the ocean.
Jacob picking up the gun is again another symbolic shift in his development, as for so long, Jacob never felt he would have the confidence to pick up a gun or wield it like his grandfather. But here Jacob doesn’t even hesitate: spurred by his desire to protect his friends, Jacob has no choice but to grow up and become a leader.
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Jacob tracks around one side of the lighthouse while Emma takes the other. Jacob finds Golan first, hunched against the railing with the bird cage between his knees, blood streaming down his face. He rises and runs, but Emma has him trapped on the other side. Jacob warns Golan to put the birdcage down, but Golan laughs; he knows Jacob doesn’t have the guts to shoot him, and if he does, he’ll throw the cage over the edge. Emma calls his bluff, saying that she doesn’t need Miss Peregrine to babysit her anymore, conjuring a fiery weapon between her hands.
Dr. Golan’s taunting recalls the anxieties and nightmares that plagued Jacob only a week prior. Dr. Golan knows this and surmises that Jacob still doesn’t have the courage or confidence to do what needs to be done.Additionally, while this is Jacob’s coming of age story, in a way the same is true of Emma and the other peculiar children. Now without an adult to guide them, they, too, are coming into their own and making their own decisions about how to confront their futures.
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Jacob asks what Golan wants with the ymbrynes, and Golan explains that the hollows need all the ymbrynes working together to get their experiment right and live forever. Jacob remembers Horace’s prophetic dream of the apocalypse and realizes what might happen if the wights and hollows fail again. Golan goes on, saying that the peculiars shouldn’t have to hide from normal humans: they should rule over others and make them slaves. Then, seeing a little red light glow on the cage bars, Dr. Golan tosses the cage over the railing.
The book once again emphasizes the problems with attempting to achieve true immortality or god-like status. While the ability to not die is appealing, it often allows for cruelty (like Enoch’s torture or “Raid the Village”) simply because immortal beings have power over others who aren’t immortal. Golan’s grievances focus on this possibility—that instead of having to hide, the peculiars should invert their situation by oppressing those who once threatened them.
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Emma screams, and in the confusion, Golan knocks Jacob to the ground, trying to wrestle the gun away. But Emma grabs Dr. Golan’s neck, scalding his throat with her hands. He howls and grabs Emma’s throat in turn, and Jacob points the gun at Dr. Golan and fires. For a moment, time freezes, and then Dr. Golan stumbles backward, blood gushing from his throat, and he dies.
This moment shows how Jacob has grown over the course of a very short period of time. With this action, Jacob conquers his old insecurities—literally, by killing the psychiatrist who told him he was crazy and made him relive his nightmares. He has defeated both a hollow and a wight and wielded a gun where before he believed he was incapable, showing that his coming of age journey is nearly complete.
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Emma then points out the LED light on the cage bobbing on the waves in the distance. She and Jacob scramble down the stairs and dive into the sea, swimming as fast as they can. The current is strong, and they soon lose sight of the cage’s light. Jacob tries to get Emma to return to shore, but they catch sight of the cage again; it looks as though it’s resting on a shipwreck, rising toward them. Suddenly, a swell surges, and a giant U-boat emerges from the water, catching Jacob and Emma on its deck. Jacob thinks this is what Golan must have been waiting for, and what the little red light signaled.
Jacob and Emma’s determination to retrieve Miss Peregrine and Miss Avocet shows how important found family is to them. Even though Emma said that she could live without Miss Peregrine “babysitting her,” that doesn’t mean she doesn’t love her, and indeed she’s willing to risk her life for her guardian.
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Emma starts running toward the cage, until a man in a grey uniform begins shooting at them, and Jacob tackles Emma out of the way and into the water. The lighthouse light passes over them, and Jacob sees that the soldier is a wight—he has no irises. The soldier grabs the cage and pulls out one bird. The other, Emma realizes, is floating in the water—Miss Peregrine. Emma scoops Miss Peregrine up, and she and Jacob swim away with their remaining strength, until they’re close enough to the shore that Bronwyn can pull them out of the surf.
The book again creates parallels between the wights and hollows and the Nazi regime, particularly by demonstrating that the wights are using German U-Boats and dressing as soldiers to carry out their plans. In this way, the story reinforces the idea that the peculiar children are being singled out and targeted for their differences, much as Nazis targeted Jews.
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After recovering a little, Jacob, Emma, Bronwyn, and Millard take Emma’s canoe back to shore. There, the other children cheer at their return, but they quickly notice Miss Avocet’s absence and Millard’s frightening condition. They also realize that something is wrong with the time loop—it should have reset an hour earlier. They try to encourage Miss Peregrine to turn back, but she seems unable to turn back into a human. Returning to the house, they hope that after some time to rest, Miss Peregrine and the loop will go back to normal.
While the children are celebrating, the passage also strikes an ominous tone as they recognize a crucial shift in their lives. They no longer have the security of Miss Peregrine or the time loop; Millard’s condition also suggests that they may not be as protected or immortal as they think they are. In this way, the book foreshadows the fact that they are passing into a new phase of their lives—a progression they have not experienced for some time.
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