Paradise

by

Toni Morrison

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Ruby Quotes

As new fathers, who had fought the world, they could not (would not) be less than the Old Fathers who had outfoxed it; who had not let danger or natural evil keep them from cutting Haven out of mud and who knew enough to seal their triumph with that priority. An Oven. […] the Old Fathers did that first: put most of their strength into constructing the huge, flawlessly designed Oven that both nourished them and monumentalized what they had done.

Related Symbols: The Convent, The Oven
Page Number: 6-7
Explanation and Analysis:

Unique and isolated, his was a town justifiably pleased with itself. It neither had nor needed a jail. No criminals had ever come from his town. And the one or two people who acted up, humiliated their families or threatened the town’s view of itself were taken good care of. Certainly there wasn’t a slack or sloven woman anywhere in town and the reasons, he thought, were clear. From the beginning its people were free and protected. A sleepless woman could always rise from her bed, wrap a shawl around her shoulders and sit on the steps in the moonlight. And if she felt like it she could walk out the yard and […] beyond the limits of town, because nothing at the edge thought she was prey.

Related Symbols: The Convent
Page Number: 8-9
Explanation and Analysis:

Bodacious black Eves unredeemed by Mary, they are like panicked does leaping toward a sun that has finished burning off the mist and now pours its holy oil over the hides of game.

God at their side, the men take aim. For Ruby.

Related Characters: Ruby Morgan
Related Symbols: The Convent
Page Number: 18
Explanation and Analysis:
Mavis Quotes

When he pulled her nightgown up, he threw it over her face, and she let that mercy be. She had misjudged. Again. He was going to do this first and then the rest. The other children would be behind the door, snickering […]. The rest of the night she waited, not closing her eyes for a second. Frank’s sleep was sound and she would have slipped out of bed (as soon as he had not smothered or strangled her) and opened the door except for the breathing beyond it.

Related Characters: Mavis Albright, Frank Albright
Page Number: 26
Explanation and Analysis:

Mavis felt her stupidity close in on her head like a dry sack. A grown woman who could not cross the country. Could not make a plan that accommodated more than twenty minutes. […] Too rattle-minded to open a car’s window so babies could breathe. […] Frank was right. From the very beginning he had been absolutely right about her: she was the dumbest bitch on the planet.

Related Characters: Mavis Albright, Frank Albright, Merle Albright, Pearl Albright
Page Number: 37
Explanation and Analysis:

Mavis frowned at the pecans. “No,” she said. “Think of something else I can do to help. Shelling that stuff would make me crazy.”

“No it wouldn’t. […] Look at your nails. Strong, curved like a bird’s––perfect pecan hands. Fingernails like that take the meat out whole every time. Beautiful hands, yet you say you can’t. Make you crazy. Makes me crazy to see good nails go to waste.”

Later, [Mavis watched] her suddenly beautiful hands moving at the task […].

Related Characters: Consolata (Connie) Sosa (speaker), Mavis Albright (speaker), Frank Albright
Related Symbols: The Convent
Page Number: 42
Explanation and Analysis:
Grace Quotes

However disgusted both were, K.D. knew they would not negotiate a solution that would endanger him or the future of Morgan money. His grandfather had named his twins Deacon and Steward for a reason. And their family had not built two towns, fought white law, Colored Creek, bandits and bad weather, to see ranches and houses and a bank with mortgages on a feed store, a drugstore and a furniture store to end up in Arnold Fleetwood’s pocket. Since the loose bones of his cousins had been buried two years ago, K.D., their hope and their despair, was the last male in [the] line […]. His behavior, as always, required scrutiny and serious correction.

Related Characters: Patricia (Pat) Best/Billie Delia’s Mother, Deacon (Deek) Morgan/Connie’s Lover, Steward Morgan, Reverend Richard Misner, Coffee (K.D.) Smith, Arnette Fleetwood, Arnold Fleetwood
Page Number: 55
Explanation and Analysis:

She had acquiesced when he asked her to join him in prayer. Bowed her head, closed her eyes, but when she faced him with a quiet “Amen,” he felt as though his relationship with the God he spoke to was vague or too new, while hers was superior, ancient, and completely sealed.

Related Characters: Reverend Richard Misner, Sweetie Fleetwood, Jefferson (Jeff) Fleetwood
Page Number: 62
Explanation and Analysis:

It was the I-give woman serving up her breasts like two baked Alaskas on a platter that took all the kick out of looking in the boy’s eyes. Gigi watched him battle his stare and lose every time. He said his name was K.D. and tried hard to enjoy her face as much as her cleavage when he talked. It was a struggle she expected, rose to and took pleasure in––normally. But the picture she had wakened to an hour earlier spoiled it.

Related Characters: Grace (Gigi), Coffee (K.D.) Smith
Related Symbols: The Convent
Page Number: 73
Explanation and Analysis:
Seneca Quotes

“No ex-slave would tell us to be scared all the time. To ‘beware’ God. […] No ex-slave who had the guts to make his own way, build a town out of nothing, could think like that. No ex-slave––”

Deacon Morgan cut him off. “That’s my grandfather you’re talking about. Quit calling him an ex-slave like that’s all he was. He was also an ex-lieutenant governor, an ex-banker, an ex-deacon and a whole lot of other exes, and he wasn’t making his own way; he was part of a whole group making their way.”

Having caught Reverend Misner’s eyes, the boy was firm. “He was born in slavery times, sir; he was a slave, wasn’t he?”

“Everybody born in slavery time wasn’t a slave. Not the way you mean it.”

Related Characters: Deacon (Deek) Morgan/Connie’s Lover (speaker), Reverend Richard Misner, Zechariah Morgan
Related Symbols: The Oven
Page Number: 84
Explanation and Analysis:

[Steward] wondered if that generation––Misner’s and K.D.’s––would have to be sacrificed to get to the next one. The grand- and great-grandchildren who could be trained, honed as his own father and grandfather had down for Steward’s generation. No breaks there; no slack cut then. Expectations were high and met. Nobody took more responsibility for their behavior than those good men.

Related Characters: Steward Morgan, Reverend Richard Misner, Coffee (K.D.) Smith
Related Symbols: The Oven
Page Number: 94
Explanation and Analysis:

[Elder] never got the sight of that whiteman’s fist in that colored woman’s face out of his mind. Whatever he felt about her trade, he thought about her, prayed for her till the end of his life. […] Steward liked that story, but it unnerved him to know it was based on the defense of and prayers for a whore. He did not sympathize with the whitemen, but he could see their point, could even feel the adrenaline, imagining the fist was his own.

Related Characters: Steward Morgan, Elder Morgan
Page Number: 94-95
Explanation and Analysis:

The women nodded when the men took the Oven apart, packed, moved, and reassembled it. But privately they resented the truck space given over to it––rather than a few more sacks of seed, rather than shoats or even a child’s crib. Resented also the hours spent putting it back together […]. Oh, how the men loved putting it back together; how proud it had made them, how devoted. A good thing, [Soane] thought, as far as it went, but it went too far. A utility became a shrine […].

Related Characters: Soane Morgan
Related Symbols: The Oven
Page Number: 103
Explanation and Analysis:

The third day, [Seneca] began to understand why Jean was gone and how to get her back. She cleaned her teeth and washed her ears carefully. She also flushed the toilet right away, as soon as she used it, and folded her socks inside her shoes. […] Those were her prayers: if she did everything right without being told, either Jean would walk in or when she knocked on one of the apartment doors, there’d she be! Smiling and holding out her arms.

Meanwhile the nights were terrible.

Related Characters: Seneca, Jean
Related Symbols: The Convent
Page Number: 127
Explanation and Analysis:
Divine Quotes

[…] Pulliam had just sprayed [poison] over everything[.] Over the heads of men finding it so hard to fight their instincts to control what they could and crunch what they could not; in the hearts of women tirelessly taming the predator; in the faces of children not yet recovered from the blow to their esteem upon learning that adults would not regard them as humans until they mated; of the bride and groom frozen there, desperate for this public bonding to dilute their private shame. Misner knew that Pulliam’s words were a widening of the war he had declared on Misner’s activities: tempting the youth to step outside the wall, outside the town limits, shepherding them, forcing them to transgress, to think of themselves as civil warriors.

Related Characters: Reverend Richard Misner, Coffee (K.D.) Smith, Arnette Fleetwood, Reverend Senior Pulliam
Related Symbols: The Convent
Page Number: 145
Explanation and Analysis:

[Arnette] believed she loved [K.D] absolutely because he was all she knew about her self––which was to say, everything she knew of her body was connected to him. Except for Billie Delia, no one had told her there was any other way to think of herself. Not her mother; not her sister-in-law.

Related Characters: Coffee (K.D.) Smith, Billie Delia Cato, Sweetie Fleetwood, Arnette Fleetwood, Mable Fleetwood
Page Number: 148
Explanation and Analysis:

Now, it seemed, the glacial wariness they once confined to strangers more and more was directed toward each other. Had he contributed to it? […] Even acknowledging his part in the town’s unraveling, Misner was dissatisfied. Why such stubbornness, such venom against asserting rights, claiming a wider role in the affairs of black people? They, of all people, […] understood the mechanisms of wresting power. Didn’t they?

Over and over and with the least provocation they pulled from their stock of stories tales about the old folks […]. But why were there no stories to tell of themselves? […] As though past heroism was enough of a future to live by. As though, rather than children, they wanted duplicates.

Related Characters: Reverend Richard Misner
Page Number: 161
Explanation and Analysis:
Patricia Quotes

Who were these women who, like her mother, had only one name? Celeste, Olive, Sorrow, Ivlin, Pansy. Who were these women with generalized last names? Brown, Smith, Rivers, Stone, Jones. Women whose identity rested on the men they married––if marriage applied: a Morgan, a Flood, a Blackhorse, a Poole, a Fleetwood.

Related Characters: Patricia (Pat) Best/Billie Delia’s Mother, Delia Best
Page Number: 187-188
Explanation and Analysis:

[Zechariah] missed witnessing the actual Disallowing; and missed hearing disbelievable words formed in the mouths of men to other men, men like them in all ways but one. Afterwards the people were no longer nine families and some more. They became a tight band of wayfarers bound by the enormity of what had happened to them. Their horror of whites was convulsive but abstract. They saved the clarity of their hatred for the men who had insulted them in ways too confounding for language: first by excluding them, then by offering them staples to exist in that very exclusion. Everything anybody wanted to know about the citizens of Haven or Ruby lay in the ramifications of that one rebuff out of many.

Related Characters: Patricia (Pat) Best/Billie Delia’s Mother, Zechariah Morgan
Page Number: 189
Explanation and Analysis:

She, the gentlest of souls, missed killing her own daughter by inches. […] Educated but self-taught also to make sure that everybody knew that the bastard-born daughter of the woman with sunlight skin and no last name was not only lovely but of great worth and inestimable value. Trying to understand how she could have picked up that pressing iron, Pat realized that ever since Billie Delia was an infant, she thought of her as a liability somehow. Vulnerable to the possibility of not being quite as much of a lady as Patricia Cato would like. […] But the question for her now in the silence of this here night was whether she had defended Billie Delia or sacrificed her.

Related Characters: Patricia (Pat) Best/Billie Delia’s Mother, Billie Delia Cato
Page Number: 203
Explanation and Analysis:

[Pat] didn’t seem to trust these Ruby hardheads with the future any more than he did, but neither did she encourage change. […]

“You know better than anybody how smart these young people are. Better than anybody…” His voice trailed off […].

“You think what I teach them isn’t good enough?”

Had she read his mind? “Of course it’s good. It’s just not enough. The world is big, and we’re part of that bigness. They want to know about Africa––“

“Oh, please, Reverend. Don’t go sentimental on me.”

“If you cut yourself off from the roots, you’ll wither.”

“Roots that ignore the branches turn to termite dust.”

Related Characters: Patricia (Pat) Best/Billie Delia’s Mother, Reverend Richard Misner
Page Number: 209
Explanation and Analysis:
Consolata Quotes

At first she tried it out of the weakness of devotion turned to panic––nothing seemed to relive the sick woman––then, angered by helplessness, she assumed an attitude of command. Stepping in to find the pinpoint of light. Manipulating it, widening it, strengthening it. Reviving, even raising, her from time to time. And so intense were the steppings in, Mary Magna glowed like a lamp till her very last breath in Consolata’s arms. So she had practiced, and although it was for the benefit of the woman she loved, she knew it was anathema, that Mary Magna would have recoiled in disgust and fury knowing her life was prolonged by evil.

Related Characters: Consolata (Connie) Sosa, Mother/Mary Magna
Page Number: 247
Explanation and Analysis:

That is how the loud dreaming began. How the stories rose in that place. Half-tales and the never-dreamed escaped from their lips to soar high above guttering candles, shifting dusts from crates and bottles. And it was never important to know who said the dream or whether it had meaning. In spite of or because their bodies ache, they step easily into the dreamer’s tale.

Related Characters: Consolata (Connie) Sosa, Mavis Albright, Grace (Gigi), Seneca, Pallas Truelove
Related Symbols: The Convent
Page Number: 264
Explanation and Analysis:
Lone Quotes

The women in the Convent were for [Steward] a flaunting parody of the nineteen Negro ladies of his and his brother’s youthful memory and perfect understanding. They were the degradation of that moment they’d shared of sunlit skin and verbena. They, with their mindless giggling, outraged the dulcet tones, the tinkling in the merry and welcoming laughter of the nineteen ladies who, scheduled to live forever in pastel shaded dreams, were now doomed to extinction by this new and obscene breed of female. He could not abide them for […] desecrating the vision that carried him and his brother through a war, that imbued their marriages and strengthened their efforts to build a town where the vision could flourish.

Related Characters: Deacon (Deek) Morgan/Connie’s Lover, Steward Morgan
Related Symbols: The Convent
Page Number: 279
Explanation and Analysis:
Save-Marie Quotes

Whether they be the first or the last, representing the oldest black families or the newest, the best of the tradition or the most pathetic, they had ended up betraying it all. They think they have outfoxed the whiteman when in fact they imitate him. They think they are protecting their wives and children, when in fact they are maiming them. And when the maimed children ask for help, they look elsewhere for the cause. […] How exquisitely human was the wish for permanent happiness, and how thin human imagination became trying to achieve it. Soon Ruby will be like any other country town: the young thinking of elsewhere; the old full of regret.

Related Characters: Reverend Richard Misner
Related Symbols: The Convent
Page Number: 306
Explanation and Analysis:
No matches.