In the novel, the city represents disillusionment. A country girl who moves to Chicago and then New York, Carrie initially holds high expectations for the city, believing that the promise of romance, wealth, and fame that underpins cosmopolitan life will bring her happiness. However, all of the delights that Chicago and New York can offer her ultimately leave her unsatisfied. Romance in the city is disappointing: in Chicago, Carrie takes the cheerful and friendly Drouet as her lover; however, he is insensitive and unwilling to fully commit to her. In New York, Carrie then takes the sensitive and faithful Hurstwood as her lover, but he proves to be far too old and idle. Wealth also falls flat. Even though Carrie initially admires fine clothing, great houses, or luxurious restaurants and grows rich after achieving success as an actress, Ames helps her realize that wealth does not bring her happiness. The third element of cosmopolitan life that Carrie chases after, approval and recognition, also proves empty. Although she achieves fame on stage as an actress in comedy shows, Carrie soon discovers that she wishes to be taken more seriously as an artist. Ultimately, happiness is always out of reach for Carrie. While Carrie once pinned her hopes for happiness on the dazzling sparkle and glamour of city life, she learns over the course of the novel that life in the city leads to profound disillusionment with these very things.
The City Quotes in Sister Carrie
When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse. Of an intermediate balance, under the circumstances, there is no possibility.
Not only did Carrie feel the drag of desire for all which was new and pleasing in apparel for women, but she noticed too, with a touch at the heart, the fine ladies who elbowed and ignored her, brushing past in utter disregard of her presence, themselves eagerly enlisted in the materials which the store contained.
As Carrie listened to this and much more of similar familiar badinage among the men and girls, she instinctively withdrew into herself. She was not used to this type, and felt that there was something hard and low about it all. She feared that the young boys about would address such remarks to her—boys who, beside Drouet, seemed uncouth and ridiculous.
“Where do you suppose she’s gone to?” said Minnie, thoroughly aroused.
“I don't know,” a touch of cynicism lighting his eye. “Now she has gone and done it.”
Minnie moved her head in a puzzled way.
“Oh, oh,” she said, “she doesn't know what she has done.”
“Well,” said Hanson, after a while, sticking his hands out before him, “what can you do?”
Minnie’s womanly nature was higher than this. She figured the possibilities in such cases.
“Oh,” she said at last, “poor Sister Carrie!”
The manager was no fool to be led blindly away by such an errant proposition as this, but his situation was peculiar. Wine was in his veins. It had crept up into his head and given him a warm view of the situation. It also coloured the possibilities of ten thousand for him. He could see great opportunities with that. He could get Carrie.
The progress of the train was having a great deal to do with the solution of this difficult situation. The speeding wheels and disappearing country put Chicago farther and farther behind. Carrie could feel that she was being borne a long distance off—that the engine was making an almost through run to some distant city. She felt at times as if she could cry out and make such a row that some one would come to her aid; at other times it seemed an almost useless thing—so far was she from any aid, no matter what she did. All the while Hurstwood was endeavouring to formulate his plea in such a way that it would strike home and bring her into sympathy with him.
Whatever a man like Hurstwood could be in Chicago, it is very evident that he would be but an inconspicuous drop in an ocean like New York. In Chicago, whose population still ranged about 500,000, millionaires were not numerous. The rich had not become so conspicuously rich as to drown all moderate incomes in obscurity. […] In Chicago the two roads to distinction were politics and trade. In New York the roads were any one of a half-hundred, and each had been diligently pursued by hundreds, so that celebrities were numerous. The sea was already full of whales. A common fish must needs disappear wholly from view—remain unseen. In other words, Hurstwood was nothing.
[Carrie] could not, for the life of her, assume the attitude and smartness of Mrs. Vance, who, in her beauty, was all assurance. She could only imagine that it must be evident to many that she was the less handsomely dressed of the two. It cut her to the quick, and she resolved that she would not come here again until she looked better. At the same time she longed to feel the delight of parading here as an equal. Ah, then she would be happy!
In all Carrie’s experience she had never seen anything like [Sherry’s]. In the whole time she had been in New York Hurstwood’s modified state had not permitted his bringing her to such a place. There was an almost indescribable atmosphere about it which convinced the newcomer that this was the proper thing. Here was the place where the matter of expense limited the patrons to the moneyed or pleasure- loving class.
Her need of clothes—to say nothing of her desire for ornaments— grew rapidly as the fact developed that for all her work she was not to have them. The sympathy she felt for Hurstwood, at the time he asked her to tide him over, vanished with these newer urgings of decency. He was not always renewing his request, but this love of good appearance was. It insisted, and Carrie wished to satisfy it, wished more and more that Hurstwood was not in the way.
Carrie’s little soldier friend. Miss Osborne, seeing her succeeding, had become a sort of satellite. Little Osborne could never of herself amount to anything. She seemed to realise it in a sort of pussy-like way and instinctively concluded to cling with her soft little claws to Carrie.
Oh, Carrie, Carrie! Oh, blind strivings of the human heart! Onward, onward, it saith, and where beauty leads, there it follows. Whether it be the tinkle of a lone sheep bell o’er some quiet landscape, or the glimmer of beauty in sylvan places, or the show of soul in some passing eye, the heart knows and makes answer, following. It is when the feet weary and hope seems vain that the heartaches and the longings arise. Know, then, that for you is neither surfeit nor content. In your rocking-chair, by your window dreaming, shall you long, alone. In your rocking-chair, by your window, shall you dream such happiness as you may never feel.