James King Character Analysis

Most people in our community are decent, hardworking citizens who pursue their own interests legally and without infringing on the rights of others. But there are also monsters in our communities—people who are willing to steal and to kill, people who disregard the rights of others.

Miss O’Brien says that Petrocelli is using Bolden’s testimony as part of a trail that will lead to me and James King. I think she is wrong. I think they are bringing out all of these people and letting them look terrible on the stand and sound terrible and then reminding the the jury that they don’t look any different from me and King.

King curled his lip and narrowed his eyes. What was he going to do, scare me? All of a sudden he looked funny. All the times I had looked at him and wanted to be tough like him, and now I saw him sitting in handcuffs and trying to scare me. How could he scare me? I go to bed every night terrified out of my mind.

I remembered Miss O’Brien saying that it was her job to make me different in the eyes of the jury, different from Bobo and Osvaldo and King. It was me, I thought as I tried not to throw up, that had wanted to be tough like them.

[O’Brien] said that Bobo’s testimony hurt us a lot and that she had to find a way to separate me from King, but King’s lawyer wanted to make sure the jury connected us because I looked like a pretty decent guy.

There are a lot of things you can do with film, but you don’t have unlimited access to your audience. In other words, keep it simple. You tell the story; you don’t look for the camera technician to tell the story for you. When you see a filmmaker getting too fancy, you can bet he’s worried either about his story or about his ability to tell it.

If you don’t testify, you’ll just make the tie between you and King stronger in the mind of the jury. I think you have to testify. And the way you spend the rest of your youth might well depend on how much the jury believes you.

Most people in our community are decent, hardworking citizens who pursue their own interests legally and without infringing on the rights of others. But there are also monsters in our communities—people who are willing to steal and to kill, people who disregard the rights of others.

Miss O’Brien says that Petrocelli is using Bolden’s testimony as part of a trail that will lead to me and James King. I think she is wrong. I think they are bringing out all of these people and letting them look terrible on the stand and sound terrible and then reminding the the jury that they don’t look any different from me and King.

King curled his lip and narrowed his eyes. What was he going to do, scare me? All of a sudden he looked funny. All the times I had looked at him and wanted to be tough like him, and now I saw him sitting in handcuffs and trying to scare me. How could he scare me? I go to bed every night terrified out of my mind.

I remembered Miss O’Brien saying that it was her job to make me different in the eyes of the jury, different from Bobo and Osvaldo and King. It was me, I thought as I tried not to throw up, that had wanted to be tough like them.

[O’Brien] said that Bobo’s testimony hurt us a lot and that she had to find a way to separate me from King, but King’s lawyer wanted to make sure the jury connected us because I looked like a pretty decent guy.

There are a lot of things you can do with film, but you don’t have unlimited access to your audience. In other words, keep it simple. You tell the story; you don’t look for the camera technician to tell the story for you. When you see a filmmaker getting too fancy, you can bet he’s worried either about his story or about his ability to tell it.

If you don’t testify, you’ll just make the tie between you and King stronger in the mind of the jury. I think you have to testify. And the way you spend the rest of your youth might well depend on how much the jury believes you.