Player Piano

by

Kurt Vonnegut

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Happiness, Self-Worth, and Passion Theme Analysis

Themes and Colors
Technology and Progress Theme Icon
Happiness, Self-Worth, and Passion Theme Icon
Class Division and Competition Theme Icon
Corporate Life vs. Human Connection Theme Icon
LitCharts assigns a color and icon to each theme in Player Piano, which you can use to track the themes throughout the work.
Happiness, Self-Worth, and Passion Theme Icon

Player Piano highlights the relationship between happiness and a strong sense of self-worth. As a result of widespread automation in a futuristic United States, many people no longer have jobs. Because a person’s value in this society is mostly determined by their career, putting people out of work robs them of their pride and dignity, making them feel like they’re no longer “needed on earth.” And yet, the novel also indicates that having a good job won’t automatically lead to happiness, either. After all, Paul Proteus has the most important job in Ilium, and he’s still unfulfilled by his station in life. This is because he's uninspired by his job—he doesn’t believe in what he’s doing, regardless of how high he has climbed on the corporate ladder. This underlines the idea that happiness doesn’t just depend on self-worth, but also on a sense of passion. In order to be happy, the novel intimates, people have to feel both useful and passionate about what they’re doing.

It’s implicit in the novel that the people who have lost their jobs are unhappy. Their options in life are severely limited, since the only viable way of supporting oneself without a college degree is to join the army or a public works organization called the Reconstruction and Reclamation Corps (the “Reeks and Wrecks”). This means that everyone in the non-engineering class is unable to practice the trades they originally devoted their lives to.

For instance, when Paul’s car breaks down one day, a man working on the side of the road for the Reeks and Wrecks pauses to help, and it turns out that he’s an extremely creative and talented mechanic. It’s obvious that this man used to make his living working on cars. Now, though, he has to do roadwork because machines have replaced all the mechanics in Ilium. The novel doesn’t explicitly state that this man is unhappy with his position in life, but it’s reasonable to assume that he’d rather be practicing his actual trade than doing roadwork, especially since he’s apparently so gifted at working on cars. This demonstrates one of the biggest impacts of automation on personal happiness, illustrating that mechanization has made it impossible for people to do the things they love.

Additionally, the prospect of upward mobility in this society is wildly unrealistic, since nobody without a college degree is eligible to hold a powerful position. As a result, the working class has nothing to work toward. It’s not just that they can’t do what they’re passionate about, but also that they can’t even focus on advancing their careers. It’s therefore essentially impossible for them to attain a genuine sense of fulfillment, at least as far as their working lives are concerned.

But, as Reverend James J. Lasher makes clear, it’s not just the lack of a good career path that makes people unhappy—it’s that working-class people have lost their self-worth. This is because, at least according to Lasher, people tend to derive a sense of “dignity” from their jobs. Or, in the words of the anti-automation group called the Ghost Shirt Society, “Men, by their nature, seemingly, cannot be happy unless engaged in enterprises that make them feel useful.” In a society in which value is so heavily determined by progress, money, and “usefulness,” taking jobs away from people leaves them with virtually nothing. It’s like robbing them of their ability to feel important or worthy of respect, and this understandably makes it difficult to be genuinely happy.

At the same time, having a good job won’t magically make a person happy, either. Paul and Finnerty are perfect examples of this, since they both have powerful corporate positions but are completely discontent, proving that even the most seemingly important and respected jobs aren’t always emotionally rewarding.

The root of Paul’s unhappiness as manager of the Ilium Works likely has to do with how little he actually does at the plant. Rarely throughout the book does he do anything other than answer the phone or talk with Katharine, his secretary. The one time he goes to check up on a malfunctioning machine, he tries to pawn the task off on his second-in-command, forgetting that Shepherd is out sick that day. This suggests that he’s not used to doing any work himself. Furthermore, when he finally looks at the malfunctioning machine, there’s nothing he can do to fix it, since it’s simply too old. Despite his powerful position, then, it’s unlikely that he could possibly feel very “useful.” In this way, he has something in common with the people who have been replaced in the workplace by machines—just like them, he no longer has a clear sense of purpose.

Even if Paul were useful at his job, he doesn’t truly believe in the value of the work. This has changed over his career, since he and Finnerty used to strongly believe in the importance of engineering. During the war, they used to come up with designs for machines that helped the economy stay on track. “Happiest I ever was,” Finnerty says of this period in his life. Now, though, the war is over, and society is already extremely automated. With nothing of real importance left for Paul and Finnerty to do, they become unhappy.

In fact, it isn’t until they join the Ghost Shirt Society and become leaders of a revolution against automation that they finally feel alive and happy again. When Paul agrees to join, he takes comfort in feeling like he can now “belong and believe” in something, suggesting that he feels as if there’s a place for him amongst these revolutionaries—a group in which he can serve a tangible purpose and work passionately toward something worthwhile.

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Happiness, Self-Worth, and Passion Quotes in Player Piano

Below you will find the important quotes in Player Piano related to the theme of Happiness, Self-Worth, and Passion.
Chapter 1 Quotes

Paul sometimes wondered if he wouldn’t have been more content in another period of history, but the rightness of Bud’s being alive now was beyond question. Bud’s mentality was one that had been remarked upon as being peculiarly American since the nation had been born—the restless, erratic insight and imagination of a gadgeteer. This was the climax, or close to it, of generations of Bud Calhouns, with almost all of American industry integrated into one stupendous Rube Goldberg machine.

Related Characters: Doctor Paul Proteus, Doctor Bud Calhoun
Page Number: 4
Explanation and Analysis:

“[…] Hangovers, family squabbles, resentments against the boss, debts, the war—every kind of human trouble was likely to show up in a product one way or another.” He smiled. “And happiness, too. I can remember when we had to allow for holidays, especially around Christmas. There wasn’t anything to do but take it. The reject rate would start climbing around the fifth of December, and up and up it’d go until Christmas. Then the holiday, then a horrible reject rate; then New Year’s, then a ghastly reject level. Then things would taper down to normal—which was plenty bad enough—by January fifteenth or so. We used to have to figure in things like that in pricing a product.”

Related Characters: Doctor Paul Proteus (speaker), Doctor Katharine Finch
Page Number: 14
Explanation and Analysis:
Chapter 2 Quotes

“[…] we’ve raised the standard of living of the average man immensely.”

Khashdrahr stopped translating and frowned perplexedly. “Please, this average man, there is no equivalent in our language, I’m afraid.”

“You know,” said Halyard, “the ordinary man, like, well, anybody—those men working back on the bridge, the man in that old car we passed. The little man, not brilliant but a good-hearted, plain, ordinary, everyday kind of person.”

Khashdrahr translated.

“Aha,” said the Shah, nodding, “Takaru.”

“What did he say?”

Takaru,” said Khashdrahr. “Slave.”

“No Takaru,” said Halyard, speaking directly to the Shah. “Ci-ti-zen.”

“Ahhhhh,” said the Shah. “Ci-ti-zen.” He grinned happily. “Takarucitizen. CitizenTakaru.”

“No Takaru!” said Halyard.

Khashdrahr shrugged. “In the Shah’s land are only the Elite and the Takaru.”

Related Characters: The Shah of Bratpuhr, Khashdrahr Miasma, Doctor Ewing J. Halyard
Page Number: 22
Explanation and Analysis:
Chapter 4 Quotes

“Sick of it,” he said slowly. “The pay was fantastically good, ridiculously good—paid like a television queen with a forty-inch bust. But when I got this year’s invitation to the Meadows, Paul, something snapped. I realized I couldn’t face another session up there. And then I looked around me and found out I couldn’t face anything about the system any more. I walked out, and here I am.”

Related Characters: Doctor Ed Finnerty (speaker), Doctor Paul Proteus
Page Number: 39
Explanation and Analysis:
Chapter 5 Quotes

“Just to sort of underline what you’re saying, Paul, I’d like to point out something I thought was rather interesting. One horsepower equals about twenty-two manpower—big manpower. If you convert the horsepower of one of the bigger steel-mill motors into terms of manpower, you’ll find that the motor does more work than the entire slave population of the United States at the time of the Civil War could do—and do it twenty-four hours a day.”

Related Characters: Kroner (speaker), Doctor Paul Proteus
Page Number: 52
Explanation and Analysis:

“[…] The Atomic Age, that was the big thing to look forward to. Remember, Baer? And meanwhile, the tubes increased like rabbits.”

“And dope addiction, alcoholism, and suicide went up proportionately,” said Finnerty.

[…]

“That was the war,” said Kroner soberly. “It happens after every war.”

“And organized vice and divorce and juvenile delinquency, all parallel the growth of the use of vacuum tubes,” said Finnerty.

“Oh, come on, Ed,” said Paul, “you can’t prove a logical connection between those factors.”

“If there's the slightest connection, it’s worth thinking about,” said Finnerty.

Related Characters: Doctor Paul Proteus, Doctor Ed Finnerty, Kroner, Baer
Page Number: 53
Explanation and Analysis:
Chapter 6 Quotes

When Paul thought about his effortless rise in the hierarchy, he sometimes, as now, felt sheepish, like a charlatan. He could handle his assignments all right, but he didn’t have what his father had, what Kroner had, what Shepherd had, what so many had: the sense of spiritual importance in what they were doing; the ability to be moved emotionally, almost like a lover, by the great omnipresent and omniscient spook, the corporate personality. In short, Paul missed what made his father aggressive and great: the capacity to really give a damn.

Related Characters: Doctor Paul Proteus, Doctor Ed Finnerty, Kroner, Doctor Lawson Shepherd, Doctor George Proteus (Paul’s Father)
Page Number: 63
Explanation and Analysis:
Chapter 8 Quotes

“Ah haven’t got a job any more,” said Bud. “Canned.”

Paul was amazed. “Really? What on earth for? Moral turpitude? What about the gadget you invented for—"

“Thet’s it,” said Bud with an eerie mixture of pride and remorse. “Works. Does a fine job.” He smiled sheepishly. “Does it a whole lot better than Ah did it.”

“It runs the whole operation?”

“Yup. Some gadget.”

“And so you’re out of a job.”

“Seventy-two of us are out of jobs,” said Bud.

Related Characters: Doctor Paul Proteus, Doctor Bud Calhoun
Page Number: 72
Explanation and Analysis:
Chapter 9 Quotes

“It’s the loneliness,” he said, as though picking up the thread of a conversation that had been interrupted. “It’s the loneliness, the not belonging anywhere. I just about went crazy with loneliness here in the old days, and I figured things would be better in Washington, that I’d find a lot of people I admired and be- longed with. Washington is worse, Paul—Ilium to the tenth power. Stupid, arrogant, self-congratulatory, unimaginative, humorless men. [...]”

Related Characters: Doctor Ed Finnerty (speaker), Doctor Paul Proteus
Page Number: 86
Explanation and Analysis:

“[…] When I had a congregation before the war, I used to tell them that the life of their spirit in relation to God was the biggest thing in their lives, and that their part in the economy was nothing by comparison. Now, you people have engineered them out of their part in the economy, in the market place, and they’re finding out—most of them—that what’s left is just about zero. A good bit short of enough, anyway. […]”

Related Characters: Reverend James J. Lasher (speaker), Doctor Paul Proteus, Doctor Ed Finnerty
Page Number: 90
Explanation and Analysis:

“Sooner or later someone’s going to catch the imagination of these people with some new magic. At the bottom of it will be a promise of regaining the feeling of participation, the feeling of being needed on earth—hell, dignity. […]”

Related Characters: Reverend James J. Lasher (speaker), Doctor Paul Proteus, Doctor Ed Finnerty
Page Number: 92
Explanation and Analysis:
Chapter 12 Quotes

Paul was amazed. By some freakish circumstance he’d apparently clinched the job—after having arrived with the vague intention of disqualifying himself.

Related Characters: Doctor Paul Proteus, Kroner
Page Number: 131
Explanation and Analysis:

Kroner looked at him with surprise. “Look, you know darn good and well history’s answered the question a thousand times.”

“It has? Has it? You know; I wouldn’t. Answered it a thousand times, has it? That’s good, good. All I know is, you’ve got to act like it has, or you might as well throw in the towel. Don’t know, my boy. Guess I should, but I don’t. Just do my job. Maybe that’s wrong.”

Related Characters: Kroner (speaker), Baer (speaker), Doctor Paul Proteus
Page Number: 132
Explanation and Analysis:
Chapter 23 Quotes

“What am I going to do? Farm, maybe. I’ve got a nice little farm.”

“Farm, eh?” Harrison clucked his tongue reflectively. “Farm. Sounds wonderful. I’ve thought of that: up in the morning with the sun; working out there with your hands in the earth, just you and nature. If I had the money, sometimes I think maybe I’d throw this—”

“You want a piece of advice from a tired old man?”

“Depends on which tired old man. You?”

“Me. Don’t put one foot in your job and the other in your dreams, Ed. Go ahead and quit, or resign yourself to this life. It’s just too much of a temptation for fate to split you right up the middle before you’ve made up your mind which way to go.”

Related Characters: Doctor Paul Proteus, Doctor Edmund L. Harrison (Ed Harrison)
Related Symbols: The Farm
Page Number: 236
Explanation and Analysis:
Chapter 28 Quotes

“What have you got against machines?” said Buck.

“They’re slaves.”

“Well, what the heck,” said Buck. “I mean, they aren’t people. They don’t suffer. They don’t mind working.”

“No. But they compete with people.”

“That’s a pretty good thing, isn’t it—considering what a sloppy job most people do of anything?”

“Anything that competes with slaves becomes a slave,” said Harrison thickly, and he left.

Related Characters: Doctor Edmund L. Harrison (Ed Harrison) (speaker), Buck Young (speaker)
Page Number: 280
Explanation and Analysis:
Chapter 30 Quotes

“Men, by their nature, seemingly, cannot be happy unless engaged in enterprises that make them feel useful. They must, therefore, be returned to participation in such enterprises.

“I hold, and the members of the Ghost Shirt Society hold:

“That there must be virtue in imperfection, for Man is imperfect, and Man is a creation of God.

“That there must be virtue in frailty, for Man is frail, and Man is a creation of God.

“That there must be virtue in inefficiency, for Man is inefficient, and Man is a creation of God.

“That there must be virtue in brilliance followed by stupidity, for Man is alternately brilliant and stupid, and Man is a creation of God. […]”

Related Characters: Professor Ludwig von Neumann (speaker), Doctor Paul Proteus
Page Number: 302
Explanation and Analysis:
Chapter 34 Quotes

“You know,” said Paul at last, “things wouldn’t have been so bad if they’d stayed the way they were when we first got here. Those were passable days, weren’t they?” […]

“Things don’t stay the way they are,” said Finnerty. “It’s too entertaining to try to change them.”

Related Characters: Doctor Paul Proteus (speaker), Doctor Ed Finnerty (speaker)
Related Symbols: The Farm
Page Number: 332
Explanation and Analysis: