Petals of Blood

by

Ngũgĩ wa Thiong’o

Intelligent, beautiful Wanja is Nyakinyua’s granddaughter, Munira and Karega’s lover, and Abdulla’s lover, employee, and business partner. When Wanja is an adolescent, her father’s friend, the businessman Kimeria, impregnates her. Despairing, she commits infanticide after giving birth, leaves school, and becomes a barmaid. As a barmaid, Wanja suffers sexual harassment from clients and employers. Later, she wants to have another child. She visits Nyakinyua in Ilmorog, where she takes a job at Abdulla’s store and begins an affair with Munira, hoping to get pregnant. The attempt fails, and she leaves Ilmorog, only returning after an arsonist sets her apartment on fire during political unrest. During Ilmorog’s drought, she participates in the delegation traveling to the city to ask for help; on the way, Kimeria detains the travelers and forces sex on Wanja. Later, Wanja and Karega begin a romantic relationship. When Karega leaves town, Wanja starts a Theng’eta brewing business with Abdulla to forget her heartbreak. The brewery is successful, but when a bank repossesses Nyakinyua’s land, Wanja has to sell the business to keep the land in her family. Devastated by this loss, Wanja adopts a dog-eat-dog philosophy and starts a brothel, reasoning that as a sex worker she can at least profit from her own exploitation. Kimeria, Mzigo, and Chui, the Theng’eta brewery’s new directors, frequent Wanja’s brothel. After Karega returns and accuses Wanja of siding with capitalists, Wanja decides to stage a confrontation between Kimeria, Mzigo, Chui, and her new lover Abdulla at her brothel. When Kimeria arrives at the brothel, Wanja impulsively murders him. That same night, Munira—obsessed with Wanja and convinced she has Karega in her demonic sexual thrall—sets the brothel on fire to kill her. Abdulla saves Wanja, while Mzigo and Chui die; everyone assumes the fire killed Kimeria as well. Afterward, Wanja quits sex work and discovers she is pregnant. Wanja’s constant exploitation by lovers, employers, and businessmen exemplifies the novel’s condemnation of capitalism and its sense that women suffer specifically sexual forms of economic exploitation.

Wanja Quotes in Petals of Blood

The Petals of Blood quotes below are all either spoken by Wanja or refer to Wanja. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Colonialism and Capitalism Theme Icon
).
Chapter 2 Quotes

He stole a matchbox, collected a bit of grass and dry cowdung and built an imitation of Amina’s house at Kamiritho where he had sinned against the Lord, and burnt it. He watched the flames and he felt truly purified by fire. He went to bed at ease with himself and peaceful in his knowledge of being accepted by the Lord. Shalom. But the cowdung had retained the fire and at night the wind fanned it into flames which would have licked up the whole barn had it not been discovered in time.

Related Characters: Godfrey Munira, Wanja, Karega, Kimeria, Chui, Mzigo
Related Symbols: Fire
Page Number: 18
Explanation and Analysis:

‘But boys were always more confident about the future than us girls. They seemed to know what they wanted to become later in life: whereas with us girls the future seemed vague . . . It was as if we knew that no matter what efforts we put into our studies, our road led to the kitchen and to the bedroom.’

Related Characters: Wanja (speaker), Karega, Abdulla, Kimeria, Joseph
Page Number: 44
Explanation and Analysis:
Chapter 3 Quotes

We are all searchers for a tiny place in God’s corner to shelter us for a time from treacherous winds and rains and drought. This was all that I had wanted him to see: that the force he sought could only be found in the blood of the Lamb.

Related Characters: Godfrey Munira (speaker), Wanja, Karega, Abdulla, Kimeria, Chui, Mzigo
Page Number: 55
Explanation and Analysis:
The Journey Quotes

‘Why should we fail, though? We are now going as a community. The voice of the people is truly the voice of God. And who is an MP? Isn’t he the people’s voice in the ruling house?’

Related Characters: Karega (speaker), Wanja, Nderi wa Riera
Page Number: 152
Explanation and Analysis:

‘To understand the present . . . you must understand the past. To know where you are, you must know where you came from, don’t you think?’

Related Characters: Karega (speaker), Wanja, Nderi wa Riera
Related Symbols: Siriana
Page Number: 154
Explanation and Analysis:

‘I saw in the cities of America white people also begging . . . I saw white women selling their bodies for a few dollars. In America vice is a selling commodity. I worked alongside white and black workers in a Detroit factory. We worked overtime to make a meagre living. I saw a lot of unemployment in Chicago and other cities. I was confused. So I said: let me return to my home, now that the black man has come to power. And suddenly as in a flash of lightning I saw we were serving the same monster-god as they were in America.’

Related Characters: The Lawyer (speaker), Godfrey Munira, Wanja, Karega, Abdulla, Nderi wa Riera, Fraudsham
Related Symbols: Siriana
Page Number: 198
Explanation and Analysis:

He did not therefore want to hear any more nonsense about African teachers, African history, African literature, African this and that: whoever heard of African, Chinese, or Greek mathematics and science? What mattered were good teachers and sound content: history was history: literature was literature, and had nothing to do with the colour of one’s skin.

Related Characters: Godfrey Munira, Wanja, Karega, Abdulla, Chui, The Lawyer
Related Symbols: Siriana
Page Number: 206
Explanation and Analysis:
Chapter 8 Quotes

‘We are all prostitutes, for in a world of grab and take, in a world built on a structure of inequality and injustice, in a world where some can eat while others can only toil […] we are all prostituted. For as long as there’s a man in prison, I am also in prison [. . .]. Why then need a victim hurl insults at another victim?’

Related Characters: Karega (speaker), Godfrey Munira, Wanja
Page Number: 286
Explanation and Analysis:
Chapter 10 Quotes

‘Even with you, I was hoping, but it did not work out. With him it has been different. I want him. I really want him. For himself. For the first time, I feel wanted . . . a human being . . . no longer humiliated . . . degraded . . . foot-trodden . . . do you understand? It is not given to many: a second chance to be a woman, to be human without this or that “except,” “except” . . . without shame. He has reawakened my smothered woman-ness, my girlhood, and I feel I am about to flower . . .’

Related Characters: Wanja (speaker), Godfrey Munira, Karega, Kimeria
Related Symbols: Flowers/Theng’eta
Page Number: 299
Explanation and Analysis:
Chapter 11 Quotes

‘I was surprised to see it on sale . . . but it did not taste the same.’

Related Characters: Karega (speaker), Wanja, Abdulla
Related Symbols: Flowers/Theng’eta
Page Number: 337
Explanation and Analysis:

‘You cannot serve the interests of capital and of labour at the same time. You cannot serve two opposed masters . . . one master loses . . . in this case labour . . .’

Related Characters: Karega (speaker), Godfrey Munira, Wanja
Page Number: 342
Explanation and Analysis:

This was the society they were building: this was the society they had been building since Independence, a society in which a black few, allied to other interests from Europe, would continue the colonial game of robbing others of their sweat, denying them the right to grow to full flowers in air and sunlight.

Related Characters: Godfrey Munira, Wanja, Karega, Kimeria, Nderi wa Riera, Chui, Mzigo
Related Symbols: Flowers/Theng’eta
Page Number: 348-349
Explanation and Analysis:

‘Must we have this world? Is there only one world? Then we must create another world, a new earth[.]’

Related Characters: Karega (speaker), Godfrey Munira, Wanja
Page Number: 349
Explanation and Analysis:
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Wanja Quotes in Petals of Blood

The Petals of Blood quotes below are all either spoken by Wanja or refer to Wanja. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Colonialism and Capitalism Theme Icon
).
Chapter 2 Quotes

He stole a matchbox, collected a bit of grass and dry cowdung and built an imitation of Amina’s house at Kamiritho where he had sinned against the Lord, and burnt it. He watched the flames and he felt truly purified by fire. He went to bed at ease with himself and peaceful in his knowledge of being accepted by the Lord. Shalom. But the cowdung had retained the fire and at night the wind fanned it into flames which would have licked up the whole barn had it not been discovered in time.

Related Characters: Godfrey Munira, Wanja, Karega, Kimeria, Chui, Mzigo
Related Symbols: Fire
Page Number: 18
Explanation and Analysis:

‘But boys were always more confident about the future than us girls. They seemed to know what they wanted to become later in life: whereas with us girls the future seemed vague . . . It was as if we knew that no matter what efforts we put into our studies, our road led to the kitchen and to the bedroom.’

Related Characters: Wanja (speaker), Karega, Abdulla, Kimeria, Joseph
Page Number: 44
Explanation and Analysis:
Chapter 3 Quotes

We are all searchers for a tiny place in God’s corner to shelter us for a time from treacherous winds and rains and drought. This was all that I had wanted him to see: that the force he sought could only be found in the blood of the Lamb.

Related Characters: Godfrey Munira (speaker), Wanja, Karega, Abdulla, Kimeria, Chui, Mzigo
Page Number: 55
Explanation and Analysis:
The Journey Quotes

‘Why should we fail, though? We are now going as a community. The voice of the people is truly the voice of God. And who is an MP? Isn’t he the people’s voice in the ruling house?’

Related Characters: Karega (speaker), Wanja, Nderi wa Riera
Page Number: 152
Explanation and Analysis:

‘To understand the present . . . you must understand the past. To know where you are, you must know where you came from, don’t you think?’

Related Characters: Karega (speaker), Wanja, Nderi wa Riera
Related Symbols: Siriana
Page Number: 154
Explanation and Analysis:

‘I saw in the cities of America white people also begging . . . I saw white women selling their bodies for a few dollars. In America vice is a selling commodity. I worked alongside white and black workers in a Detroit factory. We worked overtime to make a meagre living. I saw a lot of unemployment in Chicago and other cities. I was confused. So I said: let me return to my home, now that the black man has come to power. And suddenly as in a flash of lightning I saw we were serving the same monster-god as they were in America.’

Related Characters: The Lawyer (speaker), Godfrey Munira, Wanja, Karega, Abdulla, Nderi wa Riera, Fraudsham
Related Symbols: Siriana
Page Number: 198
Explanation and Analysis:

He did not therefore want to hear any more nonsense about African teachers, African history, African literature, African this and that: whoever heard of African, Chinese, or Greek mathematics and science? What mattered were good teachers and sound content: history was history: literature was literature, and had nothing to do with the colour of one’s skin.

Related Characters: Godfrey Munira, Wanja, Karega, Abdulla, Chui, The Lawyer
Related Symbols: Siriana
Page Number: 206
Explanation and Analysis:
Chapter 8 Quotes

‘We are all prostitutes, for in a world of grab and take, in a world built on a structure of inequality and injustice, in a world where some can eat while others can only toil […] we are all prostituted. For as long as there’s a man in prison, I am also in prison [. . .]. Why then need a victim hurl insults at another victim?’

Related Characters: Karega (speaker), Godfrey Munira, Wanja
Page Number: 286
Explanation and Analysis:
Chapter 10 Quotes

‘Even with you, I was hoping, but it did not work out. With him it has been different. I want him. I really want him. For himself. For the first time, I feel wanted . . . a human being . . . no longer humiliated . . . degraded . . . foot-trodden . . . do you understand? It is not given to many: a second chance to be a woman, to be human without this or that “except,” “except” . . . without shame. He has reawakened my smothered woman-ness, my girlhood, and I feel I am about to flower . . .’

Related Characters: Wanja (speaker), Godfrey Munira, Karega, Kimeria
Related Symbols: Flowers/Theng’eta
Page Number: 299
Explanation and Analysis:
Chapter 11 Quotes

‘I was surprised to see it on sale . . . but it did not taste the same.’

Related Characters: Karega (speaker), Wanja, Abdulla
Related Symbols: Flowers/Theng’eta
Page Number: 337
Explanation and Analysis:

‘You cannot serve the interests of capital and of labour at the same time. You cannot serve two opposed masters . . . one master loses . . . in this case labour . . .’

Related Characters: Karega (speaker), Godfrey Munira, Wanja
Page Number: 342
Explanation and Analysis:

This was the society they were building: this was the society they had been building since Independence, a society in which a black few, allied to other interests from Europe, would continue the colonial game of robbing others of their sweat, denying them the right to grow to full flowers in air and sunlight.

Related Characters: Godfrey Munira, Wanja, Karega, Kimeria, Nderi wa Riera, Chui, Mzigo
Related Symbols: Flowers/Theng’eta
Page Number: 348-349
Explanation and Analysis:

‘Must we have this world? Is there only one world? Then we must create another world, a new earth[.]’

Related Characters: Karega (speaker), Godfrey Munira, Wanja
Page Number: 349
Explanation and Analysis: