Violet and Klaus, the two older Baudelaire children, are both remarkably bright children. Klaus is a bookworm with an encyclopedic knowledge of the world. Violet, meanwhile, is a genius inventor who is constantly thinking of new ways to solve problems. While they represent different types of intelligence––Klaus’s is more abstract, and Violet’s is more practical––together they use their smarts to save themselves and their fortune from Count Olaf. Klaus uncovers Olaf’s plot to forcibly wed Violet during a performance of his play The Marvelous Marriage, while Violet exploits a legal loophole by signing the marriage contract with her non-dominant hand. Thus, Klaus and Violet highlight the positive power of intelligence to solve difficult problems.
By contrast, Count Olaf represents the dark side of intelligence. Though he may not be as well read as Violet and Klaus, he is just as smart as them. However, he uses his intelligence for evil rather than for good. Not only does he attempt to steal the Baudelaires’ fortune, but he does so in a cruel and violent way, threatening both the lives and livelihood of three innocent orphans. His schemes are ultimately thwarted, but only barely, suggesting that his intelligence, while malevolent, is not any less formidable than Violet’s or Klaus’s.
In this way, The Bad Beginning paints a nuanced picture of intelligence, suggesting that intelligence is neither inherently good nor bad. While Violet and Klaus may put their intelligence to better use than Count Olaf, this is because of who they are as people, not because they are any more or less smart than Count Olaf. As such, the story suggests that every type of talent or virtue, whether it be intellectual, physical, or emotional, can be used for good or bad.
Intelligence and Ethics ThemeTracker
Intelligence and Ethics Quotes in The Bad Beginning
“Perished,” Mr. Poe said, means ‘killed.’”
“We know what the word ‘perished’ means, Klaus said crossly. He did know what the word “perished” meant, but he was still having trouble understanding what exactly it was that Mr. Poe had said. It seemed to him that Mr. Poe must somehow have misspoken.
They could see, in the space of pale skin between his tattered trouser cuff and his black shoe, that Count Olaf had an image of an eye tattooed on his ankle, matching the eye on his front door. They wondered how many other eyes were in Count Olaf’s house, and whether, for the rest of their lives, they would always feel as though Count Olaf were watching them even when he wasn’t nearby.
“Goodness,” Justice Strauss said. “Cooking dinner for an entire theatre troupe seems like a lot to ask of children.”
“Count Olaf give us a lot of responsibility,” Violet said. What she wanted to say was, “Count Olaf is an evil man,” but she was well mannered.
“Whatever Count Olaf has done,” Mr. Poe said, glancing down at one of his papers and circling a number, “he has acted in loco parentis, and there’s nothing I can do about it. Your money will be well protected by myself and by the bank, but Count Olaf’s parenting techniques are his own business. Now, I hate to usher you out posthaste, but I have very much work to do.”
The children just sat there, stunned. Mr. Poe looked up, and cleared his throat. “Posthaste,” he said, “means––”
“––means you’ll do nothing to help us,” Violet finished for him. She was shaking with anger and frustration”
It is very useful, when one is young, to learn the difference between “literally” and “figuratively.” If something happens literally, it actually happens; if something happens figuratively, it feels like it’s happening.
“I wish we knew something more about inheritance law,” Klaus said. “I’ll bet Count Olaf has cooked up some plan to get our money, but I don’t know what it could be.”
“I guess we could ask Mr. Poe about it,” Violet said doubtfully, as Klaus stood beside her and dried the dishes. “He knows all those Latin legal phrases.”
“But Mr. Poe would probably call Count Olaf again, and then he’d know we were on to him,” Klaus pointed out. “Maybe we should try to talk to Justice Strauss. She’s a judge, so she must know all about the law.”
“But she’s also Olaf’s neighbor,” Violet replied, “and she might tell him that we had asked.”
The man leaned over until his face was just inches from Klaus’s, so close that the man’s features flickered into a blur. “Listen to me very carefully, little boy,” he said, breathing out foul steam with every word. “The only reason Count Olaf hasn’t torn you limb from limb is that he hasn’t gotten hold of your money. He allows you to live while he works out his plans. But ask yourself this, you little bookworm: What reason will he have to keep you alive after he has your money? What do you think will happen to you then?”
The book was long, and difficult to read, and Klaus became more and more tired as the night wore on. Occasionally, his eyes would close. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over. He found himself reading the same sentence over and over.
“The word ‘nuptial,’” Klaus said, “means ‘relating to marriage.”
“I know what the word means,” Count Olaf growled. “Where did you get that book.”
“From Justice Strauss’s library,” Klaus said. “But that’s not important. What’s important is that I have found out your plan.”
The really frightening thing about Count Olaf, she realized, was that he was very smart after all. He wasn’t merely an unsavory drunken brute, but an unsavory, clever drunken brute.
As she worked, she remembered something her parents had said to her when Klaus was born, and again when they brought Sunny home from the hospital. “You are the eldest Baudelaire child,” they had said, kindly but firmly. “And as the eldest, it will always be your responsibility to look after your younger siblings. Promise us that you will always watch out for them and make sure they don’t get into trouble.” Violet remembered her promise, and thought of Klaus whose bruised face still looked sore, and Sunny, dangling from the top of the flower like a flag, and began working even faster. Even though Count Olaf was of course the cause of all this misery, Violet as though she had broken her promise to her parents, and vowed to make it right.
To Violet, Klaus, and Sunny, it seemed that Mr. Poe and the law had made the incorrect decision to take them away from the possibility of a happy life with Justice Strauss and toward an unknown fate with some unknown relative. They didn’t understand it, but like so many unfortunate events in life, just because you don’t understand it doesn’t mean it isn’t so.