Tar Baby

by

Toni Morrison

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Themes and Colors
Systemic Racism and Power Theme Icon
Expectations of Womanhood Theme Icon
Colonialism and Enslavement Theme Icon
Toxic Masculinity Theme Icon
Innocence and Guilt Theme Icon
LitCharts assigns a color and icon to each theme in Tar Baby, which you can use to track the themes throughout the work.
Expectations of Womanhood Theme Icon

At the end of the novel, Ondine tells Jadine that there’s only one way to be a woman. To be that kind of woman, Jadine first has to learn how to be a good daughter, which means taking care of the people who took care of her. Once Jadine learns that, she can learn how to be a good wife and a good mother, which will in turn earn her the respect of other women. But, Ondine says, Jadine never learned the first lesson—how to be a good daughter. Instead, she has abandoned Sydney and Ondine in their old age, so she (Jadine) is doomed to be a poor wife and mother, which means she will never warrant the respect of other women. To Jadine, though, Ondine’s ideas represent the broader societal expectation that women must sacrifice their own happiness and ambitions to serve others. Jadine rejects those ideas and travels to Paris on her own, signaling her refusal to submit to social expectations of womanhood that would require her to forego her own happiness.

Like Ondine’s comments, Jadine’s dream of the “night women”—in which women from Jadine’s past attempt to impugn her character—also represents the oppressive expectations of womanhood. And like Ondine, the women in the dream impel Jadine to sacrifice her ambitions in order to be a devoted daughter, wife, and mother. At the end of the novel, Jadine rejects those expectations as well when she boards the plane bound for Paris, distancing herself both literally and metaphorically from Ondine and Son—her romantic partner—with no plans to marry or become a wife or mother. On the plane, Jadine feels liberated and ready to “tangle” with the chorus of voices of the “night women.” The idea of “tangling” with those voices suggests both that Jadine cannot forget what those women say and that she may not want to reject all of their opinions out of hand. With that in mind, the novel argues that traditional expectations of femininity—including the idea that women must forego their own happiness to serve others—can be oppressively delimiting. To break free of those expectations and forge a life for herself, Jadine rejects those traditional expectations and follows her own ambitions to find different definitions of womanhood that are more authentic and affirming to her.

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Expectations of Womanhood ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Expectations of Womanhood appears in each chapter of Tar Baby. Click or tap on any chapter to read its Summary & Analysis.
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Expectations of Womanhood Quotes in Tar Baby

Below you will find the important quotes in Tar Baby related to the theme of Expectations of Womanhood.
Chapter 3 Quotes

She was usually safe with soup, anything soft or liquid that required a spoon, but she was never sure when the confusion would return: when she would scrape her fork tines along the china trying to pick up the painted blossoms at its center, or forget to unwrap the Amaretti cookie at the side of her plate and pop the whole thing into her mouth.

Related Characters: Jadine, Valerian, Margaret, Michael
Page Number: 63
Explanation and Analysis:
Chapter 4 Quotes

She started to stand several times, but each time something held her to the rock. Something very like embarrassment. Embarrassment at the possibility of overreacting, as she told her aunt and uncle they were doing. More awful than the fear of danger was the fear of looking foolish—of being excited when others were laid back—of being somehow manipulated, surprised or shook. Sensitive people went into therapy and stayed there when they felt out of control.

Related Characters: Jadine, Son/The Man, Valerian, Margaret
Page Number: 125-126
Explanation and Analysis:
Chapter 5 Quotes

It was a silly age, twenty-five; too old for teenaged dreaming, too young for settling down. Every corner was a possibility and a dead end. Work? At what? Marriage? Work and marriage? Where? Who? What can I do with this degree? Do I really want to model?

Related Characters: Jadine, Son/The Man, Valerian
Page Number: 159
Explanation and Analysis:

“Stop making excuses about not having anything. Not even your original dime. It’s not romantic. And it’s not being free. It’s dumb. You think you’re above it, above money, the rat race and all that. But you’re not above it, you’re just without it. It’s a prison, poverty is. Look at what its absence made you do: run, hide, steal, lie.”

Related Characters: Jadine (speaker), Son/The Man, Valerian
Page Number: 171
Explanation and Analysis:

Jadine looked at him trying to figure out whether he was the man who understood potted plants or the man who drove through houses.

Related Characters: Jadine, Son/The Man, Valerian, Margaret, Michael, Thérèse, Alma Estée, Cheyenne
Page Number: 178
Explanation and Analysis:
Chapter 6 Quotes

[Son] listened. [Margaret] took sips of the Evian and lime as she talked, her knees covered with the towel. She was looking at him now. Relaxed. Interested in what she was saying. Interested in his hearing it, knowing it, knowing that her son was beautiful, wise and kind. That he loved people, was not selfish, was actually self-sacrificing, committed, that he could have lived practically any kind of life he chose, could be dissolute, reckless, trivial, greedy. But he wasn’t. He had not turned out that way. He could have been president of the candy company if he had wanted, but he wanted value in his life, not money. He had turned out fine, just fine.

Related Characters: Jadine, Son/The Man, Valerian, Margaret, Michael
Page Number: 199
Explanation and Analysis:

Margaret serene and lovely stared ahead at nobody. “I have always loved my son,” she said. “I am not one of those women in the National Enquirer.”

Related Characters: Margaret (speaker), Valerian, Ondine, Michael
Page Number: 209
Explanation and Analysis:

“It’s true, isn’t it? She stuck pins into Michael, and Ondine knew it and didn’t tell anybody all this time. Why didn’t she tell somebody?”

“She’s a good servant, I guess, or maybe she didn’t want to lose her job.”

Related Characters: Jadine (speaker), Son/The Man (speaker), Margaret, Ondine, Michael
Page Number: 210-211
Explanation and Analysis:
Chapter 7 Quotes

He saw it all as a rescue: first tearing her mind away from that blinding awe. Then the physical escape from the plantation. His first, hers to follow two days later. Unless…he remembered sitting at the foot of the table, gobbling the food, watching her pour his wine, listening to her take his part, trying to calm Ondine and Sydney to his satisfaction.

Related Characters: Jadine, Son/The Man, Valerian, Sydney, Ondine
Page Number: 219
Explanation and Analysis:
Chapter 8 Quotes

There was no way or reason to describe those long quiet days when the sun was drained and nobody ever on the street. There were magazines, of course, to look forward to, but neither Life nor Time could fill a morning. It started on a day like that. Just once she did it, a slip, and then once more, and it became the thing to look forward to, to resist, to succumb to, to plan, to be horrified by, to forget, because out of the doing of it came the reason. And she was outraged by that infant needfulness. There were times when she absolutely had to limit its being there; stop its implicit and explicit demand for her best and constant self. She could not describe her loathing of its prodigious appetite for security—the criminal arrogance of an infant’s conviction that while he slept, someone is there; that when he wakes, someone is there; that when he is hungry, food will somehow magically be provided.

Related Characters: Valerian, Margaret, Ondine, Michael
Page Number: 236
Explanation and Analysis:

There was something so foul in that, something in the crime of innocence so revolting it paralyzed him. He had not known because he had not taken the trouble to know. He was satisfied with what he did know. Knowing more was inconvenient and frightening. […]

What an awful thing she had done. And how much more awful not to have known it.

Related Characters: Son/The Man, Valerian, Margaret, Ondine, Michael
Related Symbols: The Greenhouse
Page Number: 242
Explanation and Analysis:
Chapter 9 Quotes

The rescue was not going well. She thought she was rescuing him from the night women who wanted him for themselves, wanted him feeling superior in a cradle, deferring to him; wanted her to settle for wifely competence when she could be almighty, to settle for fertility rather than originality, nurturing instead of building. He thought he was rescuing her from Valerian, meaning them, the aliens, the people who in a mere three hundred years had killed a world millions of years old. […]

Each was pulling the other away from the maw of hell—its very ridge top. Each knew the world as it was meant or ought to be. One had a past, the other a future and each one bore the culture to save the race in his hands. Mama-spoiled black man, will you mature with me? Culture-bearing black woman, whose culture are you bearing?

Related Characters: Jadine, Son/The Man, Valerian
Page Number: 269
Explanation and Analysis:
“The man sat on the…” Quotes

“Small boy,” [Thérèse] said, “don’t go to L’Arbe de la Croix.” Her voice was a calamitous whisper coming out of the darkness toward him like jaws. “Forget her. There is nothing in her parts for you. She has forgotten her ancient properties […]

“The men. The men are waiting for you.” She was pulling the oars now, moving out. “You can choose now. You can get free of her. They are waiting in the hills for you. They are naked and they are blind too. I have seen them; their eyes have no color in them. But they gallop; they race those horses like angels all over the hills where the rain forest is, where the champion daisy trees still grow. Go there. Choose them.”

Related Characters: Thérèse (speaker), Jadine, Son/The Man, Valerian
Page Number: 305-306
Explanation and Analysis: