The narrator Character Analysis

There are times even now, when I awake at four o’clock in the morning with the terrible fear that I have overslept; when I imagine that my father is waiting for me in the room below the darkened stairs or that the shorebound men are tossing pebbles against my window while blowing their hands and stomping their feet impatiently on the frozen steadfast earth.

When we returned to the house everyone made a great fuss over my precocious excursion and asked, “How did you like the boat?” “Were you afraid in the boat?” “Did you cry in the boat?” They repeated “the boat” at the end of all their questions and I knew it must be very important to everyone.

She was thirty-two feet long and nine wide, and was powered by an engine from a Chevrolet truck. She had a marine clutch and a high-speed reverse gear and was painted light green with the name Jenny Lynn stencilled in black letters on her bow and painted on an oblong plate across her stern. Jenny Lynn had been my mother’s maiden name and the boat was called after her as another link in the chain of tradition. Most of the boats that berthed at the wharf bore the names of some female member of their owner’s household.

In the winter they sent him a picture which had been taken on the day of the singing. On the back it said, “To Our Ernest Hemingway” and the “Our” was underlined. There was also an accompanying letter telling how much they had enjoyed them­selves, how popular the tape was proving and explaining who Ernest Hemingway was. In a way it almost did look like one of those unshaven, taken-in-Cuba pictures of Hemingway.

And the spring wore on and the summer came and school ended in the third week of June and the lobster season on July first and I wished that the two things I loved so dearly did not exclude each other in a manner that was so blunt and too clear.

“I hope you will remember what you’ve said.”

On November twenty-first the waves of the grey Atlantic are very high and the waters are very cold and there are no sign­ posts on the surface of the sea. You cannot tell where you have been five minutes before and in the squalls of snow you cannot see. And it takes longer than you would believe to check a boat that has been running before a gale and turn her ever so care­ fully in a wide and stupid circle, with timbers creaking and straining, back into the face of storm. And you know that it is useless and that your voice does not carry the length of the boat and that even if you knew the original spot, the relentless waves would carry such a burden perhaps a mile or so by the time you could return. And you know also, the final irony, that your father, like your uncles and all the men that form your past, cannot swim a stroke.

There are times even now, when I awake at four o’clock in the morning with the terrible fear that I have overslept; when I imagine that my father is waiting for me in the room below the darkened stairs or that the shorebound men are tossing pebbles against my window while blowing their hands and stomping their feet impatiently on the frozen steadfast earth.

When we returned to the house everyone made a great fuss over my precocious excursion and asked, “How did you like the boat?” “Were you afraid in the boat?” “Did you cry in the boat?” They repeated “the boat” at the end of all their questions and I knew it must be very important to everyone.

She was thirty-two feet long and nine wide, and was powered by an engine from a Chevrolet truck. She had a marine clutch and a high-speed reverse gear and was painted light green with the name Jenny Lynn stencilled in black letters on her bow and painted on an oblong plate across her stern. Jenny Lynn had been my mother’s maiden name and the boat was called after her as another link in the chain of tradition. Most of the boats that berthed at the wharf bore the names of some female member of their owner’s household.

In the winter they sent him a picture which had been taken on the day of the singing. On the back it said, “To Our Ernest Hemingway” and the “Our” was underlined. There was also an accompanying letter telling how much they had enjoyed them­selves, how popular the tape was proving and explaining who Ernest Hemingway was. In a way it almost did look like one of those unshaven, taken-in-Cuba pictures of Hemingway.

And the spring wore on and the summer came and school ended in the third week of June and the lobster season on July first and I wished that the two things I loved so dearly did not exclude each other in a manner that was so blunt and too clear.

“I hope you will remember what you’ve said.”

On November twenty-first the waves of the grey Atlantic are very high and the waters are very cold and there are no sign­ posts on the surface of the sea. You cannot tell where you have been five minutes before and in the squalls of snow you cannot see. And it takes longer than you would believe to check a boat that has been running before a gale and turn her ever so care­ fully in a wide and stupid circle, with timbers creaking and straining, back into the face of storm. And you know that it is useless and that your voice does not carry the length of the boat and that even if you knew the original spot, the relentless waves would carry such a burden perhaps a mile or so by the time you could return. And you know also, the final irony, that your father, like your uncles and all the men that form your past, cannot swim a stroke.