Sizwe Bansi Is Dead

by

Athol Fugard

Styles is a young, fashionable, funny Black photographer in apartheid South Africa. He is casual friends with Buntu and takes photos of Sizwe Bansi when Sizwe, under the name Robert Zwelinzima, enters Styles’s studio wanting photo-portraits he can send his wife Nowetu. For six years before he became a self-employed photographer, Styles worked in a Ford automobile factory under a racist white boss, Bradley, who made Styles feel like a “tool” and a “circus monkey.” Realizing that the factory’s racist environment and the official identity employee were destroying his self-esteem, Styles quit the factory and became his own boss, turning his photography side gig into his main occupation. Self-employment makes Styles feel like a “man”—illustrating how important fulfilling one’s personal identity and following one’s dreams are in the world of the play. Although Styles does take photos for passbooks and other official documents, he believes his photography’s true purpose is to memorialize marginalized people’s dreams and aspirational self-images. When he photographs Sizwe, he represents him first as a successful businessman and then as a happy husband traveling to reunite with his wife. These representations illustrate how good Styles is at identifying other people’s dreams—Sizwe really does want to make money, support his family, and see his wife again—but also how precarious and perhaps illusory the dreams Styles memorializes are, since Sizwe’s job will vanish if the white authorities realize he is using a dead man’s passbook.

Styles Quotes in Sizwe Bansi Is Dead

The Sizwe Bansi Is Dead quotes below are all either spoken by Styles or refer to Styles. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Racial Hierarchies and Wealth Inequality Theme Icon
).
Sizwe Bansi Is Dead Quotes

STYLES: I worked at Ford one time. We used to read in the newspaper . . . big headlines! . . . ‘So and so from America made a big speech: “. . . going to see to it that the conditions of their non-white workers in Southern Africa were substantially improved.”’ The talk ended in the bloody newspaper. Never in the pay packet.

Related Characters: Styles (speaker)
Page Number: 150
Explanation and Analysis:

STYLES: That was my moment, man. Kneeling there on the floor . . . foreman, general foreman, plant supervisor, plant manager . . . and Styles? Standing!

Related Characters: Styles (speaker), Bradley
Page Number: 152
Explanation and Analysis:

STYLES: ‘Gentlemen, he says that when the door opens and his grandmother walks in you must see to it that you are wearing a mask of smiles. Hide your true feelings, brothers. You must sing. The joyous songs of the days of old before we had fools like this one next to me to worry about.’ [To Bradley.] ‘Yes, sir!’

Related Characters: Styles (speaker), Bradley
Page Number: 153–154
Explanation and Analysis:

STYLES: I took a good look at my life. What did I see? A bloody circus monkey! Selling most of his time on earth to another man. Out of every twenty-four hours I could only properly call mine the six when I was sleeping. What the hell is the use of that?

Related Characters: Styles (speaker), Bradley
Page Number: 156
Explanation and Analysis:

STYLES: This is a strong-room of dreams. The dreamers? My people. The simple people, who you never find mentioned in the history books, who never get statutes erected to them, or monuments commemorating their great deeds. People who would be forgotten, and their dreams with them, if it wasn’t for Styles. That’s what I do, friends. Put down, in my way, on paper the dreams and hopes of my people so that even their children’s children will remember a man . . .

Related Characters: Styles (speaker)
Related Symbols: Photos
Page Number: 159
Explanation and Analysis:

STYLES: Something you mustn’t do is interfere with a man’s dream. If he wants to do it standing, let him stand. If he wants to sit, let him sit. Do exactly what they want! Sometimes they come in here, all smart in a suit, then off comes the jacket and shoes and socks . . . [adopts a boxer’s stance] . . . ‘Take it, Mr Styles. Take it!’ And I take it. No questions! Start asking stupid questions and you destroy that dream.

Related Characters: Styles (speaker)
Related Symbols: Photos
Page Number: 160
Explanation and Analysis:

STYLES: You must understand one thing. We own nothing except ourselves. This world and its laws, allows us nothing, except ourselves. There is nothing we can leave behind when we die, except the memory of ourselves.

Related Characters: Styles (speaker)
Related Symbols: Photos
Page Number: 163
Explanation and Analysis:

STYLES: Here he is. My father. That’s him. Fought in the war. Second World War. Fought at Tobruk. In Egypt. He fought in France so that this country and all the others could stay Free. When he came back they stripped him at the docks—his gun, his uniform, the dignity they’d allowed him for a few mad years because the world needed men to fight and be ready to sacrifice themselves for something called Freedom […] When he died, in a rotten old suitcase amongst some of his old rags, I found that photograph. That’s all. That’s all I have from him.

Related Characters: Styles (speaker)
Related Symbols: Photos
Page Number: 163–164
Explanation and Analysis:

STYLES: Always helping people. If that man was white they’d call him a liberal.

Related Characters: Styles (speaker), Sizwe Bansi/Robert Zwelinzima/Man, Buntu
Page Number: 165
Explanation and Analysis:
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Styles Quotes in Sizwe Bansi Is Dead

The Sizwe Bansi Is Dead quotes below are all either spoken by Styles or refer to Styles. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Racial Hierarchies and Wealth Inequality Theme Icon
).
Sizwe Bansi Is Dead Quotes

STYLES: I worked at Ford one time. We used to read in the newspaper . . . big headlines! . . . ‘So and so from America made a big speech: “. . . going to see to it that the conditions of their non-white workers in Southern Africa were substantially improved.”’ The talk ended in the bloody newspaper. Never in the pay packet.

Related Characters: Styles (speaker)
Page Number: 150
Explanation and Analysis:

STYLES: That was my moment, man. Kneeling there on the floor . . . foreman, general foreman, plant supervisor, plant manager . . . and Styles? Standing!

Related Characters: Styles (speaker), Bradley
Page Number: 152
Explanation and Analysis:

STYLES: ‘Gentlemen, he says that when the door opens and his grandmother walks in you must see to it that you are wearing a mask of smiles. Hide your true feelings, brothers. You must sing. The joyous songs of the days of old before we had fools like this one next to me to worry about.’ [To Bradley.] ‘Yes, sir!’

Related Characters: Styles (speaker), Bradley
Page Number: 153–154
Explanation and Analysis:

STYLES: I took a good look at my life. What did I see? A bloody circus monkey! Selling most of his time on earth to another man. Out of every twenty-four hours I could only properly call mine the six when I was sleeping. What the hell is the use of that?

Related Characters: Styles (speaker), Bradley
Page Number: 156
Explanation and Analysis:

STYLES: This is a strong-room of dreams. The dreamers? My people. The simple people, who you never find mentioned in the history books, who never get statutes erected to them, or monuments commemorating their great deeds. People who would be forgotten, and their dreams with them, if it wasn’t for Styles. That’s what I do, friends. Put down, in my way, on paper the dreams and hopes of my people so that even their children’s children will remember a man . . .

Related Characters: Styles (speaker)
Related Symbols: Photos
Page Number: 159
Explanation and Analysis:

STYLES: Something you mustn’t do is interfere with a man’s dream. If he wants to do it standing, let him stand. If he wants to sit, let him sit. Do exactly what they want! Sometimes they come in here, all smart in a suit, then off comes the jacket and shoes and socks . . . [adopts a boxer’s stance] . . . ‘Take it, Mr Styles. Take it!’ And I take it. No questions! Start asking stupid questions and you destroy that dream.

Related Characters: Styles (speaker)
Related Symbols: Photos
Page Number: 160
Explanation and Analysis:

STYLES: You must understand one thing. We own nothing except ourselves. This world and its laws, allows us nothing, except ourselves. There is nothing we can leave behind when we die, except the memory of ourselves.

Related Characters: Styles (speaker)
Related Symbols: Photos
Page Number: 163
Explanation and Analysis:

STYLES: Here he is. My father. That’s him. Fought in the war. Second World War. Fought at Tobruk. In Egypt. He fought in France so that this country and all the others could stay Free. When he came back they stripped him at the docks—his gun, his uniform, the dignity they’d allowed him for a few mad years because the world needed men to fight and be ready to sacrifice themselves for something called Freedom […] When he died, in a rotten old suitcase amongst some of his old rags, I found that photograph. That’s all. That’s all I have from him.

Related Characters: Styles (speaker)
Related Symbols: Photos
Page Number: 163–164
Explanation and Analysis:

STYLES: Always helping people. If that man was white they’d call him a liberal.

Related Characters: Styles (speaker), Sizwe Bansi/Robert Zwelinzima/Man, Buntu
Page Number: 165
Explanation and Analysis: