Christian slogans and imagery crop up in a few scenes, though they are relatively rare. They act as an omniscient "conscience" – a sense of right and wrong, or a symbol of guidance – against which Conrad and Cal work to discover their own form of guidance. Some of the bumper stickers Conrad recalls in the novel's opening scene (the "guiding principles" mentioned by the narrator) are religious in nature: for example, "Christ Is the Answer…What Was the Question?" One of the things Conrad notices when visiting Dr. Berger's office for the first time is a small index card containing a message signed by "Jesus C.". And though he tries to draw on it in his adulthood, the spiritual guidance Cal receives as a child in the Evangelical Home isn't enough to help him deal with major issues like grief and fate. After he and Jeannine have sex – a major plot point in the novel – Conrad explains that he believes not in God, but in Jeannine. For Conrad and others, the hope of healthy, loving relationships outweighs any form of established belief.