Loss of Innocence Theme Analysis

I cried when I heard, and I cried more at the funeral, and I couldn’t believe that Dennis was gone, that anyone that used to knuckle my head or scare me with a rubber spider until I cried or give me a kiss when I fell down and scraped both my knees bloody […] that a person who had touched me could be dead. It hurt me and it scared me that he could be dead…but it seemed to have taken all the heart out of my parents. For me, Dennis was hardly more than an acquaintance. He was ten years older than me if you can dig it, and he had his own friends and classmates. We ate at the same table for a lot of years, and sometimes he was my friend and sometimes my tormentor, but mostly he was, you know, just a guy.

The year before, Chris had been suspended from school for three days. A bunch of milk-money disappeared when it was Chris’s turn to be room-monitor and collect it, and because he was a Chambers from those no-account Chamberses, he had to take a hike even though he always swore he never hawked that money. That was the time Mr. Chambers put Chris in the hospital for an overnight stay; when his dad heard Chris was suspended, he broke Chris’s nose and his right wrist. Chris came from a bad family, all right, and everybody thought he would turn out bad…including Chris. His brothers had lived up to the town’s expectations admirably.

“Paratroops over the side!” Vern bawled, and leaped halfway down the embankment in one crazy, clownish stride. Vern was nuts for playing paratroops anyplace the ground was soft—a gravel pit, a haymow, an embankment like this one. Chris jumped after him. The train was really loud now, probably headed straight up our side of the river toward Lewiston. Instead of jumping, Teddy turned in the direction from which it was coming. His thick glasses glittered in the sun. His long hair flopped untidily over his brow in sweat-soaked stringers.

“Go on, Teddy,” I said.

“No, huh-uh, I’m gonna dodge it.” He looked at me, his magnified eyes frantic with excitement. “A train-dodge, dig it? What’s trucks after a fuckin train-dodge?”

“You’re crazy, man. You want to get killed?”

“RUN FASTER, DICKFACE!” I bellowed and was I enjoying this?

Yeah—in some peculiar, self-destructive way that I have experienced since only when completely and utterly drunk, I was. I was driving Vern Tessio like a drover getting a particularly fine cow to market. And maybe he was enjoying his own fear in the same way, bawling like that self-same cow, hollering and sweating, his ribcage rising and falling like the bellows of a blacksmith on a speed-trip, clumsily keeping his footing, lurching ahead.

“That’s a really fine story,” Chris said suddenly. “They’re just a little too dumb to understand.”

“No, it’s not that hot. It’s a mumbler.”

“That’s what you always say. Don’t give me that bullshit you don’t believe. Are you gonna write it down? The story?”

“Probably. But not for a while. I can’t write em down right after I tell em. It’ll keep.”

“What Vern said? About the ending being a gyp?”

“Yeah?”

Chris laughed. “Life’s a gyp, you know it? I mean, look at us.”

And as I thought about the body of Ray Brower in this light—or lack of it—what I felt was not queasiness or fear that he would suddenly appear before us, a green and gibbering banshee whose purpose was to drive us back the way we had come before we could disturb his—its—peace, but a sudden and unexpected wash of pity that he should be so alone and so defenseless in the dark that was now coming over our side of the earth. If something wanted to eat on him, it would. His mother wasn’t here to stop that from happening, and neither was his father, nor Jesus Christ in the company of all the saints. He was dead and he was all alone, and I realized that if I didn’t stop thinking about it I was going to cry.

“Jesus H Baldheaded Christ,” Teddy whispered, and he talked no more of going into the woods to see what was making that screaming noise. All four of us huddled up together and I thought of running. I doubt if I was the only one. If we had been tenting in Vern’s field—where our folks thought we were—we probably would have run. But Castle Rock was too far, and the thought of trying to run across that trestle in the dark made my blood freeze. Running deeper into Harlow and closer to the corpse of Ray Brower was equally unthinkable. We were stuck. If there was a ha’ant out there in the woods—what my dad called a Goosalum—and it wanted us, it would probably get us.

I’ve never spoken or written of it until just now, today. And I have to tell you that it seems a lesser thing written down, damn near inconsequential. But for me it was the best part of that trip, the cleanest part, and it was a moment I found myself returning to, almost helplessly, when there was trouble in my life—my first day in Vietnam, and this fellow walked into the clearing where we were with his hand over his nose and when he took his hand away there was no nose there because it had been shot off; the time the doctor told us our youngest son might be hydrocephalic (he turned out just to have an outsized head, thank God); the long, crazy weeks before my mother died. I would find my thoughts turning back to that morning, the scuffed suede of her ears, the white flash of her tail.

We looked into each others’ tired, sweaty faces. We were hungry and out of temper. The big adventure had turned into a long slog—dirty and sometimes scary. We would have been missed back home by now, too, and if Milo Pressman hadn’t already called the cops on us, the engineer of the train crossing the trestle might have done it. We had been planning to hitchhike back to Castle Rock, but four o’clock was just three hours from dark, and nobody gives four kids on a back country road a lift after dark.

I tried to summon up the cool image of my deer, cropping at green morning grass, but even that seemed dusty and no good, no better than a stuffed trophy over the mantle in some guy’s hunting lodge, the eyes sprayed to give them a phony lifelike shine.

Finally Chris said: “It’s still closer out going ahead. Let’s go.”

I looked in the direction Vern was pointing and saw a blue-white fireball bowling its way up the lefthand rail of the GS&WM tracks, crackling and hissing for all the world like a scalded cat. It hurried past us as we turned to watch it go, dumbfounded, aware for the first time that such things could exist. Twenty feet beyond us it made a sudden—pop!!—and just disappeared, leaving a greasy smell of ozone behind.

“What am I doin here, anyway?” Teddy muttered.

“What a pisser!” Chris exclaimed happily, his face upturned. “This is gonna be a pisser like you wouldn’t believe!” But I was with Teddy. Looking up at that sky gave me a dismaying sense of vertigo. It was like looking into some deeply mysterious marbled gorge.

He was wrong to mention Denny. I had wanted to reason with him, to point out what Ace knew perfectly well, that we had every right to take Billy and Charlie’s dibs since Vern had heard them giving said dibs away. I wanted to tell them how Vern and I had almost gotten run down by a freight train on the trestle which spans the Castle River. About Milo Pressman and his fearless—if stupid—sidekick, Chopper the Wonder-Dog. About the bloodsuckers, too. I guess all I really wanted to tell him was Come on, Ace, fair is fair. You know that. But he had to bring Denny into it, and what I heard coming from my mouth was my own death-warrant: “Suck my fat one, you cheap dimestore hood.”

Still, it’s mostly just the idea of holding that pail in my two hands, I guess—as much a symbol of my living as his dying, proof that I really do know which boy it was—which boy of the five of us. Holding it. Reading every year in its cake of rust and the fading of its bright shine. Feeling it, trying to understand the suns that shone on it, the rains that fell on it, the snows that covered it. And to wonder where I was when each thing happened to it in its lonely place, where I was, what I was doing, who I was loving, how I was getting along where I was. I’d hold it, read it, feel it…and look at my own face in whatever reflection might be left. Can you dig it?

Even if I’d known the right thing to say, I probably wouldn’t have said it. Speech destroys the functions of love, I think—that’s a hell of a thing for a writer to say, I guess, but I believe it to be true. If you speak to tell a deer you mean it no harm, it glides away with a single slip of its tail. The word is the harm. Love isn’t what these asshole poets like McKeun want you to think it is. Love has teeth; they bite; the wounds never close. No word, no combination of words, can close those lovebites. It’s the other way around, that’s the joke. If those wounds dry up, the words die with them. Take it from me. I’ve made my life from the words, and I know that it is so.

I didn’t care if Ace or Fuzzy and the rest of those assholes respected me or thought I was stupid or never thought about me at all. But there was Chris to think of. His brother Eyeball had broken his arm in two places and had left his face looking like a Canadian sunrise. They had to set the elbow-break with a steel pin. Mrs. McGinn from down the road saw Chris staggering along the soft shoulder, bleeding from both ears and reading a Richie Rich comic book. She took him to the CMG Emergency Room where Chris told the doctor he had fallen down the cellar stairs in the dark.