Kathy O’Brien Character Analysis

[Steve] is writing the word Monster over and over again. A white hand (O’BRIEN’s) takes the pencil from his hand and crosses out all the Monsters.

Miss O’Brien says that Petrocelli is using Bolden’s testimony as part of a trail that will lead to me and James King. I think she is wrong. I think they are bringing out all of these people and letting them look terrible on the stand and sound terrible and then reminding the the jury that they don’t look any different from me and King.

STEVE: I thought you’re supposed to be innocent until proven guilty?

O’BRIEN: That’s true, but in reality it depends on how the jury sees the case. If they see it as a contest between the defense and the prosecution as to who’s lying, they’ll vote for the prosecution. The prosecutor walks around looking very important. No one is accusing her of being a bad person. They’re accusing you of being a monster.

Miss O’Brien looked at me—I didn’t see her looking at me but I knew she was. She wanted to know who I was. Who was Steve Harmon? I wanted to open my shirt and tell her to look into my heart and see who I really was, who the real Steve Harmon was.

I remembered Miss O’Brien saying that it was her job to make me different in the eyes of the jury, different from Bobo and Osvaldo and King. It was me, I thought as I tried not to throw up, that had wanted to be tough like them.

[O’Brien] said that Bobo’s testimony hurt us a lot and that she had to find a way to separate me from King, but King’s lawyer wanted to make sure the jury connected us because I looked like a pretty decent guy.

If you don’t testify, you’ll just make the tie between you and King stronger in the mind of the jury. I think you have to testify. And the way you spend the rest of your youth might well depend on how much the jury believes you.

O’BRIEN: One last question. Were you in any way involved with the crime that we are discussing here? To make it clear—were you, in any way, involved with the holdup and murder that occurred on the 22nd of December?

STEVE: No, I was not.

[O’BRIEN’s] lips tense; she is pensive. She gathers her papers and moves away as STEVE, arms still outstretched, turns toward the camera. His image is in black and white, and the grain is nearly broken. It looks like one of the pictures they use for psychological testing, or some strange beast, a monster.

[Steve] is writing the word Monster over and over again. A white hand (O’BRIEN’s) takes the pencil from his hand and crosses out all the Monsters.

Miss O’Brien says that Petrocelli is using Bolden’s testimony as part of a trail that will lead to me and James King. I think she is wrong. I think they are bringing out all of these people and letting them look terrible on the stand and sound terrible and then reminding the the jury that they don’t look any different from me and King.

STEVE: I thought you’re supposed to be innocent until proven guilty?

O’BRIEN: That’s true, but in reality it depends on how the jury sees the case. If they see it as a contest between the defense and the prosecution as to who’s lying, they’ll vote for the prosecution. The prosecutor walks around looking very important. No one is accusing her of being a bad person. They’re accusing you of being a monster.

Miss O’Brien looked at me—I didn’t see her looking at me but I knew she was. She wanted to know who I was. Who was Steve Harmon? I wanted to open my shirt and tell her to look into my heart and see who I really was, who the real Steve Harmon was.

I remembered Miss O’Brien saying that it was her job to make me different in the eyes of the jury, different from Bobo and Osvaldo and King. It was me, I thought as I tried not to throw up, that had wanted to be tough like them.

[O’Brien] said that Bobo’s testimony hurt us a lot and that she had to find a way to separate me from King, but King’s lawyer wanted to make sure the jury connected us because I looked like a pretty decent guy.

If you don’t testify, you’ll just make the tie between you and King stronger in the mind of the jury. I think you have to testify. And the way you spend the rest of your youth might well depend on how much the jury believes you.

O’BRIEN: One last question. Were you in any way involved with the crime that we are discussing here? To make it clear—were you, in any way, involved with the holdup and murder that occurred on the 22nd of December?

STEVE: No, I was not.

[O’BRIEN’s] lips tense; she is pensive. She gathers her papers and moves away as STEVE, arms still outstretched, turns toward the camera. His image is in black and white, and the grain is nearly broken. It looks like one of the pictures they use for psychological testing, or some strange beast, a monster.