Sister Carrie

by

Theodore Dreiser

Sister Carrie: Chapter 35 Summary & Analysis

Summary
Analysis
The next morning, Hurstwood notices two advertisements: one as a cashier in a furniture house and another as a salesman for a whiskey house. The latter interests him and he sets forth immediately. Hurstwood informs the manager that he once managed liquor houses. The manager is doubtful that Hurstwood would want such a position but tells him to send his references.
Hurstwood has decreased his standards for a potential job. Indeed, he is now applying to be a salesman, the same occupation as Drouet, who was his socioeconomic inferior in Chicago. The reality of his financial situation and prospects has finally dawned on Hurstwood. However, he is still too proud to dress in a way that matches his situation; consequently, employers view Hurstwood as an overqualified applicant.
Themes
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Hurstwood then visits the furniture house but finds the place small and insignificant. He leaves thinking, “They want a girl, probably, at ten a week.” Hurstwood eats and then sits in the lobby of another hotel. Despite the “slight consolation [of] the few hundred dollars he had in his purse,” Hurstwood is “still gloomy and disheartened.” He returns to the apartment at four in the afternoon.
Hurstwood’s pride consistently gets in the way of finding a successful job. Furthermore, Hurstwood realizes that a low-paying job would not allow him to keep his current standard of living and appease Carrie; consequently, his already small pool of options is made only smaller.
Themes
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Hurstwood is afraid that Carrie will think he’s lazy if he comes home early. He finds Carrie reading alone in the dark apartment and tells her about the whiskey house. Carrie is pleased. Hurstwood spends the evening reading newspapers. While reading, “his difficulties vanished in the items he so well loved to read.”
Carrie does not consider finding a job to help with her and Hurstwood’s financial situation: she has grown accustomed to the idea of a man providing for her. Furthermore, Hurstwood also views Carrie from a domestic standpoint—the idea of Carrie finding a job does not cross his mind.
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The next day is difficult, as Hurstwood cannot think of where to go. Carrie asks him to leave money for the week, and Hurstwood complies, leaving twelve dollars with a feeling of dread. Carrie can feel that “to pay her would soon become a distressing thing.” Carrie feels no sympathy for Hurstwood: “What have I got to do with it […] why should I be made to worry?”
Carrie does not compromise with regards to her allowance, showing her ignorance with regards to financial affairs. Furthermore, her lack of sympathy for Hurstwood shows that she no longer cares for the man, even as a friend. Indeed, at this point in the novel, a certain antipathy is developing between Hurstwood and Carrie.
Themes
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That day, Hurstwood merely gets a shave and sits in a hotel. This continues: “each day disgust, depression, shamefacedness [drive] him into lobby idleness.” Then, “three days [come] in which a storm [prevails].” Hurstwood stays home and runs domestic errands for Carrie, spending the remaining time reading by the radiator. Carrie observes this “ease with some misgiving.”
Hurstwood has, in effect, given up on finding employment. He is not hopeless, but simply takes a passive stance. The fact that Hurstwood is now carrying out domestic errands represents his decline from breadwinner and head of the household to a mere helper, which Carrie does not appreciate.
Themes
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On the fourth day, Hurstwood leaves the house at noon. However, after reaching a saloon that had advertised, he changes his mind, thinking that he couldn’t afford buying into it anyway. He then proceeds to sit in a hotel lobby.
Hurstwood no longer tries to get a position. His days outside are only intended to deceive and appease Carrie. Hurstwood is still too prideful to consider taking a lower-tier position.
Themes
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In the lobby, Hurstwood encounters Cargill, an acquaintance from Chicago. He remembers how “this individual brought up his wife to shake hands” at a hall. Hurstwood feels “greatly abashed.” The two chat awkwardly before Cargill leaves. Hurstwood feels frustrated by this encounter.
Hurstwood now remembers his life in Chicago with nostalgia—he no longer seems to resent his wife. Indeed, his encounter with this acquaintance highlights just how much he has fallen down the socioeconomic ladder.
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Feeling cold, Hurstwood returns home to a surprised Carrie at a quarter after three. Hurstwood falls sick and Carrie takes care of him. Carrie notices that “he looked haggard about the eyes and quite old” and this “did not appeal to her.” Carrie feels quite despondent and cries. Hurstwood sees and simply tells her, “Things will come out all right.” 
Hurstwood’s sickness allows Carrie to notice just how old, feeble, and thoroughly unattractive he is—even Drouet was never this unattractive to her. Hurstwood comforts Carrie with only vague promises of financial improvement—he no longer promises specific things.
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Quotes
Literary Devices
Hurstwood shortly recovers but remains indoors, as the weather is rough. He leaves the house a few times after, but comes home early every day and soon “made no pretense of going anywhere.” Hurstwood begins to notice that Carrie is “far from perfect in household methods and economy.” He begins to suggest options for cheaper living, which Carrie dislikes. Carrie soon loses the weekly payment of twelve dollars and feels only “gnawing contempt” for Hurstwood.
Hurstwood has completely abandoned his pride in front of Carrie. Furthermore, he has abandoned the hope of finding a suitable position. The fact that Carrie is unwilling to resort to cheaper methods of living shows that she still views basic wealth as a sign of dignity—cheap living would bring her a sense of shame. Carrie’s contempt for Hurstwood highlights the fact that she has no sympathy for him.
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With only $500 left, Hurstwood becomes even more frugal and decides “to wear some old clothes he had.” This becomes permanent. He also cuts shaving to once a week, so that “on Saturday he was a sight to see.” As Hurstwood loses self-respect, Carrie also loses respect for him. Carrie resents Hurstwood for not trying, as “she had never ceased trying” during hard times in Chicago. Carrie and Hurstwood begin to sleep separately.
Hurstwood has now lost all of his pride—he no longer keeps up his appearance. Carrie’s contempt for Hurstwood and the fact that she compares his situation to her job-seeking days in Chicago shows that she has forgotten to account for Hurstwood’s age—he is much older than she is. Through sleeping apart from Hurstwood, Carrie also shows that she will no longer put up a pretense of still liking him.
Themes
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