Helen Givings Character Analysis

"In order to agree with that," she said, "I'd have to have a very strange and very low opinion of reality. Because you see I happen to think this is unrealistic. I think it's unrealistic for a man with a fine mind to go on working like a dog year after year at a job he can’t stand, coming home to a house he can’t stand in a place he can’t stand either, to a wife who's equally unable to stand the same things, living among a bunch of frightened little—my God, Frank, I don’t have to tell you what's wrong with this environment—I’m practically quoting you. Just last night when the Campbells were here, remember what you said about the whole idea of suburbia being to keep reality at bay? You said everybody wanted to bring up their children in a bath of sentimentality. You said—”
"I know what I said. I didn’t think you were listening, though. You looked sort of bored."
"I was bored. That's part of what I'm trying to say. I don't think I've ever been more bored and depressed and fed up in my life than I was last night. All that business about Helen Givings's son on top of everything else, and the way we all grabbed at it like dogs after meat; I remember looking at you and thinking 'God, if only he'd stop talking.' Because everything you said was based on this great premise of ours that we're somehow very special and superior to the whole thing, and I wanted to say 'But we're not! Look at us! We're just like the people you're talking about! We are the people you're talking about!' I sort of had—I don’t know, contempt for you, because you couldn't see the terrific fallacy of the thing.”

And she'd never been able to explain or even to understand that what she loved was not the job—it could have been any job—or even the independence it gave her (though of course that was important for a woman constantly veering toward the brink of divorce). Deep down, what she'd loved and needed was work itself. "Hard work," her father had always said, "is the best medicine yet devised for all the ills of man—and of woman," and she'd always believed it… [Work] was the substance of her love; it was all that fortified her against the pressures of marriage and parenthood. Without it, as she often said, she would have gone out of her mind.

"You hear wrong. Taught it for a while, that's all. Anyway, it's all gone now. You know what electrical shock treatments are? Because you see, the past couple months I've had thirty-five—or no, wait—thirty-seven…The idea is to jolt all the emotional problems out of your mind, you see, but in my case they had a different effect. Jolted out all the God damned mathematics. Whole subject's a total blank."
"How awful," April said.
"'How awful.’” John Givings mimicked her in a mincing, effeminate voice and then turned on her with a challenging smirk. "Why?" he demanded. "Because mathematics is so 'interesting'?"
"No," she said. "Because the shocks must be awful and because it's awful for anybody to forget something they want to remember. As a matter of fact I think mathematics must be very dull."
He stared at her for a long time, and nodded with approval. "I like your girl, Wheeler," he announced at last. "I get the feeling she's female. You know what the difference between female and feminine is? Huh? Well, here's a hint: a feminine woman never laughs out loud and always shaves her armpits. Old Helen in there is feminine as hell. I've only met about half a dozen females in my life, and I think you got one of them here. Course, come to think of it, that figures. I get the feeling you're male. There aren’t too many males around, either."

"Big man you got here, April," he said, winking at her as he fitted the workman's cap on his head. "Big family man, solid citizen. I feel sorry for you. Still, maybe you deserve each other. Matter of fact, the way you look right now, I'm beginning to feel sorry for him, too. I mean come to think of it, you must give him a pretty bad time, if making babies is the only way he can prove he's got a pair of balls."
"All right, John," Howard was murmuring. "Let's get on out to the car now."
"April," Mrs. Givings whispered. "I can't tell you how sorry I—"
"Right," John said, moving away with his father. "Sorry, sorry, sorry. Okay Ma? Have I said 'Sorry' enough times? I am sorry, too. Damn; I bet I'm just about the sorriest bastard I know. Course, get right down to it, I don't have a whole hell of a lot to be glad about, do I?"
And at least, Mrs. Givings thought, if nothing else could be salvaged from this horrible day, at least he was allowing Howard to lead him away quietly. All she had to do now was to follow them, to find some way of getting across this floor and out of this house, and then it would all be over.
But John wasn’t finished yet. "Hey, I'm glad of one thing, though," he said, stopping near the door and turning back, beginning to laugh again, and Mrs. Givings thought she would die as he extended a long yellow-stained index finger and pointed it at the slight mound of April's pregnancy. "You know what I'm glad of? I'm glad I'm not gonna be that kid."

"In order to agree with that," she said, "I'd have to have a very strange and very low opinion of reality. Because you see I happen to think this is unrealistic. I think it's unrealistic for a man with a fine mind to go on working like a dog year after year at a job he can’t stand, coming home to a house he can’t stand in a place he can’t stand either, to a wife who's equally unable to stand the same things, living among a bunch of frightened little—my God, Frank, I don’t have to tell you what's wrong with this environment—I’m practically quoting you. Just last night when the Campbells were here, remember what you said about the whole idea of suburbia being to keep reality at bay? You said everybody wanted to bring up their children in a bath of sentimentality. You said—”
"I know what I said. I didn’t think you were listening, though. You looked sort of bored."
"I was bored. That's part of what I'm trying to say. I don't think I've ever been more bored and depressed and fed up in my life than I was last night. All that business about Helen Givings's son on top of everything else, and the way we all grabbed at it like dogs after meat; I remember looking at you and thinking 'God, if only he'd stop talking.' Because everything you said was based on this great premise of ours that we're somehow very special and superior to the whole thing, and I wanted to say 'But we're not! Look at us! We're just like the people you're talking about! We are the people you're talking about!' I sort of had—I don’t know, contempt for you, because you couldn't see the terrific fallacy of the thing.”

And she'd never been able to explain or even to understand that what she loved was not the job—it could have been any job—or even the independence it gave her (though of course that was important for a woman constantly veering toward the brink of divorce). Deep down, what she'd loved and needed was work itself. "Hard work," her father had always said, "is the best medicine yet devised for all the ills of man—and of woman," and she'd always believed it… [Work] was the substance of her love; it was all that fortified her against the pressures of marriage and parenthood. Without it, as she often said, she would have gone out of her mind.

"You hear wrong. Taught it for a while, that's all. Anyway, it's all gone now. You know what electrical shock treatments are? Because you see, the past couple months I've had thirty-five—or no, wait—thirty-seven…The idea is to jolt all the emotional problems out of your mind, you see, but in my case they had a different effect. Jolted out all the God damned mathematics. Whole subject's a total blank."
"How awful," April said.
"'How awful.’” John Givings mimicked her in a mincing, effeminate voice and then turned on her with a challenging smirk. "Why?" he demanded. "Because mathematics is so 'interesting'?"
"No," she said. "Because the shocks must be awful and because it's awful for anybody to forget something they want to remember. As a matter of fact I think mathematics must be very dull."
He stared at her for a long time, and nodded with approval. "I like your girl, Wheeler," he announced at last. "I get the feeling she's female. You know what the difference between female and feminine is? Huh? Well, here's a hint: a feminine woman never laughs out loud and always shaves her armpits. Old Helen in there is feminine as hell. I've only met about half a dozen females in my life, and I think you got one of them here. Course, come to think of it, that figures. I get the feeling you're male. There aren’t too many males around, either."

"Big man you got here, April," he said, winking at her as he fitted the workman's cap on his head. "Big family man, solid citizen. I feel sorry for you. Still, maybe you deserve each other. Matter of fact, the way you look right now, I'm beginning to feel sorry for him, too. I mean come to think of it, you must give him a pretty bad time, if making babies is the only way he can prove he's got a pair of balls."
"All right, John," Howard was murmuring. "Let's get on out to the car now."
"April," Mrs. Givings whispered. "I can't tell you how sorry I—"
"Right," John said, moving away with his father. "Sorry, sorry, sorry. Okay Ma? Have I said 'Sorry' enough times? I am sorry, too. Damn; I bet I'm just about the sorriest bastard I know. Course, get right down to it, I don't have a whole hell of a lot to be glad about, do I?"
And at least, Mrs. Givings thought, if nothing else could be salvaged from this horrible day, at least he was allowing Howard to lead him away quietly. All she had to do now was to follow them, to find some way of getting across this floor and out of this house, and then it would all be over.
But John wasn’t finished yet. "Hey, I'm glad of one thing, though," he said, stopping near the door and turning back, beginning to laugh again, and Mrs. Givings thought she would die as he extended a long yellow-stained index finger and pointed it at the slight mound of April's pregnancy. "You know what I'm glad of? I'm glad I'm not gonna be that kid."