Purgatorio

by

Dante Alighieri

Themes and Colors
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon
Free Will Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
Time Theme Icon
LitCharts assigns a color and icon to each theme in Purgatorio, which you can use to track the themes throughout the work.
Love, Sin, and God Theme Icon

A key to understanding Dante’s perspective in Purgatorio is that, in his view, all sins are in some way a distortion of love. If a soul contained nothing of love, it would never have reached Purgatory (the part of the afterlife where Christian souls are cleansed of sin) to begin with. But before reaching Heaven, a person’s capacity for love must be purified, stirred up, or redirected so that it’s rightly aimed toward God. Whether one arrives in Purgatory suffering from a perverted form of love, too little love for God, or an excessive amount of love for those things which are beneath God (who is the ultimate object of love), there is a remedy to be found for these imbalances in Purgatory. By portraying all sin as being derived from love in some way, Dante argues that every human soul is designed to love God. Sin, he believes, occurs when one’s love is corrupted, obscured, or misdirected.

All sins are, in some way, founded upon an imbalance or misdirection of love. As Virgil explains to Dante, there are two kinds of love in a human being: “natural” love and “mind-love,” or the love that exists in the mind. “Natural” love “can never go astray”—in other words, it is essentially instinctual and, as such, it can’t be held responsible for human misdeeds. “Mind-love,” on the other hand, is directed by the human will—it is rational in a way that “natural” love is not. This rationally-directed love is the main concern in Purgatory. Virgil explains that this second form of love “may err when wrongly aimed, / or else through too much vigour or the lack.” In summary, the mind’s love—or rational, willed love—can go astray in one of three different ways: perverted love (in which a person can aims their love wrongly), excessive love (in which a person loves overzealously), or defective love (in which a person’s love is lacking).

Purgatory is designed to correct the various sinful corruptions of mind-love. The entire geography of Purgatory, in fact, reflects the ways in which mind-love can go wrong. The three lowest levels are where love of “neighbors’ harm,” or wrongly-aimed love, is purged. Such love takes the forms of pride, envy, and wrath. These twisted forms of love mistakenly promote self-love by attempting to wrest others’ glory for oneself, resenting others’ success, or even seeking revenge on others. Such love isn’t true self-love, though, because it does harm to the self as it does to others. Next comes the level on which love “which runs, in broken order, after good”—or what’s called “sloth”— is punished. As Virgil explains, “We all, confusedly, conceive a good, / desiring that our hearts may rest in that. […] If love is slack in drawing you to view—or win—that good,” then repentance in purgatory is needed. In other words, a soul that is heading in the right direction—desiring to direct one’s heart toward God—but is insufficiently committed or zealous toward that end, must be spurred to greater energy in pursuit of that ultimate good. Finally, “love that gives itself too much” to anything short of “that good source of being, seed and flower of all that’s good” (i.e., love that’s excessively directed toward anything lower than God) is purged on the upper levels of Purgatory. Namely, this includes the sins of covetousness, greed, and lust. It’s worth noting that, contrary to what one might expect, a sin like lust is nearer the summit of Mount Purgatory than, say, pride or sloth. This is because lust is an excessive love of a secondary good (i.e., something that’s genuinely good, but less so than the God, the divine Source of goodness). A sin like wrath, on the other hand—which perverts love in that it actively seeks others’ harm—is dealt with near the base of the Mount. In other words, while lust is certainly considered a sin in Purgatory, there’s a sense in which it’s closer to genuine love than something that specifically hurts another person.

Ultimately, every soul must past through the purifying fire near the summit of Mount Purgatory. While this fire is the specific penance appointed to those guilty of lust, it’s needed by every soul as a final cleansing to prepare a person to encounter the ultimate desire and goal of all love—that is, God.

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Love, Sin, and God Quotes in Purgatorio

Below you will find the important quotes in Purgatorio related to the theme of Love, Sin, and God.
Canto 1 Quotes

To race now over better waves, my ship
of mind – alive again – hoists sail, and leaves
behind its little keel the gulf that proved so cruel.

And I’ll sing, now, about that second realm
where human spirits purge themselves from stain,
becoming worthy to ascend to Heaven.

Here, too, dead poetry will rise again.
For now, you sacred Muses, I am yours.
So let Calliope, a little, play her part […]

Related Characters: Dante (speaker)
Related Symbols: Music, Song, and Singing
Page Number: 160
Explanation and Analysis:
Canto 2 Quotes

Celestial, at the stern, the pilot stood –
beatitude, it seemed, inscribed on him –
and, ranged within, a hundred spirits more.

In exitu Israel de Aegypto’:
they sang this all together, in one voice,
with all the psalm that’s written after this.

[…]

The crowd that now remained, it seemed, was strange,
astray there, wondering, looking all around,
as people do, assessing what is new.

Related Characters: Dante (speaker)
Related Symbols: Music, Song, and Singing
Page Number: 165
Explanation and Analysis:
Canto 3 Quotes

It’s madness if we hope that rational minds
should ever follow to its end the road
that one true being in three persons takes.

Content yourselves with quia, human kind.
Had you been able to see everything,
Mary need not have laboured to give birth.

You saw the fruitless yearning of those men
who might have had that yearning satisfied,
now given them eternally to mourn.

Plato, I mean, and Aristotle, too, and many more with them.’

Related Characters: Virgil (speaker), Dante
Page Number: 169
Explanation and Analysis:
Canto 7 Quotes

There is a place down there not grim with pain
but only with sad shades whose deep laments
sound not as screams but melancholy sighs.

I take my place with children – innocents
in whom the bite of death set lethal teeth
before they’d been made free of human sin.

And there I stay with all who were not clothed
in those three holy virtues – though I knew,
and, guiltless, followed all the other four.

Related Characters: Virgil (speaker), Sordello
Page Number: 189
Explanation and Analysis:
Canto 11 Quotes

This final prayer is made, O dearest Lord,
not for ourselves (we now have no such need).
We speak for those behind us, who’ve remained.’

Then praying, for themselves and us, ‘God speed’,
these shadows made their way beneath such loads
as sometimes in our nightmares can be seen. […]

We surely ought to help them cleanse the marks
that they bore hence – till, light in weight and pure,
they’ve power to rise towards the wheeling stars.

Related Characters: Dante (speaker)
Related Symbols: Stars, Journeys and Climbing
Page Number: 207
Explanation and Analysis:
Canto 12 Quotes

We were, by now, ascending that great stair.
And I, it seemed, was lighter now by far
than I had seemed while still on level ground.

So, ‘Tell me, sir,’ I said, ‘what weight has now
been lifted from me, so I almost feel
no strain at all in walking on my way?’

He answered: ‘When the “P”s that mark your brow,
remaining still, though growing now more faint,
have all (as is the first) been sheared away,

your steps will then be conquered by good will
and, being thus impelled towards the heights,
will feel no strain but only sheer delight.’

Related Characters: Dante (speaker), Virgil (speaker)
Related Symbols: Journeys and Climbing
Page Number: 215
Explanation and Analysis:
Canto 15 Quotes

Because your human longings point to where
portions grow smaller in shared fellowship,
meanness of mind must make the bellows sigh.

If love, though, seeking for the utmost sphere,
should ever wrench your longings to the skies,
such fears would have no place within your breast.

For, there, the more that we can speak of “ours”,
the more each one possesses of the good
and, in that cloister, caritas burns brighter.

Related Characters: Virgil (speaker), Dante
Page Number: 227
Explanation and Analysis:
Canto 16 Quotes

You, living there, derive the cause of all
straight from the stars alone, as if, alone,
these made all move in mere necessity.

Yet were that so, in you would be destroyed
the freedom of your will – and justice fail
in giving good its joy and grief its ill.

The stars initiate your vital moves.
I don’t say all. And yet suppose I did,
you’re given light to know what’s good and bad,

and free will, too, which if it can endure
beyond its early battles with the stars,
and if it’s nourished well, will conquer all.

Related Characters: Marco Lombardo (speaker), Dante
Related Symbols: Stars
Page Number: 233
Explanation and Analysis:
Canto 17 Quotes

Neither creator nor created thing
was ever, dearest son, without’ (he starts)
‘the love of mind or nature. You know that.

The natural love can never go astray.
The other, though, may err when wrongly aimed,
or else through too much vigour or the lack. […]

Hence, of necessity, you’ll understand
that love must be the seed of all good powers,
as, too, of penalties your deeds deserve.

Related Characters: Virgil (speaker), Dante
Page Number: 238
Explanation and Analysis:

If love is slack in drawing you to view –
or win – that good, then this ledge, where we’re now,
after your fit repentance, martyrs you.

And other goods will not bring happiness,
not happy in themselves, nor that good source
of being, seed and flower of all that’s good.

Related Characters: Virgil (speaker), Dante
Page Number: 239
Explanation and Analysis:
Canto 18 Quotes

Soon they were on us. For they moved at speed,
racing towards us, that great multitude.
And two ahead were shouting, weepingly. […]

‘Quick! Quick! Let’s lose no time through lack of love!’
so all of those behind now shouted out.
‘For zeal in doing good turns grace new green.’

Related Characters: Dante (speaker)
Page Number: 243
Explanation and Analysis:
Canto 19 Quotes

Because our eyes were fixed on earthly things,
at no point raised to look towards the heights,
so justice sinks them here within the earth.

Since avarice extinguished all our love
for any good – and so good works were lost –
justice here holds us tight within its grip.

Related Characters: Pope Adrian (speaker), Dante
Page Number: 249
Explanation and Analysis:
Canto 21 Quotes

Tremors strike here when any soul feels pure
and rises, newly cleansed, to start its climb.
And that cry follows as the soul ascends.

The will alone gives proof of purity
when, wholly free to change its sacred place,
it aids and sweeps the soul up, willing well.

Related Characters: Statius (speaker), Dante, Virgil
Related Symbols: Journeys and Climbing
Page Number: 257
Explanation and Analysis:
Canto 23 Quotes

While I, through these green boughs, fixed searching sight
as might some hunter tracking little birds,
who spends his life in vain on that pursuit),
my more-than-father spoke. ‘Dear son,’ he said,
‘do come along. The time appointed us
should be more usefully divided out.’

Related Characters: Dante (speaker), Virgil
Page Number: 265
Explanation and Analysis:

And all these people, weeping as they sing,
because their gullets led them past all norms,
are here remade as holy, thirsting, hungering.

Cravings to eat and drink are fired in us
by perfumes from that fruit and from the spray
that spreads in fans above the greenery.

Related Characters: Forese (speaker), Dante
Page Number: 267
Explanation and Analysis:
Canto 25 Quotes

Open your heart. Receive the coming truth.
Know this: when once the foetal brain is brought
to full articulation in the womb,

the Primal Cause of Motion turns in joy
to see so much of Nature’s art, and breathes
new breath of spirit filled with power within,

which draws all active elements it finds
into its being and thus forms one soul
which lives and feels and turns as conscious self.

Related Characters: Statius (speaker), Dante
Page Number: 276
Explanation and Analysis:
Canto 27 Quotes

Over my suppliant hands entwined, I leaned
just staring at the fire, imagining
bodies of human beings I’d seen burn.

And both my trusted guides now turned to me.
And Virgil spoke, to say: ‘My dearest son,
here may be agony but never death.

Remember this! Remember! And if I
led you to safety on Geryon’s back,
what will I do when now so close to God?

Believe this. And be sure. Were you to stay
a thousand years or more wombed in this fire,
you’d not be made the balder by one hair.

Related Characters: Dante (speaker), Virgil (speaker)
Page Number: 284
Explanation and Analysis:

Then, firmly, Virgil fixed his eyes on me,
saying: ‘The temporal and eternal fires
you’ve seen, my son, and now you’re in a place
where I, through my own powers, can tell no more.

I’ve drawn you here by skill and searching mind.
Now take what pleases you to be your guide.
You’re now beyond the steeps, beyond all straits. […]

No longer look to me for signs or word.
Your will is healthy, upright, free and whole.
And not to heed that sense would be a fault.
Lord of yourself, I crown and mitre you.’

Related Characters: Virgil (speaker), Dante
Page Number: 287
Explanation and Analysis:
Canto 30 Quotes

Risen from body into spirit-form,
my goodness, power and beauty grew more strong.
Yet I to him was then less dear, less pleasing.

He turned his steps to paths that were not true.
He followed images of failing good
which cannot meet, in full, their promises.

Related Characters: Beatrice (speaker), Dante
Page Number: 302
Explanation and Analysis:
Canto 33 Quotes

However, since these pages now are full,
prepared by rights to take the second song,
the reins of art won’t let me pass beyond.

I came back from that holiest of waves
remade, refreshed as any new tree is,
renewed, refreshed with foliage anew,

pure and prepared to rise towards the stars.

Related Characters: Dante (speaker)
Related Symbols: Stars, Journeys and Climbing
Page Number: 318
Explanation and Analysis: