Thomas Bell wrote
Out of This Furnace during the Great Depression of the 1930s and published it on the cusp of America’s Depression-ending entrance into World War II. The Great Depression witnessed a burst of proletarian literature in America, as working-class writers told stories about factory workers, farmers, and other laborers struggling to survive in an era when capitalism appeared to have failed and socialism seemed the promise of the future. Proletarian literature seeks to depict accurately the material and social conditions of working-class people, to validate their culture, and to critique the capitalist power structure and its narrative of classlessness and middle-class mobility. Proletarian literature has a long history in America, and Bell’s novel shares a kindred spirit with Rebecca Harding Davis’ novella
Life in the Iron Mills (1861), a searing depiction of the harsh lot of nineteenth-century ironworkers in a small industrial town. Like
Out of This Furnace, “Life in the Iron Mills” also grapples with themes of industrialization, destruction, and coping with one’s poor circumstances. Contemporary works of Bell include Jack Conroy’s
The Disinherited (1933), a novel about the struggles of coal miners at the onset of the Great Depression. Bell’s novel also exemplifies how Proletarian writing overlapped with Depression-era ethnic literature. Similar works include Mike Gold’s
Jews Without Money (1930), a novel about working-class Jewish life in New York City’s Lower East Side, as well as Hsi Tseng Tsiang’s
And China Has Hands (1937) which follows the struggles of immigrant Chinese in New York’s Chinatown. Modern books about laborers that have a similar social message include Barbara Ehrenreich’s
Nickel and Dimed, which examines the effects of the 1996 Welfare Reform Act on the working class, and Valeria Luiselli’s
The Story of My Teeth, which chronicles one man’s experience living in Mexico City’s industrial suburbs.