On Beauty Quotes

Hey, Dad – basically I’m just going to keep on keeping on with these mails – I’m no longer expecting you to reply, but I’m still hoping you will, if that makes sense.

Kiki slapped the table. ‘Oh, God, this isn’t 1910 – Jerome can marry who the hell he wants to marry – or are we going to start making up visiting cards and asking him to meet only the daughters of academics that you happen to –’

‘Might the address be in the green moleskin?’

‘It’s about trying,’ said Michael keenly – the topic seemed to animate him. ‘It’s like, if you put the effort in. And I spose my mum’s always been at home, which makes a lot of difference, I think. Having the mother figure and all that. Nurturing. It’s like a Caribbean ideal – a lot of people lose sight of it.’

And this is another thing they do. They flirt with you violently because there is no possibility of it being taken seriously.

The young man stepped forward cautiously, with one hand up as if to show he meant no harm. He turned the Discman over in her hand and showed her the sticky patch. He lifted his hoodie and the T-shirt beneath it to reveal a well-defined pelvic bone and drew a second Discman from his waistband. ‘This one’s yours.’

‘They’re exactly the same.’

It is an unnatural law of such parties that the person whose position on the guest list was originally the least secure is always the first to arrive. Christian von Klepper’s invitation had been added by Howard, removed by Kiki, reinstated by Howard, removed by Kiki and then, at some later point, apparently extended once more in secret by Howard, for here was Christian, leaning into an alcove in the living room, nodding devotedly at his host.

Too quickly, Claire removed her hand from Howard’s body. But Kiki wasn’t looking at Claire; she was looking at Howard. You’re married to someone for thirty years: you know their face like you know your own name.

‘Tell them to calm themselves. It’s only hip-hop. It won’t kill them.’

Last year, when Zora was a freshman, sophomores had seemed altogether a different kind of human: so very definite in their tastes and opinions, in their loves and ideas. Zora woke up this morning hopeful that a transformation of this kind might have visited her in the night, but, finding it hadn’t, she did what girls generally do when they don’t feel the part: she dressed it instead.

Howard smiled gratefully but shook his head. He was beyond the point of learning new tricks. He got on his knees and plugged the projector’s cord into the wall; a snag of blue light leaped from the socket. He pressed the button on the back of the projector. He twiddled the connected cable. He pressed hard on the light box, hoping to engage some loose connection.

She paused. She sat very straight in her chair.

‘I think it’s inappropriate,’ she said.

They had been skirting around this for ten minutes. Now the word had been used.

‘She’s fabulous,’ replied Kiki, only now taking the time to look at her properly. In the centre of the frame there was a tall, naked black woman wearing only a red bandanna and standing in a fantastical white space, surrounded all about by tropical branches and kaleidoscopic fruit and flowers. Four pink birds, one green parrot. Three humming birds. Many brown butterflies. It was painted in a primitive, childlike style, everything flat on the canvas. No perspective, no depth.

‘I don’t think that’s how things go down now,’ Levi said at last, gently, not wanting to disappoint his father, but needing to catch the bus. It was a nice enough story, but it was making him late for work.

‘It’s true that men – they respond to beauty . . . it doesn’t end for them, this . . . this concern with beauty as a physical actuality in the world – and that’s clearly imprisoning and it infantilizes . . . but it’s true and . . . I don’t know how else to explain what –’

‘Are you interested in refining what you have?’

‘What’s your deal, man? Don’t take this strange, but . . . you don’t seem like the type of guy who would be doing this kind of thing. You know?’

‘How about this?’ said Choo quietly, again alarming Levi with his easy use of American idioms, albeit dipped in that exotic accent. ‘You leave me alone and I do my very best to leave you alone. You sell your movies. I sell these handbags. How would that be?’

‘She found a black fella, I spose. It was always going to happen, though. It’s in their nature.’

‘But your class – your class is a cult classic. I love your class. Your class is all about never ever saying I like the tomato. That’s why so few people take it – I mean, no offence, it’s a compliment.’

Monty put his hands on each side of his own belly. ‘Really, Dr Belsey, this is too stupid to answer. Surely a man can write a piece of prose without “intending” any particular reaction, or at least he can and will write without presuming every end or consequence of that piece of prose.’

For the first time it occurred to Howard that this gorgeous, single nineteen-year-old giving her attention to a 57-year-old married man (albeit with a full head of hair) might have other motives besides pure animal passion. Was he – as Levi would put it – being played?

Choo had been on his conscience. Because . . . because Choo wasn’t like the other guys in the team. He didn’t travel with the pack, didn’t screw around or go dancing, and he seemed, by contrast, lonely, isolated. Basically, Levi figured that Choo was just plain smarter than all the people around him, and Levi, who lived with people similarly cursed, felt that his own experience in this area (as a carer of smart folk) made him especially qualified to help Choo out.

Zora Belsey’s real talent was not for poetry but persistence.

Kiki looked up. ‘Howard, I love you. But I’m just not interested in watching this second adolescence. I had my adolescence. I can’t go through yours again.’

‘Well, my God. What a tricky bastard. Moral majority my arse. Well, you’ve got him. My God! You should go in there and spit-roast him. Destroy him!’

Zora forced her fake nails, left over from the party, into the underside of the table top. ‘That’s your advice?”

Howard looked back at the woman on the wall, Rembrandt’s love, Hendrickje. Though her hands were imprecise blurs, paint heaped on paint and roiled with the brush, the rest of her skin had been expertly rendered in all its variety – chalky whites and lively pinks, the underlying blue of her veins and the ever present human hint of yellow, intimation of what is to come.