The deer that Gordie sees on the second morning of the boys’ quest symbolizes the beauty and hope that a person can find in life despite one’s trials and troubles. After a long, dark, and scary night of sleeping in the woods (or at least trying to), Gordie sits on the tracks to watch the sunrise. Then he sees a deer standing just a little way down the tracks, staring at him. The peacefulness and grace with which she moves contrasts sharply with the dark images that have plagued Gordie in the night, especially those emphasizing the harsh side of life. She sets an example for how to face the unknown—for Gordie is intensely aware of how alien and strange he must seem to the wild animal—with equanimity. She looks at Gordie calmly until she’s sure he isn’t a threat, and then she goes about her life. This moment gives Gordie strength throughout his life in times of trial, as a constant reminder that there’s beauty in the world as well as suffering and pain.
Deer Quotes in The Body
I’ve never spoken or written of it until just now, today. And I have to tell you that it seems a lesser thing written down, damn near inconsequential. But for me it was the best part of that trip, the cleanest part, and it was a moment I found myself returning to, almost helplessly, when there was trouble in my life—my first day in Vietnam, and this fellow walked into the clearing where we were with his hand over his nose and when he took his hand away there was no nose there because it had been shot off; the time the doctor told us our youngest son might be hydrocephalic (he turned out just to have an outsized head, thank God); the long, crazy weeks before my mother died. I would find my thoughts turning back to that morning, the scuffed suede of her ears, the white flash of her tail.
We looked into each others’ tired, sweaty faces. We were hungry and out of temper. The big adventure had turned into a long slog—dirty and sometimes scary. We would have been missed back home by now, too, and if Milo Pressman hadn’t already called the cops on us, the engineer of the train crossing the trestle might have done it. We had been planning to hitchhike back to Castle Rock, but four o’clock was just three hours from dark, and nobody gives four kids on a back country road a lift after dark.
I tried to summon up the cool image of my deer, cropping at green morning grass, but even that seemed dusty and no good, no better than a stuffed trophy over the mantle in some guy’s hunting lodge, the eyes sprayed to give them a phony lifelike shine.
Finally Chris said: “It’s still closer out going ahead. Let’s go.”